But always being there for others can’t give Johanna everything she needs—it can’t give her Reeve Hartt.Reeve is fierce, beautiful, wounded, elusive; a flame that draws Johanna’s fluttering moth. Johanna is determined to get her, against all advice, and to help her, against all reason. But love isn’t always reasonable, right?In the precarious place where attraction and need collide, a teenager experiences the dark side of a first love, and struggles to find her way into a new light.

      A wunderkind young set designer, Emi has already started to find her way in the competitive Hollywood film world.   Emi is a film buff and a true romantic, but her real-life relationships are a mess. She has desperately gone back to the same girl too many times to mention. But then a mysterious letter from a silver screen legend leads Emi to Ava. Ava is unlike anyone Emi has ever met. She has a tumultuous, not-so-glamorous past, and lives an unconventional life. She’s enigmatic…. She’s beautiful. And she is about to expand Emi’s understanding of family, acceptance, and true romance.

    But the threesome faces their first separation when Nina goes away the summer before their senior year. And in ten short weeks, everything changes.Nina returns home bursting with stories about Steve, the quirky yet adorable eco-warrior she fell for hard while away. But when she asks her best friends about their summer romances, an awkward silence follows.Nina soon learns the shocking truth when she sees Mel and Avery...kissing. Their friendship is rocked by what feels like the ultimate challenge. But it's only the beginning of a sometimes painful, sometimes funny, always gripping journey as three girls discover who they are and what they really want.

    Vera Kelly is struggling to make rent and blend into the underground gay scene in Greenwich Village. She's working night shifts at a radio station when her quick wits, sharp tongue, and technical skills get her noticed by a recruiter for the CIA. Next thing she knows she's in Argentina, tasked with wiretapping a congressman and infiltrating a group of student activists in Buenos Aires. As Vera becomes more and more enmeshed with the young radicals, the fragile local government begins to split at the seams. When a betrayal leaves her stranded in the wake of a coup, Vera learns war makes for strange and unexpected bedfellows, and she's forced to take extreme measures to save herself.An exhilarating page turner and perceptive coming-of-age story, WHO IS VERA KELLY? introduces an original, wry and whip-smart female spy for the twenty-first century.

    She kept extensive diaries of her life and loves, written partly in code. Made up of Greek letters mingled with other symbols of her own devising, Anne referred to the code as her "crypthand," and the use of it allowed her the freedom to describe her intimate life in great detail. Her diaries have been edited by Helena Whitbread, who spent years decoding and transcribing them.

    Lois Lenz was like any other wholesome former cheerleader with a knack for office skills--until she took a job at Sather & Sterling in bustling Bay City. Spending her days in the cut-throat typing pool and her nights at the all-women's residence of Magdalena Arms, Lois had no idea she was entering a world of working girls whose passionate desires--and fabulous fashion sense--could lead any innocent lamb astray. . .Netta--serious and smart, she's unlike any woman Lois has known. . .Maxie--The height of society fashion, and girls are so very in style. . .Pamela--Lois's old high school Pep Squad pal certainly has changed. . .Miss Gill--the office manager has secrets and plenty of file cabinets to keep them in. . .Dolly--an actress whose martini shaker is as busy as her love life. . .Mrs. Pierson--"The hyena," Lois's boss, her office is a place of hard work and private dictation. . .And many more!Lois Lenz--she was a good girl a long way from home about to discover that not everything is what it seems, navy is a bad suit choice, and love can bloom in the strangest of places. . .

    Bertrice Martin—a widow, some seventy-three years young—has kept her youthful-ish appearance with the most powerful of home remedies: daily doses of spite, regular baths in man-tears, and refusing to give so much as a single damn about her Terrible Nephew. Then proper, correct Miss Violetta Beauchamps, a sprightly young thing of nine and sixty, crashes into her life. The Terrible Nephew is living in her rooming house, and Violetta wants him gone. Mrs. Martin isn’t about to start giving damns, not even for someone as intriguing as Miss Violetta. But she hatches another plan—to make her nephew sorry, to make Miss Violetta smile, and to have the finest adventure of all time. If she makes Terrible Men angry and wins the hand of a lovely lady in the process? Those are just added bonuses. Author’s Note: Sometimes I write villains who are subtle and nuanced. This is not one of those times. The Terrible Nephew is terrible, and terrible things happen to him. Sometime villains really are bad and wrong, and sometimes, we want them to suffer a lot of consequences.

