His missionary ancestors who came to the islands were financially and culturally progressive—one even married a Hawaiian princess, making Matt a royal descendant and one of the state's largest landowners. But now his luck has changed. His two daughters are out of control—10-year-old Scottie has a smart-ass attitude and a desperate need for attention and 17-year-old Alex, a former model, is a recovering drug addict. His thrill-seeking and high-maintenance wife, Joanie, lies in a coma after a boat racing accident, and will soon be taken off life support. The King family can hardly picture life without their charismatic mother, but as they come to terms with this tragedy, their sadness is mixed with a sense of freedom that shames them—and spurs them into surprising actions.

    Her husband died years ago, as did his wife, and in such a small town they naturally have known of each other for decades; in fact, Addie was quite fond of Louis's wife. His daughter lives hours away in Colorado Springs, her son even farther away in Grand Junction, and Addie and Louis have long been living alone in houses now empty of family, the nights so terribly lonely, especially with no one to talk with. Their brave adventures - their pleasures and their difficulties - are hugely involving and truly resonant, making Our Souls at Night the perfect final installment to this beloved writer's enduring contribution to American literature.

    When identical twins arrive at an unnamed fishing port, they become the focus of the residents' attention and gossip. The stories they tell about the young men uncover a dizzying web of connections, revealing passion, sex, and murder. Fates are surprisingly intertwined, and the result is a moving, often hilarious, novel that questions our assumptions about life and literature.

    Now that its basketball program has fallen apart, CSU’s only claim to fame is its Gravinics Department, dedicated to the study of an obscure European country—its mythology, its extraordinarily difficult language, and especially its bizarre star poet, Henderson.Having discovered Henderson’s poetry in a trash bin, Stanley Higgs becomes the foremost scholar of the poet’s work, accepts a position at Chandler State University, achieves international academic fame, marries the Dean’s daughter, and abruptly stops talking. With all of academia convinced that Higgs is formulating a great truth, the university employs Orwellian techniques to record Higgs’s every potential utterance and to save its reputation. A feckless Gravinics language student, Samuel Grapearbor, together with his long-suffering girlfriend Julia, is hired to monitor Higgs during the day. Over endless games of checkers and shared sandwiches, a uniquely silent friendship develops. As one man struggles to grow up and the other grows old, The Grasshopper King, in all of his glory, emerges.In this debut novel about treachery, death, academia, marriage, mythology, history, and truly horrible poetry, Jordan Ellenberg creates a world complete with its own geography, obscene folklore, and absurdly endearing -characters—a world where arcane subjects flourish and the smallest swerve from convention can result in -immortality.Jordan Ellenberg was born in Potomac, Maryland in 1971. His brilliance as a mathematical prodigy led to a feature in The National Enquirer, an interview with Charlie Rose on CBS’s Nightwatch, and gold medals at the Math Olympiad in Cuba and Germany. He is now an Assistant Professor of Math at Princeton University and his column, "Do the Math," appears regularly in the online journal Slate. This is his first novel.

    The setting is Alexandria, Mississippi, where one Mother’s Day a little boy named Robin Cleve Dufresnes was found hanging from a tree in his parents’ yard. Twelve years later Robin’s murder is still unsolved and his family remains devastated. So it is that Robin’s sister Harriet - unnervingly bright, insufferably determined, and unduly influenced by the fiction of Kipling and Robert Louis Stevenson--sets out to unmask his killer. Aided only by her worshipful friend Hely, Harriet crosses her town’s rigid lines of race and caste and burrows deep into her family’s history of loss.

    Gary, driven by thirty years of diverted plans, and Irene, haunted by a tragedy in her past, are trying to rebuild their life together. Following the outline of Gary's old dream, they're hauling logs to Caribou Island in good weather and in terrible storms, in sickness and in health, to build the kind of cabin that drew them to Alaska in the first place. But this island is not right for Irene. They are building without plans or advice, and when winter comes early, the overwhelming isolation of the prehistoric wilderness threatens their bond to the core. Caught in the emotional maelstrom is their adult daughter, Rhoda, who is wrestling with the hopes and disappointments of her own life. Devoted to her parents, she watches helplessly as they drift further apart. Brilliantly drawn and fiercely honest, Caribou Island captures the drama and pathos of a husband and wife whose bitter love, failed dreams, and tragic past push them to the edge of destruction. A portrait of desolation, violence, and the darkness of the soul, it is an explosive and unforgettable novel from a writer of limitless possibility.

