She leaves behind the graves of her husband Joe and her baby daughter. With no money and limited options, Stella accepts her brother-in-law Harry’s offer to live at the O’Riain cane farm in the Richmond Valley. There she hopes to get answers to the questions that plague her about her marriage. However Harry refuses to discuss Joe or the family’s secrets, even forbidding her to speak to the owner of the neighbouring property.Nearly a century earlier in County Tipperary, Irish cousins Brandon and Sean O’Riain also fled their homes – as wanted criminals. By 1867, they are working as cedar-cutters in New South Wales’s lush green Richmond Valley. But while Brandon embraces the opportunities this new country offers, Sean refuses to let go of the past. And one cousin is about to make a dangerous choice that will have devastating consequences down the generations . . .

    12 Prisoner of War compound on the fringes of Cowra. In the carnage, hundreds are killed, many are recaptured and imprisoned, and some take their own lives rather than suffer the humiliation of ongoing defeat. But one soldier, Hiroshi, determined to avoid either fate, manages to escape.At nearby Erambie Aboriginal mission, Banjo Williams, father of nine and proud man of his community, discovers a distraught Hiroshi, pleading for help. The people of Erambie have seen enough death and heartache, so Banjo and the Erambie community decide to offer Hiroshi refuge.Mary, Banjo’s daughter, recently returned from being in service in Sydney, is intrigued by the Japanese stranger, and is charged with his care. Love blossoms, but life for the community on the mission is one of restriction – living under Acts of Protection and Assimilation, and always under the watchful eye of the mission manager. In wartime Australia, the children are terrified of air raids, but their parents fear a life without rights. And for Mary and Hiroshi, there is much in their way.Mary is forbidden under the Act, and by her own father, to marry Hiroshi, so together they plot their own escape from the mission. But solidarity in the community is eroding and trouble is brewing.A story about a love that transcends all boundaries, from one of Australia’s best loved authors

    In this haunting tale of obsessive love and sexual awakening, a young orphan is drawn away from her guardian to the well where the injured voice of a my sterious "dead" creature calls her.

    The fiercely nationalistic government of the god-king Sukarno has brought Indonesia to the brink of chaos. Engulfed in the violence are Guy Hamilton, a Western journalist; Billy Kwan, his Chinese-Australian cameraman; and the young British woman they both love. Kwan's disillusionment with his hero Sukarno leads him to desperate action, and a complex drama of loyalty and betrayal is played out in the eye of the political storm.

    Afterwards, hisdaughter Eleanor discovers a will, in which he has left his entireestate to a woman she has never heard of before. Hiding it fromher siblings, she sets out to solve this mystery, and to unearth theconfronting truth about her reclusive father’s past.But Henry isn’t the only Hoffman with secrets. In the months thatfollow, his children learn things about each other they could neverpreviously have imagined.The Last Will and Testament of Henry Hoffman is a gripping andmany-layered story of love and loss, conflict and survival. Itexplores subjects that affect us all: guilt and redemption, theinescapability of the past, and how trauma resonates acrossgenerations.

    The discovery that the death of her sister, Jamie, was not an accident makes her question all she’s known about herself and her past.Traveling back home to Lyrebird Hill, Ruby begins to remember the year that has been forever blocked in her memory . . . Snatches of her childhood with beautiful Jamie, and Ruby’s only friendship with the boy from the next property, a troubled foster kid.Then Ruby uncovers a cache of ancient letters from a long-lost relative, Brenna Magavin, written from her cell in a Tasmanian gaol where she is imprisoned for murder. As she reads, Ruby discovers that her family line is littered with tragedy and violence.Slowly, the gaps in Ruby’s memory come to her. And as she pieces together the shards of truth, what she finally discovers will shock her to the core – about what happened to Jamie that fateful day, and how she died.A thrilling tale about family secrets and trusting yourself...

    She's the daughter of the town whore so no one seems particularly concerned.No one cares except Tommy Johns, who loves Sarah Vale with all the unadulterated, tentative passion of a teenage boy. He galvanises the town's policeman Sergeant Henson and, together, they turn the town inside out, searching for the lost girl.A delicate and layered exploration of secrets and lies, forgotten children and absent parents, and the long shadows of the past.An extraordinary debut from a talented new writer.

    Or: he’d found Maggie.I had no way of knowing whether he was nuts or not; whether he might go to the cops. Maybe that sounds paranoid, but I don’t think it’s so ridiculous. People have gone to prison for much lesser things than accusations of child-killing.A quiet, small-town existence. An unexpected Facebook message, jolting her back to the past. A history she’s reluctant to revisit: dark memories and unspoken trauma, bruised thighs and warning knocks on bedroom walls, unfathomable loss.She became a new person a long time ago. What happens when buried stories are dragged into the light?This epic novel from the two-time Sydney Morning Herald Young Novelist of the Year is a masterwork of tragedy and heartbreak—the story of a life in full. Sublimely wrought in devastating detail, Bodies of Light confirms Jennifer Down as one of the writers defining her generation.

