Gatwood's poems deftly deconstruct traditional stereotypes. The focus shifts from childhood to adulthood, gender to sexuality, violence to joy. And always and inexorably, the book moves toward celebration, culminating in a series of odes: odes to the body, to tough women, to embracing your own journey in all its failures and triumphs.

    Like anywhere she is, it’s brighter there.” Eight years ago, Alex Whitaker crashed his car, upending his life. Since then he has struggled—with his family, with his job, with everything in his life. And has he really been living, or just passing time? For the last few years Cecilia Byrne been making her way north in a highlighter yellow van that she calls Nina. Besides the circuitous car trip, she’s on a journey of discovery too, but doesn’t expect to find love waiting for her in a coffee shop in Detroit. When problems keep them apart, can Alex and Cecilia overcome their differences and start a new season of their lives together?

    An artificial intelligence, The Genesis, began creating a world without flaws—killing off humanity’s leaders and growing children in labs. A perfect world.  A perfect society.  A perfect human race… But one man, Caesar Wells, sees beyond the utopian canvas The Genesis painted.  Refusing to bow to The Genesis, he tries to prove the world must be restored to its former state.  But The Genesis will not be stopped or thwarted. Now it's up to Caesar to rescue humanity from itself. Grab your battle gear and suit up for the fight of your life as Caesar attacks the greatest threat humanity has ever known.  Willing to die if needed, watch as one man sets out to teach everyone that a perfect world cannot exist. Unless The Genesis decides it already does...

    Limón has often been a poet who wears her heart on her sleeve, but in these extraordinary poems that heart becomes a “huge beating genius machine” striving to embrace and understand the fullness of the present moment. “I am beautiful. I am full of love. I am dying,” the poet writes. Building on the legacies of forebears such as Frank O’Hara, Sharon Olds, and Mark Doty, Limón’s work is consistently generous and accessible—though every observed moment feels complexly thought, felt, and lived.

    When her husband, Ted Hughes, first brought this collection to life, it garnered worldwide acclaim, though it wasn't the draft Sylvia had wanted her readers to see. This facsimile edition restores, for the first time, Plath's original manuscript—including handwritten notes—and her own selection and arrangement of poems. This edition also includes in facsimile the complete working drafts of her poem "Ariel," which provide a rare glimpse into the creative process of a beloved writer. This publication introduces a truer version of Plath's works, and will no doubt alter her legacy forever.

    

    Sure to appeal to fans of the hit musical Dreamboats and Petticoats.When Rhonda Fleming runs away from home the last place she expects to end up is at a Jolly's holiday camp. But a chance encounter with a chalet maid at the train station leads Rhonnie to Mablethorpe on a cold winter's day and her life changes for ever.Thrown in at the deep end working for the boss's wife, Rhonnie discovers there's never a dull moment at Jolly's - particularly with staff like Dan around. From the beauty contest by the pool to jiving in the Paradise dance hall and from the rollercoaster at the fair to sitting on a moonlit beach, the holidaymakers are guaranteed to have the time of their lives. But when the boss's son reappears nothing can prepare Rhonnie for what lies ahead...

    Except on her.No one has ever resisted me so easily before.None of my molten magic hooks onto her.She doesn’t want to see me again.But she’ll have to.Because she’s my new doctor.

    Beat him to death with a tree branch after he threatened to rape her. But what started as self-defense became problematic for two reasons. First, she killed Robert Sims after he’d been rendered completely defenseless. And second, she inadvertently left her fingerprints at the scene. Allie is young, beautiful, the smartest person in any room. But she’s also been diagnosed as clinically insane. As her past catches up with her and her marriage starts to crumble, Allie is determined to survive at all costs. Size Matters is a taut, compelling novel that teaches us never to underestimate a woman with nothing to lose. PRELIMINARY REVIEWS: “Size Matters is so full of twists and turns and surprises I couldn’t have flipped the pages faster if you paid me! This novel surprised and delighted and kept me shaking my head time and again. Fans of Donovan Creed should be aware that he and Callie make a brief appearance that furthers their saga.” “‘I’ve done bad things,’ says Allie McPherson, ‘but that doesn’t make me a bad person.’ Well, that’s one opinion!” “This book is crazy! There are twists and turns on virtually every page! While I consider myself an expert on Locke novels, I have to admit he took me on a wild ride that made me guess wrong every single time.” “Size Matters is a cross between Alfred Hitchcock and Quentin Tarantino. From start to finish I was shocked, surprised, and hopelessly entertained.”

    Now he can. The newest VRMMORPG Gods & Kings is the closest thing to a time machine he’ll ever get.With the powers of his Warrior Priest class Matt must build his army, level his followers, and discover new battle formations that will help him defeat his enemies and become a true Roman general. More victories means more glory and more men – so Matt must use all his knowledge of history to give his fighters the edge in battle, as well as buffing his troops with ancient magic and even summoning mythic beasts to fight alongside his men. It’s awesome!But his carefree attitude soon earns the scorn of a serious competitor who has made it his mission to rewrite history and see Matt and his allies destroyed. To see the version of Rome he loves come to life, Matt must use all his skill to defeat his nemesis and save the empire.

    She doesn’t go to school and never leaves the flat by day. Sensing in each other a kindred spirit, the two become devoted friends. What Oskar doesn’t know is that Eli has been a teenager for a very long time…Jack Thorne's adaptation of Let The Right One In premiered in June 2013 at the Dundee Rep Theatre in a production by the National Theatre of Scotland, before transferring to London's Royal Court Theatre in November 2013.

    When DCI Max Thatcher and his new DS Isaac Mills are called in to investigate, they discover that there is a plethora of suspects and precious little evidence. But when the determined pair start digging into the unusual remains, they will discover not only a trail to the truth, but a pathway right into danger.

    But in an unexpected turn of events, he finds himself assigned to the Oncology unit of the University Pediatric Hospital, in unfamiliar territory and answering to a demanding attending physician. Unbeknownst to him, he will face a most unexpected test, as the children of the oncology unit show him he might not be quite prepared for the upcoming weeks, and maybe not quite prepare to become a doctor.

    That time is the period between the two World Wars, and Barnes' novel unfolds in the decadent shadows of Europe's great cities, Paris, Berlin, and Vienna—a world in which the boundaries of class, religion, and sexuality are bold but surprisingly porous. The outsized characters who inhabit this world are some of the most memorable in all of fiction—there is Guido Volkbein, the Wandering Jew and son of a self-proclaimed baron; Robin Vote, the American expatriate who marries him and then engages in a series of affairs, first with Nora Flood and then with Jenny Petherbridge, driving all of her lovers to distraction with her passion for wandering alone in the night; and there is Dr. Matthew-Mighty-Grain-of-Salt-Dante-O'Connor, a transvestite and ostensible gynecologist, whose digressive speeches brim with fury, keen insights, and surprising allusions. Barnes' depiction of these characters and their relationships (Nora says, "A man is another person—a woman is yourself, caught as you turn in panic; on her mouth you kiss your own") has made the novel a landmark of feminist and lesbian literature. Most striking of all is Barnes' unparalleled stylistic innovation, which led T. S. Eliot to proclaim the book "so good a novel that only sensibilities trained on poetry can wholly appreciate it." Now with a new preface by Jeanette Winterson, Nightwood still crackles with the same electric charge it had on its first publication in 1936.