    A tryst of bondage.  A lover's murder.  Investigator Jon Frederick returns in a search to uncover the identity of a killer creeping through communities along I-94 in Minnesota, targeting couples who store their fetish photos online.  The killer taunts Jon with hidden messages embedded  in local media that lead him to Sonia, a young woman with a terrible secret.  A fast-paced thriller based on the profile of a true-life serial murderer, The I-94 Murders  guides the reader with an insider's light along the dark road of a killer.

     With no home, or family, he heads west in pursuit of revenge. There he will not only find purpose in killing the men responsible for destroying his life but will also uncover that justice is not as simple as life or death. VENGEANCE ROAD is book one in THE WANDERER series.

    Sallis combines murder, treachery and payback in a sinister plot with resonances of 1940s pulp fiction and film noir. Told through a cinematic narrative that weaves back and forth through time and place, the story explores Driver's near existential moral foundations, intercut with moments of bloody violence.

    In Pornocracy, a beautiful woman wanders through a gay disco and engages a man, confident that he will follow her. Perversely and dispassionately, she offers her body as the ground of a ritualistic game in which, over the course of three evenings, the two will explore the numbing mechanics of sexual brutality. What follows is an exchange between a man and a woman that is both frankly sexual and deeply philosophical. Adapted and directed for film in France by Breillat as Anatomy of Hell (2004), Pornocracy leads the reader through an undulating and atmospheric exploration of the criminal and the erotic, finally climaxing in a place well beyond more familiar moral terrain. Although Breillat's films—most recently Fat Girl (2001) and Romance (1999)—are well known to international audiences, this publication marks her literary debut in America. It will demonstrate that Breillat's famous films are but one aspect of her strikingly original poetic and philosophical vision.

    The Gault family leads a life of privilege in early 1920s Ireland, but the threat of violence leads the parents of nine-year-old Lucy to decide to leave for England, her mother's home. Lucy cannot bear the thought of leaving Lahardane, their country house with its beautiful land and nearby beach, and a dog she has befriended. On the day before they are to leave, Lucy runs away, hoping to convince her parents to stay. Instead, she sets off a series of tragic misunderstandings that affect all of Lahardane's inhabitants for the rest of their lives.

    She has written to say she is in hospice and wanted to say goodbye. Leaving his tense, bitter wife Maureen to her chores, Harold intends a quick walk to the corner mailbox to post his reply but instead, inspired by a chance encounter, he becomes convinced he must deliver his message in person to Queenie--who is 600 miles away--because as long as he keeps walking, Harold believes that Queenie will not die. So without hiking boots, rain gear, map or cell phone, one of the most endearing characters in current fiction begins his unlikely pilgrimage across the English countryside. Along the way, strangers stir up memories--flashbacks, often painful, from when his marriage was filled with promise and then not, of his inadequacy as a father, and of his shortcomings as a husband. Ironically, his wife Maureen, shocked by her husband's sudden absence, begins to long for his presence. Is it possible for Harold and Maureen to bridge the distance between them? And will Queenie be alive to see Harold arrive at her door?THE LOVE SONG OF MISS QUEENIE HENNESSYWhen Queenie Hennessy discovers that Harold Fry is walking the length of England to save her, and all she has to do is wait, she is shocked. Her note had explained she was dying. How can she wait?      A new volunteer at the hospice suggests that Queenie should write again; only this time she must tell Harold everything. In confessing to secrets she has hidden for twenty years, she will find atonement for the past. As the volunteer points out, 'Even though you've done your travelling, you're starting a new journey too.'      Queenie thought her first letter would be the end of the story. She was wrong. It was the beginning.