    But over the course of twenty-four hours, their lives will change forever. Malibu: August, 1983. It’s the day of Nina Riva’s annual end-of-summer party, and anticipation is at a fever pitch. Everyone wants to be around the famous Rivas: Nina, the talented surfer and supermodel; brothers Jay and Hud, one a championship surfer, the other a renowned photographer; and their adored baby sister, Kit. Together, the siblings are a source of fascination in Malibu and the world over—especially as the offspring of the legendary singer, Mick Riva.The only person not looking forward to the party of the year is Nina herself, who never wanted to be the center of attention, and who has also just been very publicly abandoned by her pro tennis player husband. Oh, and maybe Hud—because it is long past time to confess something to the brother from whom he’s been inseparable since birth.Jay, on the other hand, is counting the minutes until nightfall, when the girl he can’t stop thinking about promised she’ll be there.And Kit has a couple secrets of her own—including a guest she invited without consulting anyone.By midnight the party will be completely out of control. By morning, the Riva mansion will have gone up in flames. But before that first spark in the early hours before dawn, the alcohol will flow, the music will play, and the loves and secrets that shaped this family’s generations will all come bubbling to the surface.Malibu Rising is a story about one unforgettable night in the life of a family: the night they each have to choose what they will keep from the people who made them . . . and what they will leave behind.

    The book is an urgent recall of heartbreak, a stark portrait of an identity in crisis.

    King into the upper tier of the genre. As "A Grave Talent" begins, the unthinkable has happened in a small community outside of San Francisco. A string of shocking murders has occurred, each victim an innocent child. For Detective Kate Martinelli, just promoted to Homicide and paired with a seasoned cop who's less than thrilled to be handed a green partner, it's going to be a difficult case. Then the detectives receive what appears to be a case-breaking lead: it seems that one of the residents of this odd, close-knit colony is Vaun Adams, arguably the century's greatest painter of women, a man, as it turns out, with a sinister secret. For behind the brushes and canvases also stands a notorious felon once convicted of strangling a little girl. What really happened on that day of savage violence eighteen years ago? To bring a murderer to justice, Kate must delve into the artist's dark past -- even if she knows it means losing everything she holds dear.

    But whispers from her past slowly begin to poison her new life and both she and Rebekah are lured into the most sinister of investigations.Hester and Rebekah find themselves crossing every boundary they've ever known in pursuit of truth, redemption and passion. But their trust in each other will be tested as a web of deceit begins to unspool, dragging them into the blackest heart of a city where something more depraved than either of them could ever imagine is lurking . . .

    Nothing bad happened here. People didn’t disappear.College was supposed to be an escape for Emily Skinner. But after failing out of school, she’s left with no choice but to return to her small hometown in the Ozarks, a place run on gossip and good Christian values.She’s not alone. Emily’s former best friend—and childhood crush—Jody Monroe is back with a baby. Emily can’t resist the opportunity to reconnect, despite the uncomfortable way things ended between them and her mom’s disapproval of their friendship. When Emily stumbles upon a meth lab on Jody’s property, she realizes just how far they’ve both fallen.Emily intends to keep her distance from Jody, but when she’s kicked out of her house with no money and nowhere to go, a paying job as Jody’s live-in babysitter is hard to pass up. As they grow closer, Emily glimpses a future for the first time since coming home. She dismisses her worries; the meth is a means to an end. And besides, for Emily, Jody is the real drug.But when Emily’s role in Jody’s business turns dangerous, her choices reveal grave consequences. As the lies pile up, Emily will learn just how far Jody is willing to go to save her own skin—and how much Emily herself has risked for the love of someone who may never truly love her back.Echoing the work of authors like Daniel Woodrell and Sarah Waters, Cottonmouths is an unflinching story about the ways in which the past pulls us back . . . despite our best efforts to leave it behind.

    Inside is a gigantic taxidermied aardvark. This outrageous, edge-of-your-seat novel hurtles between contemporary Washington, DC, where Wilson tries to get rid of the unsightly beast before it destroys his career, and Victorian England--where we meet Titus Downing, the taxidermist who stuffed the aardvark, and Richard Ostlet, the naturalist who hunted her. Our present world, we begin to see, has been shaped in profound and disturbing ways by the secret that binds these men.

    The book has been banned from many school libraries and publicly burned in Kansas City. Of the author and the book, the Margaret A. Edwards Award committee said, “Using a fluid, readable style, Garden opens a window through which readers can find courage to be true to themselves.”

    "Impeccably composed and meticulously particular in its observation of everything" (Harpers & Queen), it focuses on the friendship of two men: William Beckwith, a young gay aristocrat who leads a life of privilege and promiscuity, and the elderly Lord Nantwich, an old Africa hand, searching for someone to write his biography and inherit his traditions.