    The Cure for Death by Lightning sold more than a staggering 100,000 copies in Canada alone and became a bestseller in Great Britain, later to be published in the United States and Europe. It was nominated for the Giller Prize, the richest fiction prize in Canada, and received a Betty Trask Award in the U.K.The Cure for Death by Lightning takes place in the poor, isolated farming community of Turtle Valley, British Columbia, in the shadow of the Second World War. The fifteenth summer of Beth Weeks’s life is full of strange happenings: a classmate is mauled to death; children go missing on the nearby reserve; an unseen predator pursues Beth. She is surrounded by unusual characters, including Nora, the sensual half-Native girl whose friendship provides refuge; Filthy Billy, the hired hand with Tourette’s Syndrome; and Nora’s mother, who has a man’s voice and an extra little finger. Then there’s the darkness within her own family: her domineering, shell-shocked father has fits of madness, and her mother frequently talks to the dead. Beth, meanwhile, must wrestle with her newfound sexuality in a harsh world where nylons, perfume and affection have no place. Then, in a violent storm, she is struck by lightning in her arm, and nothing is quite the same again. She decides to explore the dangers of the bush.Beth is a strong, honest, and compassionate heroine, bringing hope and joy into an environment that is often cruel. The character of Beth’s haunted mother infuses the book with life by means of her scrapbook of recipes scattered throughout, with luscious descriptions of food, gardening, and remedies, both practical and bizarre. Seen through Beth’s eyes, the West Coast landscape is full of beauty and mysteries, with its forests and rivers, and its rich native culture.The Globe and Mail commented that The Cure for Death by Lightning was "Canadian to the core," with hints of Susannah Moodie and Margaret Atwood and Alice Munro. Anderson-Dargatz’s vision of rural life has drawn comparisons with William Faulkner and John Steinbeck. A magic realism reminiscent of Latin American literature is also present, as flowers rain from the sky, and men turn into animals. Yet the style of The Cure for Death by Lightning, which the Boston Globe called "Pacific Northwest Gothic," is wholly original. Launched in a year with more than the usual number of excellent first novels (1996 was also the year of Fall On Your Knees by Ann-Marie MacDonald and Fugitive Pieces by Anne Michaels), this book with its assured voice heralds a worthy successor to Margaret Atwood, Carol Shields, Margaret Laurence and Alice Munro.

    Trying to make sense of the sudden death of her teenage sister, Beth, she looks to the adult world around her for answers.As she recounts the final months of Beth’s life, Jennifer sifts through the lies and the truth, but what she finds are mysteries, miracles, and more questions. Was Beth’s death an accident? Why couldn’t Jennifer—or anyone else—save her?Through Jennifer’s eyes, we see one girl’s failure to cross the threshold into adulthood as her family slowly falls apart.

    We tell them to stay alive or keep alive those who only live now in the telling. In Faha, County Clare, everyone is a long story...Bedbound in her attic room beneath the falling rain, in the margin between this world and the next, Plain Ruth Swain is in search of her father. To find him, enfolded in the mystery of ancestors, Ruthie must first trace the jutting jaw lines, narrow faces and gleamy skin of the Swains from the restless Reverend Swain, her great-grandfather, to grandfather Abraham, to her father, Virgil - via pole-vaulting, leaping salmon, poetry and the three thousand, nine hundred and fifty eight books piled high beneath the two skylights in her room, beneath the rain.The stories -- of her golden twin brother Aeney, their closeness even as he slips away; of their dogged pursuit of the Swains' Impossible Standard and forever falling just short; of the wild, rain-sodden history of fourteen acres of the worst farming land in Ireland -- pour forth in Ruthie's still, small, strong, hopeful voice.

    Over the weeks leading up to this upheaval, she talks often with her psychiatrist Dr Grene, and their relationship intensifies and complicates.Told through their respective journals, the story that emerges is at once shocking and deeply beautiful. Refracted through the haze of memory and retelling, Roseanne's story becomes an alternative, secret history of Ireland's changing character and the story of a life blighted by terrible mistreatment and ignorance, and yet marked still by love and passion and hope.

    The object of his desire is Gabriella, the Italian-Irish girl next door. Then one day Gabriella disappearsabandoning Sam. Bitter and resentful, Sam moves on with his life: into the shady side of Brisbane. Over the next two decades, Sam and Gabriella will find their lives inextricably, painfully, and passionately linked.

    . ."On a brisk autumn day in 1686, eighteen-year-old Nella Oortman arrives in Amsterdam to begin a new life as the wife of illustrious merchant trader Johannes Brandt. But her new home, while splendorous, is not welcoming. Johannes is kind yet distant, always locked in his study or at his warehouse office--leaving Nella alone with his sister, the sharp-tongued and forbidding Marin.But Nella's world changes when Johannes presents her with an extraordinary wedding gift: a cabinet-sized replica of their home. To furnish her gift, Nella engages the services of a miniaturist--an elusive and enigmatic artist whose tiny creations mirror their real-life counterparts in eerie and unexpected ways . . .Johannes' gift helps Nella to pierce the closed world of the Brandt household. But as she uncovers its unusual secrets, she begins to understand--and fear--the escalating dangers that await them all. In this repressively pious society where gold is worshipped second only to God, to be different is a threat to the moral fabric of society, and not even a man as rich as Johannes is safe. Only one person seems to see the fate that awaits them. Is the miniaturist the key to their salvation . . . or the architect of their destruction?Enchanting, beautiful, and exquisitely suspenseful, The Miniaturist is a magnificent story of love and obsession, betrayal and retribution, appearance and truth.

    At its center is the “bastard” of the title, Asya, a nineteen-year-old woman who loves Johnny Cash and the French Existentialists, and the four sisters of the Kazanci family who all live together in an extended household in Istanbul: Zehila, the zestful, headstrong youngest sister who runs a tattoo parlor and is Asya’s mother; Banu, who has newly discovered herself as a clairvoyant; Cevriye, a widowed high school teacher; and Feride, a hypochondriac obsessed with impending disaster. Their one estranged brother lives in Arizona with his wife and her Armenian daughter, Armanoush. When Armanoush secretly flies to Istanbul in search of her identity, she finds the Kazanci sisters and becomes fast friends with Asya. A secret is uncovered that links the two families and ties them to the 1915 Armenian deportations and massacres. Full of vigorous, unforgettable female characters, The Bastard of Istanbul is a bold, powerful tale that will confirm Shafak as a rising star of international fiction.