Eliot to Wallace Stevens), suffered many tragedies. His mother died when he was just five years old, but in 1879 the cruelest blow of all struck when his beloved son Anatole died at the age of eight. A Tomb for Anatole presents the 202 fragments of Mallarme's projected long poem in four parts. By far the poet's most personal work, he could never bring himself to complete it. To speak publicly of his immense sorrow, Mallarme concluded, "for me, it's not possible." Unpublished in France until 1961, these works are very far from the oblique, cool "pure poetry" Mallarme is famous for, poetry that sought to capturepainstakingly"l'absente de tous bouquets" (the ideal flower absent from all bouquets). Paul Auster, who first published A Tomb for Anatole with the North Point Press in 1983 (a volume long out of print), notes in his excellent introduction that facing "the ultimate horror of every parent," these fragments "have a startling unmediated quality." As Mallarme writes, it is "a vision / endlessly purified / by my tears."

    This book is about the girls whose lives were ruined by me. I want to write about my story, for it’s the only way to be immortal. I want you to feel the pleasure of falling in love. The lust, the passion, the desire, and the craving that turns into an unhealthy addiction. And I want you also to feel the pain of losing someone, the ache, the agony, the bitterness, and the grief that cripples your soul forever. This is for everyone. The forgotten souls buried under the melancholy of the past. Yes, I will show you how much you hurt me, I will write. This is what my heart holds for you; half pleasure, half pain.

    The voice is consistently spare, honest, understated, and eccentric.

    Asian American Studies. Is there a relationship between the population density of Tokyo and the pinkest part of a hamburger? Can one touch the inside of a noun to learn the difference between one bicycle and a field of bicycles? How close is yellow to need? How far are human fears from the fears of insects? Through a sequence of prose investigations, directions, theoretical performances, and character sketches, Sawako Nakayasu's TEXTURE NOTES presses itself against everything. Here is a book of liminal cartography, where textures are percolated by thought and propelled by feeling, where intellectual frottage meets sunlight, moonlight, the pain of seeing something beautiful and an entire town enamored by a simple rock. Once again, Nakayasu's writing explodes with genre-bending fury and fine-tuned improvisation, leaving in its wake a largess of feeling for the things of the world.

    . . A violently skewed portrait of the female poet and her Muse, a hyped-up version of Stevens and his interior paramour, locked in a soliloquy 'in which being there together is enough' . . . Something in Brock-Broido likes stealth, toxicity, wildness, neon--'perfect mean lines' . . . The poems lead off the page." --Helen Vendler, The New Yorker"These poems are out of Stevens in the abundance, glitter, and seductiveness of their language, out of Browning in the authority of their inhabiting, and out of Plath in the ferocity and passion of their holding on--to feeling, to life, and to us . . . An astonishing first book." --Cynthia Macdonald"Brock-Broido's brilliant nervosity and taste for the fantastic impel her to explore the obscure corners of the psyche and the fringes of ordinary human experience . . . The poems in A Hunger are original, strange, often unsettling, and mostly beautiful." --Stanley Kunitz

     Wanted by his lover for rescue from a fiend. Robert has been sent a personal message by the Owl, a serial-rapist who has been torture-killing women in New York City for months: “Find me in 72 hours or I rape-kill Sharon in the most viral video ever.” The clock is ticking. The cops are breathing down his neck. Karma is the new vigilante in the final novel of the Dr. Vigilante trilogy.

    Hers is a vision like no other. In “To My Big Nose,” she muses: “hard to imagine what the world would have looked like / if not seen through your pink shadow. / You who are built from random parts / like a mythical creature–a gryphon or sphinx–.”Fearless, focused, ironic, irreverent, truly and deeply felt, the poems in Luck Is Luck draw upon the circumstances of being a woman, the harsh realities of nature, the comfort of familiar things, and universally recognizable anxieties about faith and grief, love and desire. In “Languedoc,” she writes, “Long ago / I might have been attracted by your tights and pantaloons / but now they just look silly, ditto for your instrument / that looks like a gourd with strings attached / (the problem is always the strings attached).”Perillo’s versions of nature are always unflinching: “Most days back then I would walk by the shrike tree, / a dead hawthorn at the base of a hill. / The shrike had pinned smaller birds on the tree’s black thorns / and the sun had stripped them of their feathers. / . . . well, hard luck is luck, nonetheless. / With a chunk of sky in each eye socket. / And the pierced heart strung up like a pearl.”Down-to-earth, full of playful twists of language, and woven from grand themes in an accessible, appealing way, these poems pierce the heart and delight the mind. Not one word is wasted.

    In this new collection, human desire pulls with the force and rhythm of a sea tide, emerging from and receding into mysteries larger than any individual life. The book begins with the reverential title poem and concludes with four works that reflect the power of place to shape revelation; the way stone and sky and birdsong can point the way home. Whether tracing the sensual devotion of bodily presence or the painful heartbreak of impermanence, the poems keep faith with love's appearances and disappearances, and the promises we make and break on its behalf.

