She senses her biological clock ticking away and wants children while he doesn't. Not because he doesn't like children but because he feels a child would be just one responsibility too many.Nick's problem is his parents. He's devoted to them of course, but sometimes even he finds his patience wearing a little thin which in turn brings on the guilt. But they are rather a handful. They're conservative, highly eccentric and increasingly infirm. His Mum's so enormously overweight that her heart's now a bit dicky and she is certainly no longer up to looking after Dad by herself. He's got Parkinson's Disease - not the shaking kind, as Mum's always reminding people - but he's unable to do even the simplest task himself and needs constant care and attention.Nick knows the time has come to take the matter in hand but things need to be handled carefully. And so he and Laura take them to Malta for what they hope will be a happy final family holiday. Nick thinks his only problem is going to be avoiding Laura's amorous advances but this particular island turns out to be a sun-kissed cupboard with more than its fair share of skeletons...Tackling a taboo subject with sensitivity, understanding, great affection and good humour, What We Did On Our Holiday is a remarkably uplifting, moving and reassuring novel about a time in our lives when it seems roles are reversed and we find ourselves looking after the very people we'd always assumed would be there to look after us.

    It’s the late eighties in Long Island, New York, and eighteen-year-old Harlan Kessler plays in a band, parties with friends, and struggles with a family that offers anything but a Kodak moment. The one ray of hope in Harlan’s life is Sarah DeRosa. With her by his side, Harlan just might make the right choices between love and aggression, intimacy and absence, finding himself and losing his mind. . . .

    Nothing, in short, to signify the deep change that each member of the Harrelson household will undergo. Parents Gene and Helen turn away from each other and look inward, losing themselves in private fantasies. Ten-year-old Crispy devises elaborate strategies for her escape from the suffocating clutch of the Harrelson home and into the waiting arms of pop star Marky Mark.But the heart of this family portrait is younger brother Stephen, who, along with his quirky and creative friend Nicole, crafts an alternative reality in which their comic book hero, Wolf Boy, battles the forces of evil, champions the powers of good, and fights to keep his family intact. Through Wolf Boy, Stephen finds an outlet for his grief and a concrete expression for his place in a family spiraling out of control and for all the natural yearnings and hopes of a typical thirteen-year-old. Wolf Boy’s adventures are featured throughout the book, introducing a graphic-novel subplot that adds humor and visual interest and stretches the limits of the conventional novel.With warmth, humor, hope, and empathy, Evan Kuhlman’s debut novel is truly unforgettable and signals a fresh new voice in today’s fiction.

    Ancestry, intrigue, and lessons in friendship are part of the narrative. As summer draws to a close, an urgent call sends Kat and Philippe back to Sainte-Mathilde where the family gathers to support each other in an emergency situation. From the splendor of the lavender season through to the changing landscape of autumn and the festivities of the grape harvest, the Love in Provence characters face challenges, make memories and attempt to maintain their usual joie de vivre!

    The tragedy sets in motion a dangerous quest for truth that pulls Tusker into a sinister plot spanning 75 years, from World War II Ceylon to modern day Sri Lanka. Along the way, he matches wits with a psychopathic mercenary, discovers a long lost ship with an explosive secret, and falls for a beautiful marine biologist who is at least as strong as he is. In the end, Tusker finds that the truth may lie at the bottom of the sea, with only one way back to the surface. Depth Charge is an old school thriller in the tradition of Fleming, Maclean, and Cussler, with an eye for detail, cunning villains, and narrow escapes. The story is full of wartime secrets, the intersection of religion and politics, and the arcane world of deep technical diving. It takes readers from the smoky halls of 1940s London to the volatile, seductive heat of Sri Lanka and sixty fathoms under the Indian Ocean.

    The opening chapter outlines initial reactions to the novel from English and Caribbean critics, charting the differences between them. Chapter Two explores Wide Sargasso Sea 's dialogue with Jane Eyre and the theoretical questions it has raised. Succeeding chapters examine how critics have assessed the racial politics of Rhys's text, discuss the novel's African Caribbean cultural legacy, and explore how critics read the work both in terms of its moment of production and the early Victorian period in which it is set.

    He is a writer, observes the "Chicago Tribune," who can "convincingly squeeze whole lives into a mere twenty pages or so." Now Chaon marshals his notable talents in his much-anticipated debut novel. "You Remind Me of Me" begins with a series of separate incidents: In 1977, a little boy is savagely attacked by his mother's pet Doberman; in 1997 another little boy disappears from his grandmother's backyard on a sunny summer morning; in 1966, a pregnant teenager admits herself to a maternity home, with the intention of giving her child up for adoption; in 1991, a young man drifts toward a career as a drug dealer, even as he hopes for something better. With penetrating insight and a deep devotion to his characters, Dan Chaon" "explores the secret connections that irrevocably link them. In the process he examines questions of identity, fate, and circumstance: Why do we become the people that we become? How do we end up stuck in lives that we never wanted? And can we change the course of what seems inevitable? In language that is both unflinching and exquisite, Chaon moves deftly between the past and the present in the small-town prairie Midwest and shows us the extraordinary lives of "ordinary" people.

