It is a comprehensive, detailed and gripping account of an unforgettable six-day drama that shook Britain -- and the wider world -- to the core. Drawing on original and unseen source material from ex-SAS soldier Rusty Firmin, the police and the British Government, GO! GO! GO! takes us to the heart of the whole operation.The assault planning and training, strategy and tactics are described in detail, and the personal stories of the gunmen revealed -- who they were, where they came from, why they did it and Saddam Hussein's direct involvement. Compelling accounts of each day of the siege from the hostages' points of view show how they dealt with captivity individually and collectively. New material explains the negotiators' tactics and their cool exterior versus their internal turmoil as negotiations reached crisis point.

    Stewart, beginning with his family “mission” passed on from his grandfather (a Civil War hero) and father (who served in World War I) that military service in time of war was mandatory for the Stewarts. Jim tailored his life to this eventual outcome, learning to be a pilot so he could serve as an aviator in the war.MISSION describes Stewart’s childhood, college years at Princeton, Broadway career, and meteoric rise to Academy Award-winning actor in Hollywood. People today can’t imagine that Stewart was a ladies’ man, but he had a reputation as one of the most active bachelors in Hollywood, with a list of lovers that includes the A-list of female movie stars.In 1941, before America entered World War II, Jim was drafted into the Army and gleefully left Hollywood behind to fulfill that family mission. What happened to him in the service has never been covered in detail because he refused to talk about his experiences afterward. MISSION begins and ends with production of the first film Stewart made after returning from the war: It's a Wonderful Life, which in December 2016 will celebrate its 70th anniversary.MISSION also includes the stories of three other supporting characters, a radio man who flew with Stewart, a German civilian girl, and the German general in charge of fighter aircraft. They provide perspective on what Stewart was attempting to do and why.

    By chance he heard a then little-known Adolf Hitler speaking in a Munich beer hall and, mesmerized by his extraordinary oratorical power, was convinced the man would some day come to power. As Hitler’s fanatical theories and ideas hardened, however, he surrounded himself with rabid extremists such as Goering, Hess, and Goebbels, and Hanfstaengl became estranged from him. But with the Nazi’s major unexpected political triumph in 1930, Hitler became a national figure, and he invited Hanfstaengl to be his foreign press secretary. It is from this unique insider’s position that the author provides a vivid, intimate view of Hitler—with his neuroses, repressions, and growing megalomania—over the next several years. In 1937, four years after Hitler came to power, relations between Hanfstaengl and the Nazis had deteriorated to such a degree that he was forced to flee for his life, escaping to Switzerland. Here is a portrait of Hitler as you’ve rarely seen him.

    Did he jump or was he pushed? He is identified as an Egyptian millionaire who has been living in the UK since the early 1980s. His name is Ashraf Marwan. But that is only part of the tale, for Marwan was also an international businessman and arms dealer, married to Mona Abdel Nasser, daughter of the legendary Egyptian President, Gamal Abdel Nasser. A few years before, I blew Marwan’s cover, unmasking him as a top spy who had been working for Egypt’s biggest enemy – Israel. But there is a twist – one that even the most audacious writer of fiction might baulk at. Soon after I exposed him, Marwan made contact. We met, became friends, and then kept in touch for almost five years. The day before he plunges to his death, Marwan phones. He is anxious and shaken and he asks for an urgent face-to-face meeting. We schedule it for the next day. It never takes place. Around the time we are due to meet, Marwan’s body is found in the private rose garden below his flat in central London. This is the story of what came to be known as ‘The Marwan Affair’, which shocked the public and the Intelligence community. It is based on my diary notes; together with messages I sent Marwan over the years they tell the inside story of my relationship with the spy some call the greatest secret agent of the twentieth century.

    At the same time THE JEWEL GARDEN is the story of a creative partnership that has weathered the greatest storm, and a testament to the healing powers of the soil. In his weekly column for the Observer, Monty Don has always been candid about the garden's role in helping him to pull back from the abyss of depression; THE JEWEL GARDEN elaborates on this much further. Written in an optimistic, autobiographical vein, Monty and Sarah's story is truly an exploration of what it means to be a gardener.

