Xiaolu’s first novel in English is an utterly original journey of self-discovery.

    Fifty years earlier, in the idyllic coastal village of Stepmouth, a forbidden love affair and a devastating flood drove the Vale family apart, but now her aunt is determined that Laurie should know the truth. Laurie escapes to the balmy warmth of Majorca only to find the hopes and passions buried in the past resurfacing in the present. But the more she seeks to heal old wounds, the more she becomes ensnared in a complex love affair of her own. One that could destroy her family for good.A wonderfully entertaining novel about love, family and the secrets that lie just beneath the surface...

    And across the centuries the fates of three women are linked: to this place, to each other.In the early 1700s, Sarah, accused of being a witch, flees for her life.In the aftermath of the Second World War, Ruth navigates a new house, a new husband and the strange waters of the local community.Six decades later, the house stands empty. Viv, mourning the death of her father, catalogues Ruth’s belongings and discovers her place in the past – and perhaps a way forward.Each woman’s choices are circumscribed, in ways big and small, by the men in their lives. But in sisterhood there is the hope of survival and new life. Intricately crafted and compulsively readable, The Bass Rock burns bright with anger and love.

    She does not return.Three people have been intimately connected with her. One, her brother, a soldier and adventurer; the second a doctor, traumatized by the war, and harbouring a secret passion, and the third, Mariella, her cousin and childhood friend, who must now uncover the truth about what has happened to the missing nurse.Mariella's epic journey takes her from the domestic quiet of London to the foothills of Italy, and on to the ravaged Russian landscape of the Crimea, where she must discover what has happened to her captivating and mysterious cousin and uncover the secrets of those who loved her..

    In the ensuing weeks, then months, the police investigation turns up nothing. Echoes of the disappearance reverberate across a tightly woven community, with the fear and loss felt most deeply among its women.Set on the remote Siberian peninsula of Kamchatka, Disappearing Earth draws us into the world of an astonishing cast of characters, all connected by an unfathomable crime. We are transported to vistas of rugged beauty – densely wooded forests, open expanses of tundra, soaring volcanoes and the glassy seas that border Japan and Alaska – and into a region as complex as it is alluring, where social and ethnic tensions have long simmered, and where outsiders are often the first to be accused.In a story as propulsive as it is emotionally engaging, and through a young writer's virtuosic feat of empathy and imagination, this powerful novel provides a new understanding of the intricate bonds of family and community, in a Russia unlike any we have seen before.Beautifully written, thought-provoking, intense and cleverly wrought, this is the most extraordinary first novel from a mesmerising new talent.

    Her father, Daddy Dangerfield, has given her the best of everything, she's not known a moment's doubt or worry. Until a shocking secret is revealed, and she is thrown out of the family with nothing but her dreams of revenge.Meanwhile on a rough council estate in East London, Chanelle has wanted to be a dancer her whole life. Dancing is the one thing that takes her out of the grim reality of her life with her alcoholic mother and she is determined to use any means possible to become successful, no matter how underhand her methods.Born on the same day Chanelle and Daisy's lives could not be more different. Until everything changes, and they discover they have more in common than they could ever have imagined.

     This is the dark but humourous tale of Sarah Pemberton, who is not a happy woman. A down to earth, inventive soul who despises her stuck up pompous husband Neil, who believes he is much more intelligent and important than she is. When he refuses her a divorce and emotionally blackmails her into staying with him by threatening to take custody of their daughter, she's decides to make life a little more entertaining for herself, by subtly torturing him at every available opportunity. Creative and adaptable by nature, with a wicked sense of humour, she comes up with more and more ways to ridicule him, without him ever knowing she has a hand in it. ...."During 1993-1994 amongst other things, I cooked him a meat pie with pedigree chum; Stole his car more times than I can count; put chilli powder in his underpants, sent a stripagram to his work (a fat one), and subscribed him to a gay porn mag! (Our paperboy avoided him like the plague after that.)"..... Finding accomplices in the form of her Aunt May, who lives in a crumbling old former hotel which was damaged during WWII, and May's two lodgers, a shy young hippy named Darren, along with his brother Matthew a former life model, they try to get rid of her husband by either 'Plan A', which consists of 'frame him for a crime so that he gets incarcerated', or 'Plan B' drive him to a nervous breakdown. Both plans are designed to discredit Neil in case of a custody battle for their daughter. There is only one little prerequisite for every little torturous idea though, and that is, IT HAS TO MAKE THEM LAUGH! Unbeknown to Sarah at first, she isn't the only one with a vendetta against her husband, his entire workforce hate his guts and exploit any opportunity to make him look bad. When plans A & B go disastrously wrong, Sarah and co set their sights on a new target, her in-laws. Interwoven throughout the story is the tale of Aunt May, the lynch pin of her little make shift family, who harbours secrets of her own that go back to the night the bomb fell on the east wing of the hotel. This is not a tale of a submissive woman suffering at the hands of abuse; this is the tale of a strong courageous woman having one last laugh at other people's expense. Contains very occasional strong language, and scenes that should not be repeated at home. Volume One of 'The Cuckoo' series

    Beautiful divorcee Tory is painfully involved with her neighbour, Robert, while his wife Beth, Tory's best friend, is consumed by the worlds she creates in her novels, oblivious to the relationship developing next door. Their daughter Prudence is aware, however, and is appalled by the treachery she observes. Mrs Bracey, an invalid whose grasp on life is slipping, forever peers from her window, constantly prodding her daughters for news of the outside world. And Lily Wilson, a lonely young widow, is frightened of her own home. Into their lives steps Bertram, a retired naval officer with the unfortunate capacity to inflict lasting damage while trying to do good.

