She likes a drink, sure. But what 17-year-old doesn’t?Nina’s mum isn’t so sure. But she’s busy with her new husband and five year old Katie. And Nina’s almost an adult after all.And if Nina sometimes wakes up with little memory of what happened the night before, then her friends are all too happy to fill in the blanks. Nina’s drunken exploits are the stuff of college legend.But then one dark Sunday morning, even her friends can’t help piece together Saturday night. All Nina feels is a deep sense of shame, that something very bad has happened to her…A dark, funny - sometimes shocking - coming of age novel from one of the UK’s leading comedians. NINA IS NOT O.K. will appeal to fans of Caitlin Moran and Lena Dunham.

    Set in modern-day India, it is the story of two compelling and achingly real women: Sera Dubash, an upper-middle-class Parsi housewife whose opulent surroundings hide the shame and disappointment of her abusive marriage, and Bhima, a stoic illiterate hardened by a life of despair and loss, who has worked in the Dubash household for more than twenty years.

    When Satish offers a bribe to Jitesh, the latter abuses the industrialist and threatens to call the police. Undeterred by all this, Satish approaches Arora who is Jitesh’s senior officer and offers him a share in his business. Arora puts pressure on Jitesh to ignore certain norms and stipulations and approve the loan, but Jitesh succumbs neither to greed nor pressure. Arora and Satish turn hostile towards Jitesh. A few days later at the bank, Jitesh helps an unknown customer, who claims to be illiterate, to fill his withdrawal form. The customer is later identified as a conman who fraudulently withdraws money from someone else’s account. His arch rival Arora manipulates facts and Jitesh is named in the chargesheet. Jitesh is suspended from his job and faces a judicial inquiry that lasts for 14 long and painful years. During the long ordeal, Jitesh is flooded with offers to bribe his way out of the matter and this includes vigilance officers, bank officials, CID officers, court clerks and even the judge. Arora connives with businessmen and amasses huge wealth through underhand means. Arora ignores his family and takes to the wrong path in personal life also. What has destiny in store for him? Is he able to escape from the clutches of justice? ********************************** ABOUT THE AUTHOR: Gireesh Sharma, soldier-turned-author, writes straight from his heart. Born in 1973 in a small hamlet near Aligarh, he was brought up by his grandfather-in-law, an active political leader. It was under his tutelage that he developed patriotic fervour and on turning 17 years of age, chose to join the Indian Air Force to serve the nation. After his retirement, he worked with several youth organisations and today actively participates in socio-political activities to bring a positive change in the country. He is working as a marketing manager in a software company and enjoys writing books during his spare time. I Refused to Bribe is his first fiction, though he has written three popular non-fictions: 'Office Politics', 'How to Win the Heart of Your Wife' and 'Stay Free, Stay Happy'.http://www.amazon.com/gp/search/ref=s...

    Without him I could never have known what it is like to be Indian."—Graham GreeneOffering rare insight into the complexities of Indian middle-class society, R. K. Narayan traces life in the fictional town of Malgudi. The Dark Room is a searching look at a difficult marriage and a woman who eventually rebels against the demands of being a good and obedient wife. In Mr. Sampath, a newspaper man tries to keep his paper afloat in the face of social and economic changes sweeping India. Narayan writes of youth and young adulthood in the semiautobiographical Swami and Friends and The Bachelor of Arts. Although the ordinary tensions of maturing are heightened by the particular circumstances of pre-partition India, Narayan provides a universal vision of childhood, early love and grief."The experience of reading one of his novels is . . . comparable to one's first reaction to the great Russian novels: the fresh realization of the common humanity of all peoples, underlain by a simultaneous sense of strangeness—like one's own reflection seen in a green twilight."—Margaret Parton, New York Herald Tribune"Narayan's limits are meticulously imposed and observed but his humor and compassion come from a deep universal well, with the result that he has transformed his imaginary township of Malgudi into a bubbling parish of the world."—Christopher Wordsworth, Observer

    In Rashid's opium room the air is thick and potent. A beautiful young woman leans to hold a long-stemmed pipe over a flame, her hair falling across her dark eyes. Around her, men sprawl and mutter in the gloom, each one drifting with his own tide. Here, people say that you introduce only your worst enemy to opium.Outside, stray dogs lope in packs. Street vendors hustle. Hookers call for custom through the bars of their cages as their pimps slouch in doorways in the half-light. There is an underworld whisper of a new terror: the Pathar Maar, the stone killer, whose victims are the nameless, invisible poor. There are too many of them to count in this broken city.Narcopolis is a rich, chaotic, hallucinatory dream of a novel that captures the Bombay of the 1970s in all its compelling squalor. With a cast of pimps, pushers, poets, gangsters and eunuchs, it is a journey into a sprawling underworld written in electric and utterly original prose.

    She abandoned her loveless marriage to join an ashram, endured a brief stint as a beggar (mostly to spite her affluent parents), and spent years chasing after a dishevelled, homeless 'artist' - all with her young child in tow. Now she is forgetting things, mixing up her maid's wages and leaving the gas on all night, and her grown-up daughter is faced with the task of caring for a woman who never cared for her.This is a love story and a story about betrayal. But not between lovers - between mother and daughter. Sharp as a blade and laced with caustic wit, Burnt Sugar unpicks the slippery, choking cord of memory and myth that binds two women together, making and unmaking them endlessly.

