The long poem was the beginning of Cesaire's quest for negritude, and it became an anthem of Blacks around the world. With its emphasis on unusual juxtapositions of object and metaphor, manipulation of language into puns and neologisms, and rhythm, Cesaire considered his style a "beneficial madness" that could "break into the forbidden" and reach the powerful and overlooked aspects of black culture. Clayton Eshleman and Annette Smith achieve a laudable adaptation of Cesaire's work to English by clarifying double meanings, stretching syntax, and finding equivalent English puns, all while remaining remarkably true to the French text. Their treatment of the poetry is marked with imagination, vigor, and accuracy that will clarify difficulties for those already familiar with French, and make the work accessible to those who are not. Andre Breton's introduction, A Great Black Poet, situates the text and provides a moving tribute to C saire. Notebook of a Return to the Native Land is recommended for readers in comparative literature, post-colonial literature, African American studies, poetry, modernism, and French.

    In combining certain of the restrictions of poetic form with the freedom of prose, he sought a form of language capable of conveying the complexity, cacophony, and unexpected juxtapositions of city life. Like his verse, the prose poems are rich in psychological insights and reveal the ability both to select precisely those tiny details that raise the banal to the ironic and to create verbal patterns and rhythms that subtly underpin or throw into question the surface meaning of the language. This collection of all Baudelaire's prose poetry also includes the novella La Fanfarlo, a gently mocking study of love and passion that brilliantly evokes the art of dance.

    He went on to become an internationally renowned master of modern drama, famous for the comic proportions and bizarre effects that allow his work to be simultaneously hilarious, tragic, and profound. As Ionesco has said, "Theater is not literature. . . . It is simply what cannot be expressed by any other means."

    But when they receive a notice from their old school, detailing plans for a new gymnasium and inviting them to come to a class reunion, they know they must go back one more time. Because there is a body buried in the gym’s walls…and they’re the ones who put it there.What really happened that long-ago winter night? Now nothing stands in the way of the truth.From France’s #1 bestselling author, Guillaume Musso, The Reunion is a taut and suspenseful thriller that will keep readers riveted until its haunting final page.

    The army is in flight. The enemy is expected to arrive in town at any moment. Wandering through the snow laden devastated streets of what once was a city, a soldier on the losing side has a parcel to deliver. All the streets look the same, and he cannot remember the name of the street where he was to meet the man who had agreed to take the parcel. But he must deliver the parcel or at least get rid of it.Alain Robbe-Grillet says in his prefatory note: "this story is fiction, not a report. It describes a reality which is not necessarily that of the reader's own experience. And yet the reality here in question is strictly physical, that is to say it has no allegorical significance. The reader should therefore see in it only objects, the gestures, the words and the events that are told, without seeking to give them either more or less meaning than they would have in his own life, or in his death."The masterful translation is by Christine Brooke-Rose.

    The shantytown established by Marie-Sophie is menaced from without by hostile landowners and from within by the volatility of its own provisional state. Hers is a brilliant polyphonic rendering of individual stories informed by rhythmic orality and subversive humor that shape a collective experience.A joyous affirmation of literature that brings to mind Boccaccio, La Fontaine, Lewis Carroll, Montaigne, Rabelais, and Joyce, Texaco is a work of rare power and ambition, a masterpiece.

    Aurelie Bredin, a beautiful Parisian restaurateur, is sure of this truth. On a gloomy Friday in November, when Aurelie is feeling depressed after a breakup, she discovers a novel entitled 'The Smiles of Women' in a quaint bookshop on the Ile-St.-Louis. Astonishingly, her restaurant and she herself are featured in its pages. After reading the entire book in one night, Aurelie wishes more than anything to meet the author of the novel because she is convinced that, without even realising it, he has saved her life. However, her wish proves to be a difficult, almost impossible, endeavour."