Claymores are half-humans, half-demons who willingly transformed themselves by mixing their blood with monster's blood. Claire, nicknamed silver-eyed killer, is such a powerful Claymore, she can slay a Yoma using only one hand. But she must constantly struggle to keep from becoming a monster herself.

    As is the case with many teens looks can be deceiving.  When he's not at school or riding the metro, he is at the local comic shop cosplaying as his favorite Japanese animation character Peepo Choo!  A hardcore fan, Milton knows every line from the Peepo Choo animation by heart.  He can happily replicate the Peepo Dance with ease, and genuinely believes the world depicted in this cartoon is "the real" Japan.On the other side of the Pacific lives Reiko.  A teenage model on the rise, she also has another side of her.  Reiko is a feminist working hard to someday move overseas to a place where she could be treated equally and fairly by men and women.  In Japan, Reiko feels she is a teenage sex object, and after a number of interactions with young Americans in Tokyo she begins to believe that her American dream is going to be painfully similar to her worst Japanese nightmares.Chance would bring the two teens together. But in this case fate comes in the form of the underworld! "Now that Smith is producing works for a Japanese audience under the editorial guidelines of Kodansha--doing what Paul Pope in the 1990s ultimately could not do--it's going to be fascinating to see how his already amazing talents change and grow."--Jason Thompson, ComiXology

    But as the relatives gather for the funeral and the stories start to flow, Yoichi’s childhood starts to resurface. The Spring afternoons playing on the floor of his father’s barber shop, the fire that ravaged the city and his family home, his parents’ divorce and a new ‘mother’.Through confidences and memories shared with those who knew him best, Yoichi rediscovers the man he had long considered an absent and rather cold father.

    But all that changes when he finds the Death Note , a notebook dropped by a rogue Shinigami death god. Any human whose name is written in the notebook dies, and now Light has vowed to use the power of the Death Note to rid the world of evil. But when criminals begin dropping dead, the authorities send the legendary detective L to track down the killer. With L hot on his heels, will Light lose sight of his noble goal...or his life?The Complete Box SetStory by Tsugumi OhbaArt by Takeshi ObataIncludes:Manga Volumes 1–12Death Note 13: How to ReadA "How to Use It" fold-out

    Set against the backdrop of the Meiji Restoration, it tells the saga of Himura Kenshin, once an assassin of ferocious power, now a humble rurouni, a wandering swordsman fighting to protect the honor of those in need. A hundred and fifty years ago in Kyoto, amid the flames of revolution, there arose a warrior, an assassin of such ferocious power he was given the title Hitokiri: Manslayer. With his bloodstained blade, Hitokiri Battosai helped close the turbulent Bakumatsu period and end the reign of the shoguns, slashing open the way toward the progressive Meiji Era.  Then he vanished, and with the flow of years became legend. In the 11th year of Meiji, in the middle of Tokyo, the tale begins. Himura Kenshin, a humble rurouni, or wandering swordsman, comes to the aid of Kamiya Kaoru, a young woman struggling to defend her father's school of swordsmanship against attacks by the infamous Hitokiri Battosai. But neither Kenshin nor Battosai are quite what they seem...

    She bears a striking resemblance to her country’s Prince Edvard, who lies dying from poison. Without its prince, Tyr will quickly be engulfed by violence. Now Freya must take Prince Edvard’s place and lead his valiant knights in defending the realm!

    Raw concrete buildings front trash-strewn alleys. The narrow streets are crowded with young children and unemployed men. On the border with Egypt, swaths of Rafah have been bulldozed to rubble. Rafah is today and has always been a notorious flashpoint in this bitterest of conflicts. Buried deep in the archives is one bloody incident in 1956, that left 111 Palestinians dead, shot by Israeli soldiers. Seemingly a footnote to a long history of killing, that day in Rafah—cold-blooded massacre or dreadful mistake—reveals the competing truths that have come to define an intractable war. In a quest to get to the heart of what happened, Joe Sacco immerses himself in daily life of Rafah and the neighboring town of Khan Younis, uncovering Gaza past and present. Spanning fifty years, moving fluidly between one war and the next, alive with the voices of fugitives and schoolchildren, widows and sheikhs, Footnotes in Gaza captures the essence of a tragedy. As in Palestine and Safe Area Goražde, Sacco’s unique visual journalism has rendered a contested landscape in brilliant, meticulous detail. Footnotes in Gaza, his most ambitious work to date, transforms a critical conflict of our age into an intimate and immediate experience.

