In this volume, read about:-An invisible organist in the sky, a floating coffin and a giant mysterious ball-The spooky sounds of ghostly kittens, a screaming woman and a crying baby-Giant snakes, Bigfoot-like creatures and a lake monster-Haunted cabins, mysterious dwellings and sites of strange cult activity-Tarot cards nailed to trees, an Ouija board that wouldn't burn and a voodoo doll- And many MORE true stories!

    They're tall. They're gray. They're green. They survey our world with enormous glowing eyes. To conduct their shocking experiments, they creep in at night to carry humans off to their spaceships. Yet there's no evidence they exist at all. So how could anyone believe he or she was abducted by aliens? Or want to believe it? To answer these questions, psychologist Clancy interviewed & evaluated abductees--old & young, female & male, religious & agnostic. She listened to their stories--how they struggled to explain something strange in their remembered experience, how abduction seemed plausible, & how, having suspected abduction, they began to recollect it, aided by suggestion & hypnosis. She argues abductees are intelligent, sane people who've unwittingly created vivid false memories from a toxic mix of nightmares, culturally available texts (abduction reports began only after stories of extraterrestrials appeared in films & on TV) & a powerful drive for meaning that science is unable to satisfy. For them, otherworldly terror can become a transforming, even inspiring experience. "Being abducted may be a baptism in the new religion of this millennium", she writes. This book is not only a subtle exploration of the workings of memory, but a sensitive inquiry into the nature of belief.

    But those that aren't, those that purport to document or comment on such phenomena in what passes for "real life" vary across such a wide range of quality, credulity & comprehensibility that it's tempting to dismiss them all as pure badly-written hokum. Of course, as in any genre, no matter how microscopic, there are classics. Charles Fort's Book of the Damned is surely in the forefront. But once you get past the looming shadow of Charles Fort, matters become far murkier. Patrick Harpur's Daimonic Reality is a work that would surely make the top ten lists of many Fortean scholars. Subtitled A Field Guide to the Otherworld, Daimonic Reality synthesizes the reports of many different phenomena into a single Unified Field Theory of the Strange. It's an audacious attempt that largely succeeds. Harpur has a low key writing style that makes this work easy to read. His comprehensive knowledge of a wide variety of inexplicable events is impressive & entertaining. Most importantly, he has drawn together these disparate elements with a rather interesting philosophical take that looks to Jung, Fort, Blake, Yeats & beyond. There are enough elements in this stew to make it a really tasty treat for the hungry mind. Daimonic Reality is divided into three sections thru which Harpur journeys ever deeper into the mind behind the perceptions. But he's careful not to shortchange the perceptions & events themselves. Part One: Apparitions covers apparitions of all kinds, from UFOs to lights in the sky, from aliens & fairies to sightings of Black Dogs & Big Cats. Harpur's economical coverage of these subjects makes it easy for any level of Fortean reader to enjoy the individuality of each experience. But this treatment also enables the reader to step back & see the bigger picture, to move towards the idea of the otherworld. The individual reports are carefully chosen & beautifully written. Harpur takes a more substantial step towards the otherworld in Part Two: Vision. Starting with a discussion of "seeing things", he moves on to visions of Ladies, which are dominated by (but not exclusively) visions of the Blessed Virgin Mary. He discusses the evidence that these encounters leave behind, from fairy shoes to crop circles. (Coming soon to a theater near you.) He talked about the part that Imagination plays in the otherworld & finally reaches the mythic land itself. In Part Three: Otherworld Journeys, Harpur gives both practical & philosophical advice for otherworld journeys. He discusses the variety of journeys that one can have, from missing time to alien encounters, from a trip to fairyland to an out-of-body experience. When Harpur sticks to the practical, he has practically no peer in writing compelling prose about otherworldly experiences. His philosophical thoughts aren't quite as page-turning, but they're pithy, fascinating & pertinent. Harpur isn't content to merely provoke thought. He wants to invoke internal debate in the reader, & does so with some formal philosophical discussion that is difficult to pull off with the authority that Harpur achieves. He's a remarkably intelligent writer & his work requires a reader of nearly equal intelligence. You don't have to be a philosopher to read Harpur's work, but it certainly helps to be philosophically inclined. This isn't mere reportage of events, but a reasoned analysis, with conclusions that go well beyond 'Is it real or are they all just a bunch of crazy yahoos?' That there is an audience for this sort of thinking is shown by the eternal sales of the works of writers such as Carlos Castenada, not to mention the immense & increasing popularity of Fortean fiction, horror, science fiction & fantasy. That's because Harpur is looking to snatch something from the center of creation, something that is partly in the human mind & partly in the otherworld. Daimonic Reality does an excellent job grasping at the ineffable & getting it in print. As of 2/2003, this title is back in print by Pine Winds Press/Idyll Arbor. They've chosen an equally nice cover print, & are publishing the book as a sturdy US hardcover. Better yet, they're a small press, so you can buy directly from them. Since Harpur has managed to wrestle the ineffable into print, we've got to thank Pine Winds Press for keeping it in print.--Rick Kleffel

