Eerie things have been going on in and around his church, including tremblings in the underground crypt and a variety of gruesomely murdered bodies showing up in nearby streets. Across the square from the cathedral lives Katherine Taylor, a beautiful young American woman who is making phenomenal money as one of the highest-priced call girls in Switzerland; she's a bit too introspective for her own good and, unfortunately, much too observant of her clients' peccadilloes. Rochat's and Taylor's lives collide with Jay Harper, a British private eye who has been sent to investigate the killings and other strange doings; alas, he has no memory of who hired him or precisely why he was chosen for the job. And now all the clues are pointing skyward, where fallen angels are said to haunt Lausanne.

    She's never walked its hedge maze nor found its secret chambers; she's never glimpsed the shades that haunt it, nor hunted for lost diamonds in its walls. But all of that is about to change. After her grandmother passes away, Sarah and her friend Jackson decide to search for the diamonds--and the house comes alive. She discovers that she can see visions of the house's past, like the eighteenth-century sea captain who hid the jewels, or the glamorous great-grandmother driven mad by grief. She grows closer to both Jackson and a young man named Richard Hathaway, whose family histories are each deeply entwined with her own. But when the visions start to threaten the person she holds most dear, Sarah must do everything she can to get to the bottom of the house's secrets, and stop the course of history before it is cemented forever.

     Her chance at a new life is going to kill her. When Gillian and her family move into the old house on Harvest Street, it's too good to be true. The rent's dirt cheap, and it's right next door to the University she’s going to be attending. With her recently widowed mother on board, there’s a ready and willing babysitter for her five year old daughter Sarah. Who could ask for anything more? When Gillian’s mother Maureen discovers a family connection to the house they see it as Providence. They’re meant to live here! But then… odd things start to happen. Sarah loves the swing in the backyard and her new friends—twin girls only she can see. The odd becomes foreboding when Nana Maureen can’t sleep in her room. She’s constantly woken up by creaking floors, nightmares of being strangled, and the smell of rotting flesh. The family has always been loving and close, but now the atmosphere between them is tense. Small disagreements explode into rage. What on earth is happening to them? They don't know about the evil that descended upon the house. How, almost a century ago, dashed dreams rose again into a rage— a murderous rage. A rage that still breathes in the very walls of this home. This is how it began and how it will end. At Crawley House.

    He’s got a new career and new friends, but they can never know his real name or where he comes from. But the program can’t protect him from the relentless dreams of a young woman in danger. It’s the same dream, night after night, and Gary is helpless, unable to stop the dream’s inevitable and horrifying conclusion. The woman seems strangely familiar…is she someone from his dark past? Is she even real? All he knows for certain is that she needs his help, or she will die.

    Others take a more literal view... Kate Bennett, presenter of paranormal investigation cable TV show, Where the Dead Walk, isn't sure what she believes, other than she seems cursed to lose all those closest to her. After investigating a neglected cliff-top house, empty for a decade because its "haunted", Kate is left convinced a spirit within holds the answers to a childhood she can't remember and an unimaginable crime. What she can't know is that the house's owner, Sebastian Dahl, is searching for something too, and he intends to get it, whatever the cost.

    Then his prize suspect Rob Toshack is murdered in custody. Furious, Quill pursues the investigation, co-opting intelligence analyst Lisa Ross and undercover cops Costain and Sefton. But nothing about Toshack's murder is normal. Toshack had struck a bargain with a vindictive entity, whose occult powers kept Toshack one step ahead of the law -- until his luck ran out. Now, the team must find a 'suspect' who can bend space and time and alter memory itself. And they will kill again.As the group starts to see London's sinister magic for themselves, they have two choices: panic or use their new abilities. Then they must hunt a terrifying supernatural force the only way they know how: using police methods, equipment and tactics. But they must all learn the rules of this new game - and quickly. More than their lives will depend on it.

    After months of accepting his lame excuses and strange behavior, his wife has had enough. She demands that he see a therapist, and George, desperate to save his unraveling marriage and redeem himself as a father and husband, reluctantly agrees. As he delves into his childhood memories, he begins to recall things he hasn’t thought of in twenty years. Events, people, and strange situations come rushing back. The odd, rambling letters his father sent home before he died. The jovial mother who started dating too soon after his father’s death. A boy who appeared one night when George was lonely, then told him secrets he didn’t want to know. How no one believed this new friend was real and that he was responsible for the bad things that were happening. Terrified by all that he has forgotten, George struggles to remember what really happened in the months following his father’s death. Were his ominous visions and erratic behavior the product of a grief-stricken child’s overactive imagination (a perfectly natural reaction to the trauma of loss, as his mother insisted)? Or were his father’s colleagues, who blamed a darker, more malevolent force, right to look to the supernatural as a means to end George’s suffering? Twenty years later, George still does not know. But when a mysterious murder is revealed, remembering the past becomes the only way George can protect himself–and his young family.A psychological thriller in the tradition of Donna Tartt’s The Secret History–with shades of The Exorcist–the smart and suspenseful A Good and Happy Child leaves you questioning the things you remember and frightened of the things you’ve forgotten.From the Hardcover edition.

    I do like that as well, warm and dripping, when I am thirsty.... Alisa has been in control of her urges for the five thousand years she has been a vampire. She feeds but does not kill, and she lives her life on the fringe to maintain her secret. But when her creator returns to hunt her, she must break her own rules in order to survive.Her quest leads her to Ray. He is the only person who can help her; he also has every reason to fear her. Alisa must get closer to him to ensure her immortality. But as she begins to fall in love with Ray, suddenly there is more at stake than her own life....

    Mystery surrounds the movie, and as Sandy learns of the tragedies which haunted its production, she finds herself threatened by an ancient force protecting secrets deeper than the suppression of a 50-year-old movie.