    KhaledHosseini, author of The Kite Runner and AThousand Splendid Suns calls Opium Nation “an insightful andinformative look at the global challenge of Afghan drug trade. Fariba Nawa weaves her personalstory of reconnecting with her homeland after 9/11 with a very engagingnarrative that chronicles Afghanistan’s dangerous descent into opiumtrafficking…and most revealingly, how the drug trade has damaged the lives ofordinary Afghan people.” Readers of Gayle Lemmon Tzemach’sThe Dressmaker of Khair Khanaand Rory Stewart’s The Places Between will find Nawa’spersonal, piercing, journalistic tale to be an indispensable addition to thecultural criticism covering this dire global crisis.

    A four-letter word. The greatest social divide in American life, a half-century ago and today. During that time, the U.S. has seen the most dramatic demographic and cultural shifts in its history, what can be called the colorization of America.But the same nation that elected its first Black president on a wave of hope—another four-letter word—is still plunged into endless culture wars. How do Americans see race now? How has that changed—and not changed—over the half-century? After eras framed by words like "multicultural" and "post-racial," do we see each other any more clearly?Who We Be remixes comic strips and contemporary art, campus protests and corporate marketing campaigns, Martin Luther King, Jr. and Trayvon Martin into a powerful, unusual, and timely cultural history of the idea of racial progress. In this follow-up to the award-winning classic Can’t Stop Won’t Stop: A History of the Hip-Hop Generation, Jeff Chang brings fresh energy, style, and sweep to the essential American story.

    This volume shows Aarons influential photographs of the international elite in their exclusive playgrounds during the jet-set decades of the 1950s, 60s and 70s.

    The March of Dimes destroyed polio. Five bucks can beat malaria. Give a Little: How Your Small Donations Can Transform Our World not only contains remarkable, inspiring stories of how small donations are making an extraordinary difference in the lives of millions both here in the United States and around the world, but also lays out where and how to start giving . . . today. Together, ordinary Americans have far more transformational power than any government or big foundation. In 2007, giving by American individuals amounted to $229 billion-that is, 82 times the amount the Gates Foundation gave that same year. Simple, inexpensive things--a water filter, a bike, an irrigation pump, a bed net, a goat--cause a ripple effect that lifts a whole family, a town, and, astonishingly, even a nation out of poverty. Inspired by Smith's twenty years in the nonprofit sector, Give a Little shows how easily we can dip into our pockets and, with just a few dollars, change the world.

    The tank destroyer (TD) was a bold-if some would say flawed-answer to the challenge posed by the seemingly unstoppable German blitzkrieg. The TD was conceived to be light and fast enough to outmaneuver panzer forces and go where tanks could not. At the same time, the The Tank Killers is the story of the American Tank Destroyer Force in North Africa, Italy, and the European Theater during World War II. The tank destroyer (TD) was a bold-if some would say flawed-answer to the challenge posed by the seemingly unstoppable German blitzkrieg. The TD was conceived to be light and fast enough to outmaneuver panzer forces and go where tanks could not. At the same time, the TD would wield the firepower needed to kill any German tank on the battlefield. Indeed, American doctrine stipulated that TDs would fight tanks, while American tanks would concentrate on achieving and exploiting breakthroughs of enemy lines.The Tank Killers follows the men who fought in the TDs from the formation of the force in 1941 through the victory over the Third Reich in 1945. It is a story of American flexibility and pragmatism in military affairs. Tankdestroyers were among the very first units to land in North Africa in 1942. Their first vehicles were ad hoc affairs: Halftracks and weapons carriers with guns no better than those on tanks and thin armor affording the crews considerably less protection. Almost immediately, the crews realized that their doctrine was incomplete. They began adapting to circumstances, along with their partners in the infantry and armored divisions. By the time that North Africa was in Allied hands, the TD had become a valued tank fighter, assault gun, and artillery piece. The reconnaissance teams in TD battalions, meanwhile, had established a record for daring operations that they would continue for the rest of the war.The story continues with the invasion of Italy and finally that of Fortress Europe on 6 June 1944. By now, the brass had decreed that half the force would convert to towed guns, a decision that dogged the affected crews through the end of the war. The TD men encountered increasingly lethal enemies, ever more dangerous panzers that were often vulnerable only to their guns while American tank crews watched in frustration as their rounds bounced harmlessly off the thick German armor. They fought under incredibly diverse conditions that demanded constant modification of tactics. Their equipment became ever more deadly. By VE day, the tank destroyer battalions had achieved impressive records, generally with kill/loss rates heavily in their favor. Yet the Army after the war concluded that the concept of a separate TD arm was so fundamentally flawed that not a single battalion existed after November 1946.The Tank Killers draws heavily on the records of the tank destroyer battalions and the units with which they fought. Veterans of the force add their personal stories.