    Bigfoot may be howling from a lonely mountaintop, but the bigfoot phenomenon is whispering secrets... if we will only listen.Eyewitnesses, investigators, and cryptozoologists worldwide contend ample evidence exists supporting the survival of large, hairy, apelike creatures alongside mankind today, lurking in the wilderness. By all appearances, these beings seem wholly natural, interacting with their surroundings and leaving behind hair, blood, droppings, and, of course, footprints.Yet despite their apparently physical nature, bigfoot and its hairy hominid kin consistently appear mired in High Strangeness—the peculiar, ineffable, and nonsensical absurdities so often encountered in paranormal phenomena.Some sightings seem more consistent with mythology than biology. Bigfoot often present supernatural attributes, like luminescent eyes or the ability to pass, ghostlike, through structures. Anomalous lights are regulalry seen in areas of frequent sasquatch activity. Footprints persistently, if rarely, display odd numbered toes, and—most bafflingly—bigfoot trackways suddenly terminate in the middle of open, untouched terrain.In Volume 1 of Where the Footprints End: High Strangeness and the Bigfoot Phenomenon, authors Joshua Cutchin and Timothy Renner carefully examine not only the intersection of hairy apemen with global folklore—of poltergeists, faeries, extraterrestrials, magic, witches, ghosts, and archetypal women-in-white—but also question the fundamental assumptions underlying contemporary cryptozoological beliefs surrounding bigfoot.

    In 2003, the Pentagon discovered, through the use of satellite technology, an anomaly beneath this ancient sphinx. This book chronicles the discovery of these modern day artefacts.

    Nobody is perfect. And that includes five of the greatest scientists in history—Charles Darwin, William Thomson (Lord Kelvin), Linus Pauling, Fred Hoyle, and Albert Einstein. But the mistakes that these great luminaries made helped advance science. Indeed, as Mario Livio explains, science thrives on error, advancing when erroneous ideas are disproven.As a young scientist, Einstein tried to conceive of a way to describe the evolution of the universe at large, based on General Relativity—his theory of space, time, and gravity. Unfortunately he fell victim to a misguided notion of aesthetic simplicity. Fred Hoyle was an eminent astrophysicist who ridiculed an emerging theory about the origin of the universe that he dismissively called “The Big Bang.” The name stuck, but Hoyle was dead wrong in his opposition.They, along with Darwin (a blunder in his theory of Natural Selection), Kelvin (a blunder in his calculation of the age of the earth), and Pauling (a blunder in his model for the structure of the DNA molecule), were brilliant men and fascinating human beings. Their blunders were a necessary part of the scientific process. Collectively they helped to dramatically further our knowledge of the evolution of life, the Earth, and the universe.

    In this book Arthur C Clarke investigates this supra-scientific world. Under his direction, Simon Welfare and John Fairley travelled five continents interviewing witnesses of strange and unexplained phenomena. They talked to men and women who had seen monsters from the depths of oceans and lakes, had been showered by frogs and fishes and had watched 'unidentified flying objects' crossing the night sky in brilliant light; they talked to explorers and mountain people who had seen the yeti, the abominable snowman and his cousin 'Bigfoot'. More threatening events are also evaluated in the hope that we can glean evidence which may prevent future catastrophe.Arthur C Clarke would not wish, even if it were possible, to provide answers to all the questions posed in this book. As he writes: 'The universe is such a strange and wonderful place that reality will always out-reach the wildest imnagination.'

