Maddened by the discovery of his wife's orgies, King Shahrayar believes all women are unfaithful and vows to marry a virgin every night and kill her in the morning. To survive, his newest wife Shahrazad spins a web of tales night after night, leaving the King in suspense when morning comes, thus prolonging her life for another day.Written in Arabic from tales gathered in India, Persia and across the great Arab empire, these mesmerising stories tell of the real and the supernatural, love and marriage, power and punishment, wealth and poverty, and the endless trials and uncertainties of fate.Now adapted by Hanan al-Shaykh the One Thousand and One Nights are revealed in an intoxicating new voice.

    Possessed of an extraordinary imagination, she has a hard time fitting in at school. It is only when she visits Nigeria for the first time that she makes a friend who understands her: a ragged little girl named TillyTilly. But soon TillyTilly’s visits become more disturbing, until Jess realizes she doesn’t actually know who her friend is at all. Drawing on Nigerian mythology, Helen Oyeyemi presents a striking variation on the classic literary theme of doubles — both real and spiritual — in this lyrical and bold debut.

    The land is in peril. A child has been born to save his people. But a traitor lurks with evil in his mind and murder in his heart, dogging the footsteps of those who protect the babe who would be king. But magic is at work, high magic. Gwydion the Dreamer awakes, screaming, from a prophetic dream of tragedy and loss, a dream peopled by kings of the past. Though he thinks he is not ready, the Shining Ones lay a task upon him: protect young Arthur; and locate Caladfwlch, the lost sword of the last, murdered High King of Kymru. Dodging assassins to find the woman who holds the key to unlock a horrible secret, and fighting the longings of his own shattered heart, Gwydion sets out upon his odyssey. And finds that fate cannot be fulfilled without sacrificing the life of someone he loves.

    But using her wit and guile, she begins a sequence of stories that will last 1001 nights: stories of 'ifrits and money-changers, prices and slave girls, fishermen and queens, and magical gardens of paradise. This volume also includes the well-known tale of 'Ali Baba and the Forty Thieves'.Along with this landmark new translation, Robert Irwin's introduction discusses the many cultures The Arabian Nights has drawn on and the elaborate structure of the story-within-a-story that defines the collection, as well as the importance to the Nights of locked doors, sex, and the recurring themes of money, merchants and debts. This edition also contains suggestions for further reading, a glossary, maps and a chronology.

    They revel in the privileged, ordered life they lead in Manhattan with their children, teenagers Andrew and Caroline and 6-year-old Charlie. But when Blake accepts a once-in-a-lifetime opportunity to become the CEO of a visionary social media start-up in San Francisco—and then buys a magnificent turn-of-the-20th-century Pacific Heights mansion on impulse—all that will change. Built by the Butterfields, a prominent banking family, abandoned for decades, the grand house retains its exquisite furnishings and aura of long ago elegance. And that’s not all it retains. The modern Gregorys are about to meet their ghostly long ago counterparts….

    When Perseus comes to ask for her help, Medusa tries desperately to make him leave, but no matter what she does, Perseus stays. As the days wear on and she reveals more about the events that led her to the cave, it becomes obvious that there is a choice to make: stay safe and alone, or re-enter the world with Perseus. One question still remains, however: what does Perseus want?

    Alone at the edge of the world, hope is all they have left.Desperate to save them, Omat journeys across the icy wastes, fighting for survival with every step. When she meets a Viking warrior and his strange new gods, they set in motion a conflict that could shatter her world...or save it.

    And about men surprised by women who are unconventional, unafraid and independent. It is the story of Meena, rebellious and unexamined, and Yuri, as complex as Meena is naive. Of Hajime, outsider to two cultures, and Prakash, unable to see beyond his limited horizons. It is also the story of Haruko who has dedicated herself to her art, and of Leela who is determined to break gender roles and learn the traditional gold-craft of her community. Set between Japan and Jaipur, Kintsugi follows the lives of these characters as they intersect and diverge, collide and break and join again in unexpected ways. The result is a brilliantly original novel as profound as it is playful, as emotionally moving as it is gripping.

    In him was distilled the terrible powers of Mahadeva, at its fiercest and most deadly. Although he fought many wars and slew many tyrants, his gifts to humanity have always been those of mercy, compassion and love. What makes this possible?For Kartikeya, there have always been more questions than answers. Did he really walk away from his family over a piece of fruit? What about the women in his life—was he the ravisher he is at times accused of being, or the protector of women? Was he the violent warrior who revelled in bloodlust, or a gentle family man? What was his relationship with his more popular sibling, Ganesha?Anuja Chandramouli weaves together myth, imagination and folklore while looking to answer these questions and recreates for modern readers the story of one of the most enigmatic gods—Kartikeya.

    It captures the dominance of a colonial power over the region that began with the entry of the Portuguese about four hundred years ago. The novel is a graphic description of the displacement of this strongly-rooted community which saw its resurrection in a new area. In the course of its narrative, the novel traces the gradual changes in the structure of the family that moved from a closely knit joint family of the bygone era to the nuclear family. It also deals with the factors that are responsible for the change in value systems of individuals in the wake of such paradigm shifts. With its vast canvas, it remarkably weaves fiction with myth and history, peppered with cultural details and linguistic nuances. The narration in Swapna Saraswatha progresses in the form of an epic detailing the story of nine generations spread over a period of two hundred and fifty years from 1510 to about 1760. It encompasses more than a hundred and fifty characters which include Hindus, Muslims, Christians, chieftains, traders, farmers, priests and black magicians, and covers a range of themes spread across folk tales, legends, armies, myths and a sprinkling of history.

    This incredible portrait of Erik--the Phantom--recreates his entire life, from his survival as a child in a carnival freak show to his creative genius behind the Paris Opera House--and its labyrinthine world below--to his discovery of love.