    Her destiny is a tumultuous voyage across the Indian Ocean shortly before the outbreak of the Opium Wars in China. In a time of colonial upheaval, fate has thrown together a diverse cast of Indians and Westerners on board, from a bankrupt raja to a widowed tribeswoman, from a mulatto American freedman to a free-spirited French orphan. As their old family ties are washed away, they, like their historical counterparts, come to view themselves as jahaj-bhais, or ship-brothers. The vast sweep of this historical adventure spans the lush poppy fields of the Ganges, the rolling high seas, and the exotic backstreets of Canton.

    An accomplished Kshatriya princess who falls in love with and dares to choose the sutaputra over Arjun, Uruvi must come to terms with the social implications of her marriage and learn to use her love and intelligence to be accepted by Karna and his family. Though she becomes his mainstay, counselling and guiding him, his blind allegiance to Duryodhana is beyond her power to change. The story of Uruvi and Karna unfolds against the backdrop of the struggle between the Pandavas and the Kauravas. As events build up leading to the great war of the Mahabharata, Uruvi is a witness to the twists and turns of Karna's fate; and how it is inextricably linked to divine design. A splendid saga from the pages of the Mahabharata, Karna's Wife: The Outcast s Queen brings its characters alive in all their majesty.

    Among the many characters who inhabit the Mahabharata, the world's greatest epic and the oldest, sometimes other stories unravelled from it, such as Shilavati, who cannot be king because she is a woman.

    Set in politically charged Shillong, this interconnected collection of stories speaks of the coming-of-age of a young woman–and the city and community she calls home.

    A handmade book on music to be gifted. A pair of mud-brown tea cups without handles. A shelf to hoard dying memories. A little home tucked away in a remote village. A haunting voice after boarding an empty bus... The images on the cover belong to people whose stories are packed in this book: A man who meets his lost friend in a new world. A seeker who resists everyone to reach an unwanted place. Lovers that separate, only to find some hope. A failed artist who finds another voice. A new entrant in a home who creates turmoil. A cheated girl who makes a desperate call. A shattered man who pegs on a sudden dreamy trip. With eleven stories of unrequited love, hope, acceptance, heart breaks or just needs, ‘Afsaane’ will tug at your heartstrings and open windows to people that experience unusual situations in far too usual lives.

    This is not just Shakespeare repurposed for our times – it’s a novel that urgently matters in 2017, and which will resonate for years to come. Jivan Singh, the bastard scion of the Devraj family, returns to his childhood home after a long absence – only to witness the unexpected resignation of the ageing patriarch from the vast corporation he founded, the Devraj Company. On the same day, Sita, Devraj’s youngest daughter, absconds – refusing to submit to the marriage her father wants for her. Meanwhile, Radha and Gargi, Sita’s older sisters, must deal with the fallout… And so begins a brutal, deathly struggle for power, ranging over the luxury hotels and spas of New Delhi and Amritsar, the Palaces and slums of Napurthala, to Srinagar, Kashmir. Told in astonishing prose – a great torrent of words and imagery – We that are young is a modern-day King Lear that bursts with energy and fierce, beautifully measured rage. Set against the backdrop of the anti-corruption protests in 2011–2012, it provides startling insights into modern India, the clash of youth and age, the hectic pace of life in one of the world’s fastest growing economies – and the ever-present spectre of death. More than that, this is a novel about the human heart. And its breaking point.

    His wife Mariamma stretches their money, raises their two boys, and, in her spare time, gleefully fantasizes about Ousep dying. One day, their seemingly happy seventeen-year-old son Unni—an obsessed comic-book artist—falls from the balcony, leaving them to wonder whether it was an accident. Three years later, Ousep receives a package that sends him searching for the answer, hounding his son’s former friends, attending a cartoonists’ meeting, and even accosting a famous neurosurgeon. Meanwhile, younger son Thoma, missing his brother, falls head over heels for the much older girl who befriended them both. Haughty and beautiful, she has her own secrets. The Illicit Happiness of Other People—a smart, wry, and poignant novel—teases you with its mystery, philosophy, and unlikely love story.

    She soon learns that her sister's intercultural marriage, which outraged their parents, has hit rock bottom. To help pay the bills, Eila accepts an accounting job at a strip club, working for the fascinating yet infuriating Brett Wright. As their friendship and mutual desire builds, Eila chooses keeping family peace over following her heart. After Brett misinterprets her fears and accuses Eila of prejudice, his ex-girlfriend steps in to offer solace. Eila realizes that whichever choice she makes will rip her life apart. What will Eila choose? Love of her life or a life ruled by tradition? Fall in love with love, in this steamy saga from a best selling romance author.

    Tim has battled a bizarre, inexplicable illness, but those episodes, while not exactly forgotten, have passed. Then it comes back, causing him to behave in a frighteningly new way, driving him out of his life and into a world and a self that he can’t recognize and Jane is helpless to control. How far will he go to fight his body’s incomprehensible desires, and what will they both risk to find the way back to the people they love? A heartbreaking story of family and marriage, a meditation on the unseen forces of nature and desire, The Unnamed is a deeply felt, luminous novel about modern life, ancient yearnings, and the power of human connection.