    It’s the story of Rupert Pengelly who first heard the CRY OF THE FISH EAGLE when he was stationed in Rhodesia for six months during the Second World War. As he was to find and as the saying goes, once you have heard the CRY OF THE FISH EAGLE, you will always come back to Africa!It is during that first six months, Rupert searches for Sasa, the orphaned daughter of his friend, Rigby Savage. Rupert was honouring a promise made to Rigby to care for Sasa if anything did happen to him. To complicate the search, Sasa's eccentric grandfather, Kobus Loubser, had taken the young orphan into the bush prospecting for emeralds. The search is unsuccessful and Rupert returns to the war, with intentions afterwards of farming the family estate in Cornwall. However a distant cousin, George Geake, conspires to cheat him out of his inheritance and Rupert loses his beloved home. His only option is to return to Rhodesia to begin a new life as a tobacco farmer and to continue his search for Sasa.Although their destinies are bound together, it is many years before Rupert and Sasa meet but meanwhile, Kobus acquires a business partner in Lewdly Jones, a remittance man, who develops a passion for Sasa.The years pass and Rupert triumphs over adversity. But another war is looming. The irrepressible tide of Black Nationalism is sweeping through Africa and a new generation of men like Tererai Ndoro and Lovemore Ngwenya have joined the struggle for Zimbabwe. All their lives are about to change forever. But still, they are all enslaved by the CRY OF THE FISH EAGLE.READ this captivating story because in reading it you too will become enslaved by the CRY OF THE FISH EAGLE, the country of Zimbabwe and its people.

     This specially-priced boxset includes: BOOK 1: LET NOT THE DEEP A crippled cargo ship drifts helplessly in the face of an oncoming hurricane-force storm. On board, a passenger whose presence means the world is watching. Only the skill, determination and raw courage of a lifeboat crew and the British military forces despatched to save them offer any hope of survival. But set against the savagery of the Atlantic even that might not be enough... BOOK 2: KING'S SHILLING As a powerful insurgent army closes on Liberia’s capital, London is forced to act, and HMS Beaufort is despatched to West Africa to pull British nationals from the teeth of encroaching danger. But when the volatile situation ashore unravels, the frigate’s crew must draw deep on reserves of skill, ingenuity and sheer bloody mindedness to save it. And with time running out Beaufort’s Captain makes the decision to take his ship up river... BOOK 3: LONG REACH When Belize is invaded by a powerful neighbour it’s Britain that must spring to the defence of this old outpost of empire. But intervening in distant Central America will test the limits of the former colonial power. And in the end the outcome will turn on the skill, boldness and heart-bursting bravery of handful of British forces already in country... BOOK 4: CONGO BLUE When a group of missionaries get caught up in bloody African civil war London is forced to act. For the men of 40 Commando, Royal Marines, it should be a quick in and out. A nice clean operation. But what awaits them will test them like never before. And, facing overwhelming odds, this time the skill and raw courage of these legendary fighting men may not be enough.. *Note: Congo Blue was previously published as Heraklion Blue. What everyone is saying about Mike Lunnon-Wood’s books: ‘Mike Lunnon-Wood is a great thriller writer’ -- Rowland White, author of Vulcan 607 ‘Absolutely Magnificent! Never has a book twisted my emotions as much as this book has. What a brilliant author Mike Lunnon-Wood is.' ‘Storytelling at its best. Thoroughly enjoyed the whole thing.’ ‘I have just finished reading Congo Blue after reading Let Not The Deep, King's Shilling and Long Reach all in sequence and almost without a break. I just could not stop. I see completely why Rowland White praised these books. I recommend anyone to read them all.’ ‘These four books are probably the best series I've read.’ ‘The quality of his writing and the depth of his characters are brilliant.’ ‘I was lost from the world while reading this and books like that don't come along too often.’ Mike Lunnon-Wood’s books are perfect for fans of Red Storm Rising, Sniper One or Bravo Two Zero or movies like Red Dawn, Dunkirk or The Siege of Jadotville.

    Blood Lyrics is a mother's song, one seared with the knowledge that her country wages long, aching wars in which not all lives are equal. There is beauty imparted, too, but it arrives at a cost: "Don't say it's the beautiful / I praise," Ford writes. "I praise the human, / gutted and rising."

    He seems to be writing the poems we all need to read right now." --Antioch Review Larry Levis was born in Fresno, California, in 1946. His first book of poems, Wrecking Crew, won the United States Award from the International Poetry Forum, and was published in the Pitt Poetry Series in 1972. His second book, The Afterlife, won the Lamont Award from the American Academy of Poets in 1976. In 1981, The Dollmaker's Ghost was a winner of the Open Competition of the National Poetry Series. Among his other awards were three fellowships in poetry from the National Endowment for the Arts, a Fulbright Fellowship, and a Guggenheim Fellowship. Larry Levis died in 1996.

    Gemma died from acute myeloid leukaemia, just three days after being diagnosed.In Love, Interrupted, Simon is brutally honest about his journey through grief, and opens up about how close he came to ending his own life. Simon didn’t know how to carry on without Gemma; he just knew that, for the sake of his eight-year old son, he had to find a way …Love, Interrupted is a moving story of love, loss, faith, and family.

    Whether in business or his personal life. Not many people tell him, “No.” Until Kourtney Deen, a striking beauty, refused to sell her business to him so that he could put up a luxury spa and golf course. Business is business that’s what Zac has always believed. He refuses to get caught in the marriage trap like his cousins. However, the day he meets the feisty shop owner face to face, he can’t resist the attraction he has for her. Kourtney refuses to allow herself to get distracted. No matter how tall, grey-eyed and handsome he maybe. That road has already been traveled. Years ago, she made some mistakes and had to make some tough choices. Now, the only two things she cares about are her daughter and the success of her shop. In Zac’s structured life, things have always gone how he planned it, but one unexpected event leads to another. When he discovers that nothing is what it seems and there are secrets, yet revealed, he learns quickly that it is not his wallet he has to lean on, but his heart.

    Nobody comes out looking good. The slippery self, surveilled yet ready with her mask, performs a peep show—booth opens wide, yet somehow the dancer isn't there. She's in character. She's "cut off the head to let the humors hose through.