Also included are fascinating primary sources and background materials, an annotated bibliography, and discussions of the work by leading scholars Robert Louis Jackson, Richard Tempest, and Dariusz Tolczyk. Combining scholarship with accessibility, this critical companion--part of the acclaimed AATSEEL series--illuminates a great work of literature and will enhance its appreciation by students and teachers.

    However, only once in a while does a genius emerge whose work is of such brilliance and magnitude that it surpasses all existing levels. Charles Chaplin was such an artist and his extraordinary career is a stunning testament to both his own genius and to the development of that unique popular art form--the cinema.

    The films of the New Wave in Japan have, until now, been largely overlooked. Eros plus Massacre (taking its title from a 1969 Yoshida Yoshishige film) is the first major study devoted to the examination and explanation of Japanese New Wave film.Desser organizes his volume around the defining motifs of the New Wave. Chapters examine in depth such themes as youth, identity, sexuality, and women, as they are revealed in the Japanese film of the sixties. Desser's research in Japanese film archives, his interviews with major figures of the movement, and his keen insight into Japanese culture combine to offer a solid and balanced analysis of films by Oshima, Shinoda, Imamura, Yoshida, Suzuki, and others.

    But how are lawyers and the judicial system in India perceived today? It is no secret that the very thought of facing the courts in India leaves the common man with a sense of dread and despair; cases drag on interminably, and justice sometimes seems like an afterthought. Who or what is responsible for this situation? Where have we lost our way? It is at times good to see ourselves as others see us, and the picture is not a very flattering one, argues Fali S. Nariman, renowned constitutional expert, practising lawyer and president of the Bar Association of India. In this frank and thought-provoking book, he realistically appraises the performance of those in the profession and what they need to do in the years ahead, and addresses some home truths about our country's legal system.

    In The New Great Game, Lutz Kleveman gives us a fearless, insightful, and exacting portrait of a new battleground in the violent politics and passion of oil: Central Asia, known as the “black hole of the earth” for much of the last century. The Caspian Sea contains the world’s largest amount of untapped oil and gas resources. It is estimated that there might be as much as 100 billion barrels of crude oil in the former Soviet republics of Kazakhstan and Azerbaijan alone.Using the concept of the “Great Game” that Rudyard Kipling immortalized in his novel Kim, Kleveman argues that now a New Great Game rages in the region, a modern variant of the nineteenth-century clash of imperial ambitions of Great Britain and Tsarist Russia. Only this time the stakes are raised. Desperate to wean itself from dependence on the powerful OPEC cartel, the United States is now pitted in this struggle against Russia, China, and Iran, all competing for dominance of the Caspian region, its resources and pipeline routes.Complicating the playing field are transnational energy corporations with their own agendas and the brash new, Wild West–style entrepreneurs who have taken control after the collapse of the Soviet Union. Traveling thousands of miles, from the Caucasus peaks across the central Asian plains down to the Afghan Hindu Kush, Kleveman met with the principal Great Game actors between Kabul and Moscow: oil barons, generals, diplomats, and warlords.Based on extensive research and travel in the Caucasus, the Caspian, and Central Asia, The New Great Game is a gripping narrative and a savvy and incisive analysis of the power struggle for the world’s remaining energy resources.

    Now that it's possible to publish in real time to a worldwide audience, a new breed of grassroots journalists are taking the news into their own hands. Armed with laptops, cell phones, and digital cameras, these readers-turned-reporters are transforming the news from a lecture into a conversation. In We the Media, nationally acclaimed newspaper columnist and blogger Dan Gillmor tells the story of this emerging phenomenon and sheds light on this deep shift in how we make--and consume--the news.Gillmor shows how anyone can produce the news, using personal blogs, Internet chat groups, email, and a host of other tools. He sends a wake-up call to newsmakers-politicians, business executives, celebrities-and the marketers and PR flacks who promote them. He explains how to successfully play by the rules of this new era and shift from "control" to "engagement." And he makes a strong case to his fell journalists that, in the face of a plethora of Internet-fueled news vehicles, they must change or become irrelevant.Journalism in the 21st century will be fundamentally different from the Big Media oligarchy that prevails today. We the Media casts light on the future of journalism, and invites us all to be part of it.Dan Gillmor is founder of Grassroots Media Inc., a project aimed at enabling grassroots journalism and expanding its reach. The company's first launch is Bayosphere.com, a site "of, by, and for the San Francisco Bay Area."Dan Gillmor is the founder of the Center for Citizen Media, a project to enable and expand reach of grassroots media. From 1994-2004, Gillmor was a columnist at the San Jose Mercury News, Silicon Valley's daily newspaper, and wrote a weblog for SiliconValley.com. He joined the Mercury News after six years with the Detroit Free Press. Before that, he was with the Kansas City Times and several newspapers in Vermont. He has won or shared in several regional and national journalism awards. Before becoming a journalist he played music professionally for seven years.

