Locked away in separate rooms as punishment by their ruthless grandmother, the Linnets feel at once that their new life is unbearable—and decide to make their escape—out of the house, out of the garden and into the village. Commandeering a pony and trap, the children and their dog are led away as the pony makes his way nonchalantly home. The pony’s destination happens to be a house that belongs to their gruff but loveable uncle Ambrose. The kindly uncle Ambrose agrees to take them under his wing, he educates them and encourages them to explore Dartmoor, letting the children have free rein in his sprawling manor house and surrounding countryside.Befriending the collection of house guests, including an owl, a giant cat, and a gardener, Ezra, who converses with bees, and getting to know the miscellaneous inhabitants of the village, the four siblings discover a life in which magic and reality are curiously intermingled and evil and tragedy lurk never far away. Then stumble upon the eccentric Lady Alicia Valerian, who seems to have lost her family. And then the real fun begins! The Linnets start their search for the missing Valerians. But the village is under a spell of the witch Emma Cobley. Can the children lift the spell and restore happiness to the villagers? Or will they be thwarted by evil Emma Cobley and her magic cat?This charming story beautifully depicts early twentieth century English country life while conjuring an air of magical adventure. It is full of vivid characters, battles between good and evil and wonderful spell-binding moments.

    Homer's epic poem, The Iliad is brought to life by Rosemary Sutcliff with the skill of a good storyteller, and with the dramatic and haunting illustrations of Alan Lee (Art Direction, The Lord of the Rings).The book was the winner of the Kate Greenaway Medal in 1993.

    Set in Old California, this powerful narrative richly depicts the life of the fading Spanish order, the oppression of tribal American communities and inevitably, the brutal intrusion of white settlers. Ramona, an illegitimate orphan, grows up as the ward of the overbearing Senora Moreno. But her desire for Alessandro, a Native American, makes her an outcast and fugitive...

    It is set in the time of the English Civil War and the Commonwealth. The story follows the fortunes of the four Beverley children who are orphaned during the war, and hide from their Roundhead oppressors in the shelter of the New Forest where they learn to live off the land.

    With his officer, he charges toward the enemy, witnessing the horror of the battles in France. But even in the desolation of the trenches, Joey's courage touches the soldiers around him and he is able to find warmth and hope. But his heart aches for Albert, the farmer's son he left behind. Will he ever see his true master again?

    He knows nothing of the outside world. But when he is given the chance to escape, he seizes it. With his vengeful enemies hot on his heels, David struggles to cope in this strange new world, where his only resources are a compass, a few crusts of bread, his two aching feet, and some vague advice to seek refuge in Denmark. Is that enough to survive? David's extraordinary odyssey is dramatically chronicled in Anne Holm's classic about the meaning of freedom and the power of hope.

    But their summer proves more adventurous than he had hoped when headstrong Kate arrives, as together they share horseback races across the plains, country fairs and festivals, and a dangerous run-in with the gypsies.In vividly detailed scenes and beautiful illustrations, this Newbery Award-winning author presents an unforgettable world and characters who will be remembered forever.

    "It can't be that marriage is the only--the only irrevocable thing If you had a partner that you couldn't go on with, you could come to SOME agreement You could make a sacrifice, but somehow you could end the association Peter," she said, earnestly, "when I think of marketing again--six chops and soup-meat and butter and baking powder--I feel sick When I think of unpacking the things I've washed and dusted for five years--the glass berry bowl that somebody gave us, and the eleven silver tea-spoons--I can't bear it "