    A moving and fascinating look at the unexplained, Messages offers comfort, hope, and understanding to all who were touched by the tragic events of that terrible day.

    It is private. Both parties have an unspoken agreement never to repeat what is said. Not even to their spouses.The Audience breaks this contract of silence. It imagines a series of pivotal meetings between the Downing Street incumbents and their Queen. From Churchill to Cameron, each prime minister has used these private conversations as a sounding board and a confessional - sometimes intimate, sometimes explosive.From young mother to grandmother, these private audiences chart the arc of the second Elizabethan Age. Politicians come and go through the revolving door of electoral politics, while she remains constant, waiting to welcome her next prime minister.The Audience by Peter Morgan premiered at the Gielgud Theatre, London, in March 2013.

    Once an untouchable member of England's establishment-- a world-famous art historian and a man knighted by the Queen of England-- in a single stroke Anthony Blunt became an object of universal hatred when, in 1979, Margaret Thatcher exposed him as a Soviet spy. In "Anthony Blunt: His Lives," Miranda Carter shows how one man lived out opposing trends of his century-- first as a rebel against his class, then as its epitome-- and yet embodied a deeper paradox. In the 1920s, Blunt was a member of the Bloomsbury circle; in the 1930s he was a left-wing intellectual; in the 50s and 60s he became a camouflaged member of the Establishment. Until his treachery was made public, Blunt was a world-famous art historian, recognized for his ground-breaking work on Poussin, Italian art, and old master drawings; at the Courtauld Institute he trained a whole generation of academics and curators. And yet even as he ascended from rebellion into outward conformity, he was a homosexual when homosexuality was a crime, and a traitor when the penalty was death. How could one man contain so many contradictions? The layers of secrecy upon which Blunt's life depended are here stripped away for the first time, using testimony from those who knew Blunt well but have until now kept silent and documents from sealed Russian archives, including a secret autobiography Blunt wrote for his controllers. Miranda Carter's "Anthony Blunt" is the first full biography of the mythical Cold War warrior, and is at once an astonishing history of one the century's greatest deceits and adeeply nuanced account of fifty years in the British power elite, as experienced by one deep inside who wished to bring it down.

    At the mercy of Shiite captors for nearly seven years, he lived in chains, wondering fearfully if each day would be his last. But his spirit soared beyond captivity, and he never gave up. Nor did those who loved him. And now, a free man again, he tells the harrowing and poignant story of a hostage's survival and final triumph.From the Paperback edition.

    David Heymann chronicles the dinner parties, correspondence, overlappings, and underpinnings of some of the most influential women in Washington's history. "The Georgetown Ladies' Social Club" -- a term coined by Ronald Reagan -- comprises a list of formidable and fascinating women, among them Katharine Graham, Lorraine Cooper, Evangeline Bruce, Pamela Harriman, and Sally Quinn. Their husbands, government officials and newsmakers among them, relied on the ladies for their sharp wit and sensitivity, refined bearings, and congeniality. In a city characteristically and traditionally controlled by men, the Georgetown wives were, in turn, afforded an abundance of behind-the-scenes political clout. Filled with intriguing and often startling insights into Washington life, from the latter days of the Kennedy and Truman administrations to the Clinton era and the advent of President George W. Bush, The Georgetown Ladies' Social Club is a compelling testament to the sex, lies, and red tape of American politics.