    Partly because horror continues to evolve radically--every time the genre is deemed dead, it seems to come up with another twist--it has been one of the most often-dissected genres. Here, author Kendall Phillips selects ten of the most popular and influential horror films--including Dracula, Night of the Living Dead, Halloween, The Silence of the Lambs, and Scream, each of which has become a film landmark and spawned countless imitators, and all having implications that transcend their cinematic influence and achievement. By tracing the production history, contemporary audience response, and lasting cultural influence of each picture, Phillips offers a unique new approach to thinking about the popular attraction to horror films, and the ways in which they reflect both cultural and individual fears. Though stylistically and thematically very different, all of these movies have scared millions of eager moviegoers. This book tries to figure out why.

    He presents the ideological innovations and ethnic cleansings that abetted the spread of modern nationalism but also examines recent statesmanship that has allowed national interests to be channeled toward peace.“A work of profound scholarship and considerable importance.”—Timothy Garton Ash, St. Antony’s College, University of Oxford“Timothy Snyder’s style is a welcome reminder that history writing can be—indeed, ought to be—a literary pursuit.”—Charles King, Times Literary Supplement“A brilliant and fascinating analysis of the subtleties, complexities, and paradoxes of the evolution of nations in Eastern Europe. It has major implications for all of us who want to understand the processes of state collapse and nation-building in the world.”—Samuel P. Huntington, Harvard Academy for International and Area Studies“Snyder’s ultimate query in this fresh and stimulating look at the path to nationhood is how the bitter experiences along the way, including the bitterest—ethnic cleansing—are to be overcome.”—Robert Legvold, Foreign Affairs

    144 pp. Ages 14 and up. Pub: 3/98.

    He's a genuine voice of the people, the bastard child of Woody Guthrie and James Brown, and an elder statesman who has inspired generations of bands. He's won twenty Grammy Awards, an Oscar, two Golden Globes, and is a member of two Halls of Fame.There are dozens of books about Springsteen. What's left to say? Nothing objective, perhaps. But when it comes to music, objectivity is highly overrated. Robert Wiersema has been a Springsteen fan since he was a teenager, following tours to see multiple shows in a row, watching set lists develop in real time via the Internet, ordering bootlegs from shady vendors in Italy. His attachment is deeper than fandom, though: he's grown up with Springsteen's songs as the soundtrack to his life, beginning with his youth in rural British Columbia and continuing on through dreams of escape, falling in love, and becoming a father.Walk Like a Man is the liner notes for a mix tape, a blend of biography, music criticism, and memoir. Like the best mix tapes, it balances joy and sorrow, laughter seasoning the dark-night-of-the-soul questions that haunt us all. Wiersema's book is the story of a man becoming a man (despite getting a little lost along the way), and of Springsteen's songs and life that have accompanied him on his journey.

    Musicians of this genre have developed an often impenetrable sound that teeters on the edge of screaming, incomprehensible noise. Extreme metal circulates on the edge of mainstream culture within the confines of an obscure 'scene', in which members explore dangerous themes such as death, war and the occult, sometimes embracing violence, neo-fascism and Satanism. In the first book-length study of extreme metal, Keith Kahn-Harris draws on first-hand research to explore the global extreme metal scene. He shows how the scene is a space in which members creatively explore destructive themes, but also a space in which members experience the everyday pleasures of community and friendship. Including interviews with band members and fans, from countries ranging from the UK and US to Israel and Sweden, Extreme Metal: Music and Culture on the Edge demonstrates the power and subtlety of an often surprising and misunderstood musical form.

    I don't think it will ever be superseded ... It is scholarly yet readable, the fullest, most objective and factually detailed book on virtually every aspect of Buster's career and personality: artistic, financial, and pyschological ... full of the most interesting (and surprising) information." - Dwight MacDonald, The New York Review of Books "A candid yet compassionate account of Keaton's turbulent personal life...reveals the roots of his humanity ... his pessimism ... �his� superb spirit of comic gloom ..." - Boston Globe

    At the top of her game she risked all, rising against the Vietnam War and shocking the world with a trip to Hanoi. Later, while becoming one of Hollywood’s most committed feminists, she financed her husband Tom Hayden’s political career in the ’80s with exercise videos that began a fitness craze and brought in millions of dollars. Just as interesting is Fonda’s next turn, as a Stepford Wife of the Gulfstream set, marrying Ted Turner and seemingly walking away from her ideals and her career.Fonda’s is a story of the blend of deep insecurity, magnetism, bravery, and determination that fuels the most inspiring and occasionally infuriating public lives. Finally here is Fonda and all the women she’s been.

    

    It transcends the years, the standings, and all other distractions. And thanks to the countless remarkable football games between Michigan and Ohio State--and hundreds of thousands of devoted alumni and followers--the rivalry is now an enormous cultural event.