To comprehend Joyce's masterpiece fully, to gain insight into its significance and structure, the serious reader will find this analytical and systematic guide invaluable. In this exegesis, written under Joyce's supervision, Stuart Gilbert presents a work that is at once scholarly, authoritative and stimulating.

    His five novels–collected here in one volume–are a monument to his inspired lunacy and gleefully demented genius. O’Brien’s masterpiece, At Swim-Two-Birds, is an exuberant literary send-up and one of the funniest novels of the twentieth century. The novel’s narrator is writing a novel about another man writing a novel, in a Celtic knot of interlocking stories. The riotous cast of characters includes figures “stolen” from Gaelic legends, along with assorted students, fairies, ordinary Dubliners, and cowboys, some of whom try to break free of their author’s control and destroy him. The narrator of The Third Policeman, who has forgotten his name, is a student of philosophy who has committed murder and wanders into a surreal hell where he encounters such oddities as the ghost of his victim, three policeman who experiment with space and time, and his own soul (who is named “Joe”). The Poor Mouth, a bleakly hilarious portrait of peasants in a village dominated by pigs, potatoes, and endless rain, is a giddy parody aimed at those who would romanticize Gaelic culture. A naïve young orphan narrates the deadpan farce The Hard Life, and The Dalkey Archive is an outrageous satiric fantasy featuring a mad scientist who uses relativity to age his whiskey, a policeman who believes men can turn into bicycles, and an elderly, bar-tending James Joyce. With a new Introduction by Keith Donohue

    Passionate and powerful, the three plays collected together in this volume represent August Strindburge (1849-1912) at his best, 'The Father', 'Miss Julia', and the more mystical 'Easter.' In all three plays, Strindberg combines acute psychological analysis with total mastery of the power to create unforgettable dramas of human life and love.

    This text uses place names to describe some of these meanings.

    The first playwright of democracy, Euripides wrote with enduring insight and biting satire about social and political problems of Athenian life.  In contrast to his contemporaries, he brought an exciting--and, to the Greeks, a stunning--realism to the "pure and noble form" of tragedy.  For the first time in history, heroes and heroines on the stage were not idealized:  as Sophocles himself said, Euripides shows people not as they ought to be, but as they actually are.

    Included are popular myths and legends from all six Celtic cultures of Western Europe-Irish, Scots, Manx, Welsh, Cornish, and Breton. Here for the modern reader are the rediscovered tales of cattle raids, tribal invasions, druids, duels, and doomed love that have been incorporated into, and sometimes distorted by, European mythology and even Christian figures. For example, there is the story of Lugh of the Long Hand, one of the greatest gods in the Celtic pantheon, who was later transformed into the faerie craftsman Lugh-Chromain, and finally demoted to the lowly Leprechaun. Celtic Myths and Legends also retells the story of the classic tragic love story of Tristan and Iseult (probably of Cornish origin-there was a real King Mark and a real Tristan in Cornwall) and the original tale of King Arthur, a Welsh leader who fought against the invading Anglo-Saxons. In the hands of Peter Berresford Ellis, the myths sung by long-dead Celtic bards come alive to enchant the modern reader. "The casual reader will be best entertained by ... the legends themselves ...colored with plenty of swordplay, ... quests, shape-shiftings, and druidic sorcery."-Publishers Weekly

    Legend fades to myth, and even myth is long forgotten when the Age that gave it birth returns again. In the Third Age, an Age of Prophecy, the World and Time themselves hang in the balance. What was, what will be, and what is, may yet fall under the Shadow.In this series companion book, over fourscore full color paintings include stunning new maps of the world, portraits of the central characters, landscapes, objects of Power, and national flags. The reader will learn about the exotic beasts used by the Seanchan and read of the rise and fall of Artur Hawking, peruse the deeper story of the War of the Shadow. Here is the tale of the founding of the White Tower, and the creation of the Ajahs.The inner workings of the closed country, Shara, are revealed, as is the existence of a hitherto unknown continent called The Land of the Madmen. This stunning volume also includes double-page spreads of the seven book jackets by Darrell Sweet so that the art can be enjoyed without type, and all the known maps of the world, including maps of the Seanchan Empire, the nations of the Covenant of the Ten Nations, and the nations as they were when Artur Paendrag Tanreall began his rise to legend.Every Robert Jordan fan needs this book.The Wheel of Time(R)New Spring: The Novel#1 The Eye of the World#2 The Great Hunt#3 The Dragon Reborn#4 The Shadow Rising#5 The Fires of Heaven#6 Lord of Chaos#7 A Crown of Swords#8 The Path of Daggers#9 Winter's Heart#10 Crossroads of Twilight#11 Knife of DreamsBy Robert Jordan and Brandon Sanderson#12 The Gathering Storm#13 Towers of Midnight#14 A Memory of LightBy Robert Jordan and Teresa PattersonThe World of Robert Jordan's The Wheel of TimeBy Robert Jordan, Harriet McDougal, Alan Romanczuk, and Maria SimonsThe Wheel of Time CompanionBy Robert Jordan and Amy RomanczukPatterns of the Wheel: Coloring Art Based on Robert Jordan's The Wheel of Time