    Caustic, comic, and unflinchingly honest, Mammals is a cruel but beautiful tale of love, solitude, alcoholism, family, and unemployment. This fictional memoir of a glorious loser recounts the life of the Uncle, an unhappy Parisian bachelor whose only true loves were a Polish girl and a divorcee. He is a drunk; he is sarcastic; he works and fails desultorily in several fields until he winds up surrounded by neurotic women, a teacher in a secondary school. He tries out therapist after therapist and can't figure out who is the butt of the joke. He has nephews and this makes him nervous. In fact, almost everything about family life makes him nervous — especially now that he's living at home again. He coins proverbs for living with lowered expectations and attempts a bestiary of his pathological parents, the mammals of the title.Riding its handbasket merrily to hell, veering now and then toward overwhelming lyricism, Mammals pieces together the portrait of modern society's Everyman. It establishes Pierre Merot as an extraordinary and delightful voice of international stature.

    Not for long. By 1919, White Russians were fighting the Bolsheviks (Reds) for control of their country, and Winston Churchill (then Minister for War) wanted to see Communism 'strangled in its cradle'. So a volunteer R.A.F. squadron, flying Sopwith Camels and DH9 bombers, went there to duff up the Reds. 'There's a splendid little war going on,' a British staff officer told them. 'You'll like it.' Looked like fun. But the war was neither splendid nor little. It was big and it was brutal, a grim conflict of attrition, marked by cruelty, betrayal and corruption. Before it ended, the squadron wished that both sides would lose. If that was a joke, nobody was laughing. "A Splendid Little War" tests the pilots' gallows humour in a world of armoured trains and elegant barons, gruesome religious sects and anarchist guerrillas, unreliable allies and pitiless enemies. The comedy of this war, if it exists, is very bleak. Derek Robinson is at once our finest living comic novelist and a master of military fiction. Biggles was never like this.

    1 bestselling crime series featuring clinical psychologist Dr Tony Hill, hero of TV’s much loved WIRE IN THE BLOOD.THE MERMAIDS SINGINGUp till now, the only serial killers Tony Hill had encountered were safely behind bars. This one’s different – this one’s on the loose.Four men have been found mutilated and tortured. As fear grips the city, the police turn to clinical psychologist Tony Hill for a profile of the killer. But soon Tony becomes the unsuspecting target in a battle of wits and wills where he has to use every ounce of his professional nerve to survive.THE WIRE IN THE BLOODYoung girls are disappearing around the country, and there is nothing to connect them to one another, let alone the killer whose charming manner hides a warped and sick mind.Dr Tony Hill, head of the new National Profiling Task Force, sets his team an exercise: they are given the details of missing teenagers and asked to discover any possible links between the cases. Only one officer comes up with a theory – a theory that is ridiculed by the group … until one of their number is murdered and mutilated.For Tony Hill, the murder becomes a matter for personal revenge and, joined by colleague Carol Jordan, he embarks on a campaign of psychological terrorism – a game where hunter and hunted can all too easily be reversed.THE LAST TEMPTATIONA twisted killer targeting psychologists has left a grisly trail across Europe.Dr Tony Hill, expert at mapping the minds of murderers, is reluctant to get involved. But then the next victim is much closer to home…Meanwhile, his former partner DCI Carol Jordan is working undercover in Berlin, on a dangerous operation to trap a millionaire trafficker. When the game turns nasty, Tony is the only person she can call on for help.Confronting a cruelty that has its roots in Nazi atrocities, Tony and Carol are thrown together in a world of violence and corruption, where they have no one to trust but each other.

    Thwarted in a previous attempt to bring charges for other nefarious crimes, Ms. Battle is determined to put the crime boss behind bars, and this time she has what looks like an airtight case. Claiming he has been framed, Carmine hires the blue blood, Harvard-educated attorney Harrison Fletcher, Jr. who was recently fired from his position as Assistant DA for refusing to compromise his ethics, to help him prove his innocence. Assisted by his beautiful wife and a scruffy, alcohol-loving detective, Harry sets out to discover who set the fire and why. As what really happened that June night becomes clear, evidence begins to disappear. With the defense’s case starting to crumble, Harry devises a way to prove Carmine’s innocence. But will the plan work?

    

    As the gathered family settle in to their first Christmas together for some years, the grown siblings - Rodney, Johnny and Gwen - are surprised when they are invited to each put stickers on the furniture and items they wish to inherit from their parents.Disputed Land is narrated by Leonard and Rosemary's thirteen-year-old grandson, Theo, who observes how from these innocent beginnings age-old fissures open up in the relationships of those around him. Looking back at this Christmas gathering from his own middle-age - a narrator at once nostalgic and naïve - Theo Cannon remembers his imperious grandmother Rosemary, alpha-male uncle Johnny, abominable twin cousins Xan and Baz; he recalls his love for his grandfather Leonard and the burgeoning feelings for his cousin Holly. And he asks himself the question: if a single family cannot solve the problem of what it bequeaths to future generations, then what chance does a whole society have of leaving the world intact?

    . .It’s 1981. Eleven-year-old Sadie adores her beautiful and vibrant mother, Connie, whose dreams of making it big as a singer fill their tiny house in Leeds. It’s always been just the two of them. Until the unthinkable happens.Jean hasn’t seen her good-for-nothing daughter Connie since she ran away from the family home in Harlow – or Pram Town as its inhabitants affectionately call it – aged seventeen and pregnant.But in the wake of the Royal Wedding, Jean gets a life-changing call: could she please come and collect the granddaughter she’s never met?We all know how Charles and Diana turned out, and Jean and Sadie are hardly a match made in heaven – but is there hope of a happy ending for them?Written in Joanna Nadin’s trademark dazzling prose, The Talk of Pram Town tells the story of three generations of Earnshaws and asks whether it always has to be like mother, like daughter . .