    In First Contact, Marc Kaufman provides a gripping tour of the magnificent new science of astrobiology that is closing in on the discovery of extraterrestrial life. In recent decades, scientists generally held that the genesis of life was unique to Earth: It was too delicate a process, and the conditions needed to support it too fragile, for it to exist anywhere else. But we are now on the verge of the biggest discovery since Copernicus and Galileo told us that Earth is not at the center of the universe. New scientific breakthroughs have revolutionized our assumptions about the building blocks of life and where it may be found. Scientists have hunted down and identified exoplanets, those mysterious balls in the universe that orbit distant suns not too different from our own. They have discovered extremophiles, the extraordinary microbes that thrive in environments of intense heat or cold that may mimic the inhospitable conditions of other planets. They have landed rovers on Mars and detected its methane, a possible signature of past life. And they have created sophisticated equipment to sweep the sky for distant radio signals and to explore the deep icebound lakes of Antarctica. Each of these developments has brought forth a new generation of out-of-the-box researchers, adventurers, and thinkers who are each part Carl Sagan, part Indiana Jones, part Watson and Crick—and part forensic specialists on CSI: Mars. In this masterful book, Kaufman takes us to the frontiers of astrobiology’s quest for extraterrestrial life and shows how this quest is inextricably linked with the quest to understand life on Earth. He takes us deep under the glaciers of Antarctica, into the mouth of an Alaskan volcano, and beneath the Earth into the unbearable heat of a South African mine, and leads us to the world’s driest desert. For thousands of years, humans have wondered about who and what might be living beyond the confines of our planet. First Contact transports us into the cosmos to bring those musings back to Earth and recast our humanity.

    Now updated with new material that brings the killer's picture into clearer focus.In the fall of 1888, all of London was held in the grip of unspeakable terror.  An elusive madman calling himself Jack the Ripper was brutally butchering women in the slums of London’s East End.  Police seemed powerless to stop the killer, who delighted in taunting them and whose crimes were clearly escalating in violence from victim to victim.  And then the Ripper’s violent spree seemingly ended as abruptly as it had begun.  He had struck out of nowhere and then vanished from the scene.  Decades passed, then fifty years, then a hundred, and the Ripper’s bloody sexual crimes became anemic and impotent fodder for puzzles, mystery weekends, crime conventions, and so-called “Ripper Walks” that end with pints of ale in the pubs of Whitechapel.  But to number-one New York Times bestselling novelist Patricia Cornwell, the Ripper murders are not cute little mysteries to be transformed into parlor games or movies but rather a series of terrible crimes that no one should get away with, even after death.  Now Cornwell applies her trademark skills for meticulous research and scientific expertise to dig deeper into the Ripper case than any detective before her—and reveal the true identity of this fabled Victorian killer.In Portrait of a Killer: Jack the Ripper, Case Closed, Cornwell combines the rigorous discipline of twenty-first century police investigation with forensic techniques undreamed of during the late Victorian era to solve one of the most infamous and difficult serial murder cases in history.  Drawing on unparalleled access to original Ripper evidence, documents, and records, as well as archival, academic, and law-enforcement resources, FBI profilers, and top forensic scientists, Cornwell reveals that Jack the Ripper was none other than a respected painter of his day, an artist now collected by some of the world’s finest museums: Walter Richard Sickert.It has been said of Cornwell that no one depicts the human capability for evil better than she.   Adding layer after layer of circumstantial evidence to the physical evidence discovered by modern forensic science and expert minds, Cornwell shows that Sickert, who died peacefully in his bed in 1942, at the age of 81, was not only one of Great Britain’s greatest painters but also a serial killer, a damaged diabolical man driven by megalomania and hate.  She exposes Sickert as the author of the infamous Ripper letters that were written to the Metropolitan Police and the press.  Her detailed analysis of his paintings shows that his art continually depicted his horrific mutilation of his victims, and her examination of this man’s birth defects, the consequent genital surgical interventions, and their effects on his upbringing present a casebook example of how a psychopathic killer is created.New information and startling revelations detailed in Portrait of a Killer include:- How a year-long battery of more than 100 DNA tests—on samples drawn by Cornwell’s forensics team in September 2001 from original Ripper letters and Sickert documents—yielded the first shadows of the 75- to 114 year-old genetic evid...

    It may hide additional dimensions of space other than the familier three we recognize. There might even be another universe adjacent to ours, invisible and unattainable . . . for now.Warped Passages is a brilliantly readable and altogether exhilarating journey that tracks the arc of discovery from early twentieth-century physics to the razor's edge of modern scientific theory. One of the world's leading theoretical physicists, Lisa Randall provides astonishing scientific possibilities that, until recently, were restricted to the realm of science fiction. Unraveling the twisted threads of the most current debates on relativity, quantum mechanics, and gravity, she explores some of the most fundamental questions posed by Nature—taking us into the warped, hidden dimensions underpinning the universe we live in, demystifying the science of the myriad worlds that may exist just beyond our own.