    Seventy years later, released by widowhood, and to the dismay of her pompous children, she abandons the family home for a tiny house in Hampstead. Here she recollects the dreams of youth, and revels in her newfound freedom with her odd assortment of companions: Genoux, her French maid; Mr. Bucktrout, her house agent; and a coffin maker who pictures people dead in order to reveal their true characters. And then there's Mr. FitzGeorge, an eccentric millionaire who met and loved her in India when she was young and very lovely. It is here in this world of her own that she finds a passion that comes only with the freedom to choose, and it is this, her greatest gift, that she passes on to the only one who can understand its value. First published in 1931, Vita Sackville-West's masterpiece is the fictional companion to her great friend Virginia Woolf's A Room of One's Own.

    (Nancy Pearl)After eleven years of marriage to an egocentric opera singer, Pat Murray packs up her daughter and leaves, regaining control of her life and approaching single parenthood bravely until she meets Roland and his pregnant wife.

    Her guilt-plagued mother cannot accept her daughter's deafness. Grania's saving grace is her grandmother Mamo, who tries to teach Grania to read and speak again. Grania's older sister, Tress, is a beloved ally as well-obliging when Grania begs her to shout words into her ear canals and forging a rope to keep the sisters connected from their separate beds at night when Grania fears the terrible vulnerability that darkness brings. When it becomes clear that she can no longer thrive in the world of the hearing, her family sends her to live at the Ontario School for the Deaf in Belleville, where, protected from the often-unforgiving hearing world outside, she learns sign language and speech.After graduation Grania stays on to work at the school, and it is there that she meets Jim Lloyd, a hearing man. In wonderment the two begin to create a new emotional vocabulary that encompasses both sound and silence. But just two weeks after their wedding, Jim must leave home to serve as a stretcher bearer on the blood-soaked battlefields of Flanders.During this long war of attrition, Jim and Grania's letters back and forth-both real and imagined-attempt to sustain their young love in a world as brutal as it is beautiful. Frances Itani's depiction of a world where sound exists only in the margins is a singular feat in literary fiction, a place difficult to leave and even harder to forget. A magnificent tale of love and war, Deafening is finally an ode to language-how it can console, imprison, and liberate, and how it alone can bridge vast chasms of geography and experience.

    When the prime suspect is released without charge, Richard’s suspicions are aroused. Investigating the mystery, Richard uncovers at the Metro-Centre mall a neo-fascist world whose charismatic spokesperson is whipping up the masses into a state of unsustainable frenzy. Riots regularly terrorize the complex, immigrant communities are attacked by hooligans, and sports events mushroom into jingoistic political rallies. In this gripping, dystopian tour de force, J.G. Ballard holds up a mirror to suburban mind rot, revealing the darker forces at work beneath the gloss of consumerism and flag-waving patriotism.

    Serena, Frankie, Raffa, and Nat collide and break apart like pool balls to come back together in an imagined post-divorce future. Through the gritty, unraveling truths of their lives, they find themselves in the bed of an overdosed lover, through the panting tongue of a rescue dog who is equally as dislanguaged as his owner, in the studio apartment of a compulsive liar, sitting backward but going forward in the galley of an airplane, in relationships that are at once playgrounds and cages. Homeless Men is the collective story of women whose lives careen back into the past, to the places where pain lurks and haunts. With riotous energy and rage, they run towards the future in the hopes of untangling themselves from failure to succeed and fail again.

     Eve is an 18,000 word novella originally published as an ongoing story on Reddit's Writing Prompts forum by user /u/psycho_alpaca.

    After thirty years of waiting for the follow-up, Jenkins returns to the world of big-time golf in The Money-Whipped Steer-Job Three-Jack Give-Up Artist and finds a world where endorsements and course fashion matter more than the side bet. His hero, Bobby Joe Grooves, is a hell-raising two-iron-wielding rogue trying to turn his one annual tournament win and considerable Texas charm into a spot on the Ryder Cup team. Standing between Bobby Joe and his little spot of golf heaven are two ex-wives, a girlfriend, various pious PGA officials, and his embarrassing lack of a career major. A book that will teach you more about golf history than any weepy sunset-over-the-eighteenth-green retrospective, The Money-Whipped Steer-Job Three-Jack Give-Up Artist is an uproarious portrait of what it’s really like to play on the PGA Tour. It’s vintage Dan Jenkins.