    What he finds is the dying and the dead, an entire population suffering from a strange and unnatural plague. Is it possible that every one of the townsfolk have been poisoned? At the heart of the mystery is the local pharmacist, Aiken. He is responsible for summoning young Maxwell to Carrick. He offers motives, explanations, stories, questions. But could he also be guilty of this heinous crime? Maxwell soon realizes that, although a great violence is being done to Carrick, the town itself hides from its own secrets - events from long ago and truths hidden from outsiders at all costs, even their lives. Maxwell interviews the final survivors who are suffering from a disease characterized by a barely recognizable but nonetheless identifiable odour, and a garrulousness unusual in such taciturn people, long accustomed to keeping secrets. yet their confessions lead constantly to more questions and always back to Aiken. As one who knows him well queries, "He's like a stick in water. Is he bent or not?"In The Mysterium, Eric McCormack's second novel, the nature of truth is found to be as deadly as the poison killing the people of Carrick. For at the heart of everything, at the heart of every story and every truth, there is only the mystery.

    Meet Martin, JJ, Jess, and Maureen. Four people who come together on New Year's Eve: a former TV talk show host, a musician, a teenage girl, and a mother. Three are British, one is American. They encounter one another on the roof of Topper's House, a London destination famous as the last stop for those ready to end their lives. In four distinct and riveting first-person voices, Nick Hornby tells a story of four individuals confronting the limits of choice, circumstance, and their own mortality. This is a tale of connections made and missed, punishing regrets, and the grace of second chances. Intense, hilarious, provocative, and moving, A Long Way Down is a novel about suicide that is, surprisingly, full of life. What's your jumping-off point? MaureenWhy is it the biggest sin of all? All your life you're told that you'll be going to this marvelous place when you pass on. And the one thing you can do to get you there a bit quicker is something that stops you getting there at all. Oh, I can see that it's a kind of queue-jumping. But if someone jumps the queue at the post office, people tut. Or sometimes they say "Excuse me, I was here first." They don't say "You will be consumed by hellfire for all eternity." That would be a bit strong. MartinI'd spent the previous couple of months looking up suicides on the Internet, just out of curiosity. And nearly every single time, the coroner says the same thing: "He took his own life while the balance of his mind was disturbed." And then you read the story about the poor bastard: His wife was sleeping with his best friend, he'd lost his job, his daughter had been killed in a road accident some months before . . . Hello, Mr. Coroner? I'm sorry, but there's no disturbed mental balance here, my friend. I'd say he got it just right. JessI was at a party downstairs. It was a shit party, full of all these ancient crusties sitting on the floor drinking cider and smoking huge spliffs and listening to weirdo space-out reggae. At midnight, one of them clapped sarcastically, and a couple of others laughed, and that was it-Happy New Year to you, too. You could have turned up to that party as the happiest person in London, and you'd still have wanted to jump off the roof by five past twelve. And I wasn't the happiest person in London anyway. Obviously. JJNew Year's Eve was a night for sentimental losers. It was my own stupid fault. Of course there'd be a low-rent crowd up there. I should have picked a classier date-like March 28, when Virginia Woolf took her walk into the river, or November 25 (Nick Drake). If anybody had been on the roof on either of those nights, the chances are they would have been like-minded souls, rather than hopeless f*ck-ups who had somehow persuaded themselves that the end of a calendar year is in any way significant.

    When Nick’s charmingly erratic behavior finally became too much for Lena, the marriage and the partnership ended. But—like C. K. Dexter Haven and Tracy Lord—it seems that Lena and Nick just can’t quite separate.Lena works out fiercely, keeps her dates with the boring and conventional Preston Winter, and daily battles on against corporate greed. But Nick’s not doing so well.Still brilliant and devilishly clever, he is now also almost crazy. He is prone to fantasy and the big gesture, and he engages frantically in guerrilla activism for the sake of animals wild and domestic. Nick doesn’t make plans; he has visions. And eventually his antics put him back into Lena’s hands. While she tries to navigate the legal waters into which he’s thrown them, Nick veers out of her wake and into the midst of a strange set of companions, including Oscar, his psychiatric attendant and Action Comics collector; Ralph and Alice Wilson, the rebellious managers of the city animal shelter; and an aging Russian hound named Wolfram.Often laugh-out-loud funny, with bright wit and brilliant machine-gun dialogue, The Marriage of True Minds sweetly explores modern love, undying idealism, and one cracked partnership that can’t be sundered—from without or from within.If you like screwball comedies, like Bringing Up Baby and His Girl Friday, then you’ll love The Marriage of True Minds!