    ED BRUBAKER and SEAN PHILLIPS, the modern masters of crime noir, bring us the last thing anyone expected from them—a good guy. A bold new series of original graphic novels, with three books releasing over the next year, each a full-length story that stands on its own. Meet Ethan Reckless: Your trouble is his business, for the right price. But when a fugitive from his radical student days reaches out for help, Ethan must face the only thing he fears…his own past.“Oh man this book pushed EVERY crime fiction button for me. Working class setting covering up for a deeper societal rot, a battered, damaged (literally) protagonist against the beast, and all of it squirming and lunging through an over-lit early 80s L.A. Noir bleached to bleakness. Bliss." —Patton Oswalt “Imagine Redford at his peak, ambling through sun-drenched, eighties L.A. in a serpentine plot that is equal parts Long Goodbye and Point Break. No one does crime fic like BRUBAKER and PHILLIPS and their collaboration has never felt more new. Explosive. Vital. And yes...reckless. I love this book.” —Damon Lindelof (Lost, HBO’s Watchmen) "RECKLESS is an absolute rush: on the same level as golden age Travis McGee novels and the hardest-hitting Richard Stark stories. This one comes at you as fast as Steve McQueen in a souped-up Mustang and as hard as Charles Bronson with a baseball bat. You gotta have it." —Joe Hill (Locke & Key, N0S4A2) Look for Book Two in the RECKLESS series in April 2021!

    Each of the eight stories in the collection is lifted from the Edo-era Japanese storytelling form. As Tatsumi notes in the afterword, the world of rakugo, filled with mystery, emotion, revenge, hope, and, of course, love, overlaps perfectly with the world of Gekiga that he has spent the better part of his life developing. These slice-of-life stories resonate with modern readers thanks to their comedic elements and familiarity with human idiosyncrasies. In one, a father finds his son too bookish and arranges for two workers to take the young man to a brothel on the pretext of visiting a new shrine. In another particularly beloved rakugo tale, a married man falls in love with a prostitute. When his wife finds out, she is enraged and sets a curse on the other woman. The prostitute responds by cursing the wife, and the two escalate in a spiral of voodoo doll cursing. Soon both are dead, but even death can’t extinguish their jealousy. Tatsumi’s love of wordplay shines through in the telling of these whimsical stories, and yet he still offers timeless insight into human nature.

    Their last line of defence is the elite secret society of Amazons; women trained in the martial art of Bartitsu and sworn to protect their leaders from arrest and assault.In Book 1 of the Suffrajitsu trilogy, The Amazons' tactics and fighting skills are put to the test in escalating conflicts with the London and Glasgow police.

    In the rapidly converging landscape of the 21st century Major Kusanagi is charged to track down the craftiest and most dangerous terrorists and cybercriminals, including ghost hackers When he track the trail of one hacker, her quest leads her to a world she could never have imagined.

    At the same time, while preparing for the Sandman 10th anniversary, he met Yoshitaka Amano, his artist for the 11th Sandman book. Amano is the famed designer of the Final Fantasy game series. The product of Gaiman's immersion in Japanese art, culture, and history, Sandman: Dream Hunters is a classic Japanese tale (adapted from "The Fox, the Monk, and the Mikado of All Night's Dreaming") that he has subtly morphed into his Sandman universe.Like most fables, the story begins with a wager between two jealous animals, a fox and a badger: which of them can drive a young monk from his solitary temple? The winner will make the temple into a new fox or badger home. But as the fox adopts the form of a woman to woo the monk from his hermitage, she falls in love with him. Meanwhile, in far away Kyoto, the wealthy Master of Yin-Yang, the onmyoji, is plagued by his fears and seeks tranquility in his command of sorcery. He learns of the monk and his inner peace; he dispatches demons to plague the monk in his dreams and eventually kill him to bring his peace to the onmyoji. The fox overhears the demons on their way to the monk and begins her struggle to save the man whom at first she so envied.Dream Hunters is a beautiful package. From the ink-brush painted endpapers to the luminous page layouts--including Amano's gate-fold painting of Morpheus in a sea of reds, oranges, and violets--this book has been crafted for a sensuous reading experience. Gaiman has developed as a prose stylist in the last several years with novels and stories such as Neverwhere and Stardust, and his narrative rings with a sense of timelessness and magic that gently sustains this adult fairy tale. The only disappointment here is that the book is so brief. One could imagine this creative team being even better suited to a longer story of more epic proportions. On the final page of Dream Hunters, in fact, Amano suggest that he will collaborate further with Mr. Gaiman in the future. Readers of Dream Hunters will hope that Amano's dream comes true. --Patrick O'Kelley

    This volume deals with the period leading up to World War II, a time of high unemployment and other economic hardships caused by the Great Depression. Mizuki's photo-realist style effortlessly brings to life the Japan of the 1920s and 1930s, depicting bustling city streets and abandoned graveyards with equal ease. When the Showa era began, Mizuki himself was just a few years old, so his earliest memories coincide with the earliest events of the time. With his trusty narrator Nezumi Otoko (Rat Man), Mizuki brings history into the realm of the personal, making it palatable, and indeed compelling, for young audiences as well as more mature readers. As he describes the militarization that leads up to World War II, Mizuki's stance toward war is thoughtful and often downright critical--his portrayal of the Nanjing Massacre clearly paints the incident (a disputed topic within Japan) as an atrocity. Mizuki's "Showa 1926-1939" is a beautifully told history that tracks how technological developments and the country's shifting economic stability had a role in shaping Japan's foreign policy in the early twentieth century.

    But time continues to unfurl, whether we like it or not. Now, ten years later…

    Negi and his class of quirky girls embark on an epic field trip to historic Kyoto and Nara that unexpectedly (or expectedly to some) brings all kings of trouble. As Negi deals with potent magical creatures, he discovers that most of the trouble comes from his very own students!