    Other great kings and paladins are lost in the dim shadows oflong-past centuries, but Arthur still reigns in Camelot and his knightsstill ride forth to seek the Grail. "No little thing shall be The gentle music of the bygone years, Long past to us with all their hopes and fears."So wrote the poet William Morris in _The Earthly Paradise_. And surelyit is no small debt of gratitude we owe the troubadours and chroniclersand poets who through many centuries have sung of Arthur and hischampions, each adding to the song the gifts of his own imagination, sobuilding from simple folk-tales one of the most magnificent and movingstories in all literature.This debt perhaps we owe in greatest measure to three men; to Chrétiende Troies, a Frenchman, who in the twelfth century put many of the oldArthurian legends into verse; to Sir Thomas Malory, who first wrote outmost of the stories in English prose, and whose book, the _MorteDarthur_, was printed by William Caxton, the first English printer, in1485; and to Alfred, Lord Tennyson, who in his series of poems entitledthe _Idylls of the King_ retold the legends in new and beautiful guisein the nineteenth century.The history of Arthur is so shrouded in the mists of early England thatit is difficult to tell exactly who and what he was. There probably wasan actual Arthur, who lived in the island of Britain in the sixthcentury, but probably he was not a king nor even a prince. It seems mostlikely that he was a chieftain who led his countrymen to victory againstthe invading English about the year 500. So proud were his countrymen ofhis victories that they began to invent imaginary stories of his prowessto add to the fame of their hero, just as among all peoples legends soonspring up about the name of a great leader. As each man told the featsof Arthur he contributed those details that appealed most to his ownfancy and each was apt to think of the hero as a man of his own time,dressing and speaking and living as his own kings and princes did, withthe result that when we come to the twelfth century we find Geoffrey ofMonmouth, in his _History of the Kings of Britain_, describing Arthurno longer as a half-barbarous Briton, wearing rude armor, his arms andlegs bare, but instead as a most Christian king, the flower of mediævalchivalry, decked out in all the gorgeous trappings of a knight of theCrusades.As the story of Arthur grew it attracted to itself popular legends ofall kinds. Its roots were in Britain and the chief threads in its fabricremained British-Celtic. The next most important threads were those thatwere added by the Celtic chroniclers of Ireland. Then stories that werenot Celtic at all were woven into the legend, some from Germanicsources, which the Saxons or the descendants of the Franks may havecontributed, and others that came from the Orient, which may have beenbrought back from the East by men returning from the Crusades. And if itwas the Celts who gave us the most of the material for the stories ofArthur it was the French poets who first wrote out the stories and gavethem enduring form.It was the Frenchman, Chrétien de Troies, who lived at the courts ofChampagne and of Flanders, who put the old legends into verse for thepleasure of the noble lords and ladies that were his patrons. Hecomposed six Arthurian poems. The first, which was written about 1160 orearlier, related the story of Tristram. The next was called _Érec etÉnide_, and told some of the adventures that were later used by Tennysonin his _Geraint and Enid_. The third was _Cligès_, a poem that haslittle to do with the stories of Arthur and his knights as we havethem. Next came the _Conte de la Charrette_, or _Le Chevalier de laCharrette_, which set forth the love of Lancelot and Guinevere. Thenfollowed _Yvain_, or _Le Chevalier au Lion_, and finally came_Perceval_, or _Le Conte du Graal_, which gives the first account of theHoly Grail.

    His friend, Jiya, lives in a fishing village below. Everyone, including Kino and Jiya, has heard of the big wave. No one suspects it will wipe out the whole village and Jiya's family, too. As Jiya struggles to overcome his sorrow, he understands it is in the presence of danger that one learns to be brave, and to appreciate how wonderful life can be.The famous story of a Japanese boy who must face life after escaping the tidal wave destruction of his family and village.

    Their customers loved to buy their provisions there, but they were less keen to pay for them and ran up a gret deal of credit, making poor Ginger and Pickles lives very difficult indeed.The Tale of Ginger and Pickles is number 18 in Beatrix Potter's series of 23 little books, the titles of which are as follows:1 The Tale of Peter Rabbit2 The Tale of Squirrel Nutkin3 The Tailor of Gloucester4 The Tale of Benjamin Bunny5 The Tale of Two Bad Mice6 The Tale of Mrs. Tiggy-Winkle7 The Tale of Mr. Jeremy Fisher8 The Tale of Tom Kitten9 The Tale of Jemima Puddle-Duck10 The Tale of the Flopsy Bunnies11 The Tale of Mrs. Tittlemouse12 The Tale of Timmy Tiptoes13 The Tale of Johnny Town-Mouse 14 The Tale of Mr. Tod15 The Tale of Pigling Bland16 The Tale of Samuel Whiskers17 The Tale of The Pie and the Patty-Pan18 The Tale of Ginger and Pickles19 The Tale of Little Pig Robinson20 The Story of a Fierce Bad Rabbit21 The Story of Miss Moppet22 Appley Dapply's Nursery Rhymes23 Cecily Parsley's Nursery Rhymes

    Follow along as they search for hidden buttons while dusting Mama's front parlor, or explore the basement warehouse of Papa's peddler's shop on rainy days. The five girls enjoy doing everything together, especially when it involves holidays and surprises. But no one could have prepared them for the biggest surprise of all!

    One lovely spring day, fourteen-year-old Bright Morning and her friend Running Bird took their sheep to pasture. The sky was clear blue against the red buttes of the Canyon de Schelly, and the fields and orchards of the Navahos promised a rich harvest. Bright Morning was happy as she gazed across the beautiful valley that was the home of her tribe. She tumed when Black Dog barked, and it was then that she saw the Spanish slavers riding straight toward her.

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    Tom, a.k.a., the Great Brain, is a silver-tongued genius with a knack for turning a profit. When the Jenkins boys get lost in Skeleton Cave, the Great Brain saves the day. Whether it's saving the kids at school, or helping out Peg-leg Andy, or Basil, the new kid at school, the Great Brain always manages to come out on top—and line his pockets in the process.