    Originally four books (published individually between 1946 and 1951), the structure of Paterson (in Dr. Williams' words) "follows the course of the Passaic River" from above the great falls to its entrance into the sea. The unexpected Book Five, published in 1958, affirms the triumphant life of the imagination, in spite of age and death. This revised edition has been meticulously re-edited by Christopher MacGowan, who has supplied a wealth of notes and explanatory material.

    He leads a life full of gambling and booze but also finds love. These poems are full of lechery and romance as he struggles to mature.

    Harry Blamires helps readers to negotiate their way through this formidable, remarkable novel and gain an understanding of it which, without help, it might have take several readings to achieve. The New Bloomsday Book is a crystal clear, page-by-page, line-by-line running commentary on the plot of Ulysses which illuminates symbolic themes and structures along the way. It is a highly accessible, indispensible guide for anyone reading Joyce's masterpiece for the first time.

    Drawing from the full spectrum of plays and sonnets to mark each day of the year, whether it's a scene from Hamlet to celebrate Christmas or a Sonnet in June to help you enjoy a summer's day. There are also passages to mark important days in the Shakespeare calendar, both from his own life and from his plays: You'll read a pivotal speech from Julius Caesar on the Ides of March and celebrate Valentine's day with a sonnet. Every passage is accompanied by an enlightening note to teach you its significance and help you better appreciate the timelessness and poetry of Shakespeare's words. Shakespeare for Every Day of the Year will give you a thoughtful way reflect on each day, all while giving you a deeper appreciation for the most famous writer in the English language.

    When the great hunter Harold Ryan--missing and presumed dead--returns from Africa after eight years, his wife is aghast and his son is enchanted. Vonnegut's attack on phony heroes and male swagger uses some of the funniest dialogue ever created for the stage.

    Taken from the highly acclaimed Oxford Ibsen, this collection of Ibsen's plays includes A Doll's House, Ghosts, Hedda Gabler and The Master Builder.

    Arranged in a handy A-Z format, this book explores and explains the creatures, plats, events and places that make up these strange and wonderful lands.

    They inspired some of the most famous productions and performances in theatrical and film history, and they continue to grip audiences all over the world. Now, in an authoritative two-volume edition, The Library of America collects the plays that define Williams’s extraordinary range and achievement.This first volume begins with the stunning rediscovered plays of Williams’s early career: Spring Storm, a tragedy of provincial longing that prefigures the mood and language of his later work, and Not About Nightingales, a stark prison drama, produced in 1998 to international acclaim, that resounds with the playwright’s outraged idealism. With the autobiographical The Glass Menagerie in 1944, Williams attained what he later called “the catastrophe of success,” a success made all the greater by A Streetcar Named Desire, his most famous play and one of the most influential works of modern American literature.Forging an idiom that uniquely blended lyricism and brutality, a tragic sense of life and a genius for comic observation, he continued to revolutionize the American theater with a series of masterpieces: the poignant and melancholy Summer and Smoke, the light-hearted erotic comedy The Rose Tattoo, the sprawling and surrealistic Camino Real, and Cat on a Hot Tin Roof, the Pulitzer Prize–winning portrayal of a ruthless family struggle. This volume also contains Battle of Angels (an early version of Orpheus Descending), and a selection of Williams’s one-act plays, including 27 Wagons Full of Cotton, The Property Is Condemned, and I Rise in Flame, Cried the Phoenix, a meditation on the life and work of D. H. Lawrence.This edition includes a newly researched chronology of Tennessee Williams’s life, explanatory notes (including cast lists of many of the original productions), and an essay on the texts.This volume is edited by Mel Gussow (1933–2005), who was a drama critic, a cultural writer at The New York Times, and author of several books, including Edward Albee: A Singular Journey, and by Kenneth Holditch, professor emeritus at the University of New Orleans, editor since 1989 of the Tennessee Williams Journal, and the author of In Old New Orleans.--front flap