He was born without a conscience and remorse is an alien concept. Will he ever find out the truth about the past that shaped who he really is?Cassie refuses to live up to the expectations of her family, instead choosing to have fun with her flat mates and go home with various deviant men.Her best friend, Lisette, on the other hand, just wants a quiet predictable life with her steady boyfriend Jarred. But can Lisette find a way to fix their mediocre love life?Police Sergeant Lynn Gough knows exactly what she wants – and that’s her childhood crush Pete. The only thing getting in the way is his fiancée, Tamika. Lynn knows about Tamika’s dirty secrets however, and will stop at nothing to get rid of her.Rita wants children, but her husband Lewis is not so sure. Rita’s traumatic childhood continues to impact her relationships as an adult. While she battles with her inner demons, Lewis finds other ways of occupying his time. Will Rita learn to address the past to save her future?Explore how sex, lies and love impact our complex web of relationships, and discover how deeply our choices can impact others.

    At their first meeting he becomes obsessed with having her. With the help of her scheming mother, she manipulates him into leaving his family and marrying her. Once she has what she wants, his money, his name, and a portion of his fame, she divorces him. Andre doesn't love her. He realizes that he never really loved her the way he loved his wife, his childhood sweetheart, but he finds he can't let her go. She is his, bought and paid for. When she is found slaughtered, Andre is the prime suspect--but not the only one. The real killer moves on to the next name on his list, Andre himself. Las Vegas homicide cop Sam Howard must think all the way back to his first days on the homicide squad to solve his case, but can he do it before the murderer reaches his next victim?From the exclusive estates of Beverly Hills to the Las Vegas Strip, ‘The Other Hand’ takes you along on a journey through the lives of athletes and movie stars and the circle of people who surround them, groupies, paparazzi, families, and sometimes even a real friend. It gives you another theory of what may have really happened the night the beautiful young blonde was left to die in a spreading pool of her own blood.

    Let's see if they can finally get it together or if they will call it quits once and for all. Skye had to learn the hard way that revenge ain't always sweet! Her secret relationship with Rell has left her pregnant with a child and she has no idea who the father is. Zyir wants nothing to do with her and she's feeling more alone than ever. Will her and Zy work on their relationship or will Rell come back in the picture to claim what he feels is rightfully his? Murder, Lies, Secrets and Love! You don't want to miss the emotional roller coaster part 3 is sure to have you on.

    It’s 1936 and Britain is in the grip of the Depression.Nell Flanagan is a decent, hardworking woman, married to Stephen, a tough, heavy-drinking brute of a man, who works as a casual in the docks — when there’s work available. Nell has hidden the abuse she has suffered at his hands from her young children, although most of the neighbours realise what’s going on.The Tanners think she must be asking for it, but nineteen-year-old Martin Lovell, has always admired Nell. When he sees Stephen actually attacking Nell, he can stand back no longer, but his actions have repercussions for all the families…

    Hold tight as the ordinary turns extraordinary in Mark O’Rowe’s exhilarating new play. A blackly comic vision of Dublin infested with demons, from the author of Howie the Rookie.

    Recommended for all collections." - Choice

    The dialogue crackles with hilarious, caustic putdowns as the indomitable Maggie deals with her feckless family and unwanted suitors. Everyone wants a part of Big Maggie and her property but she has other ideas.

    In Michael Meyer's fluent, idiomatic translations, The Wild Duck and Hedda Gabler stand as masterpieces of naturalist drama.

    MacLeod’s young protagonist enters all the bright open avenues of peer-group play and the dark blind alleys of individual and collective terror, as she discovers within herself both the capacity for and the conflict between impulses of good and evil. In thinking back on the history of her own tight-knit group of friends, she begins to see how in the excitement of belonging to a ritualized, secret collective, the self is created by the increasing dehumanization of the other—of both the bully and the victim. The Shape of a Girl goes far beyond a simple dramatization of the seemingly inexplicable code of silence and tacit complicity which surrounded the sensationalized Reena Virk murder in 1997 on which the play is based. It speaks eloquently and compassionately to a world increasingly dominated by all forms of collectivised and ritualized tribalist hatred, and offers the embrace of trust as the only way out of this circle of violence.Jewel is also based on a real-life catastrophe—the sinking of the Ocean Ranger, an oil rig off the coast of Newfoundland, on Valentine’s Day, 1982. Three years later, a widow, Marjorie Clifford, at home in her trailer in Fort St. John, British Columbia, begins to take the first step in understanding that the humanity of love, in all of its tentative frailty, uncertainty and promise, can free a life paralyzed and dominated by loss.

    But while rumors run wild and everyone forms an opinion, Scarlett just stays silent.With roles for up to twenty-four young female actors (though it can also be performed by a smaller cast), the play is perfect for any schools, youth theatres or drama groups looking to tackle a contemporary subject in a theatrically exciting way.Specially commissioned by Birmingham Repertory Theatre, Theatre Royal Plymouth and West Yorkshire Playhouse, Girls Like That was developed through work with young people from the three theatres and first performed by their youth theatre companies in 2013."[Tackles] strong, relevant issues... a well-written, immaculately crafted and brave piece of energetic theatre." - A Younger Theatre"An urgent, powerful and haunting examination... I can see this play becoming a very popular resource for 16+ groups and that will be no bad thing." National Drama MagazineEvan Placey is a Canadian-British playwright. His other work includes Mother of Him, Holloway Jones, which won the Brian Way Award for Best Play for Young People, and Pronoun, commissioned as part of the 2014 National Theatre Connections Festival.

    Use these fully illustrated classic and contemporary plays for reading practice or performance.Each script offers performance notes, character lists, exercises, and glossaries.

     That is when it comes to the elusive Kitty. Once again, Kitty has managed to slip out of Camilla’s grasp. This time leaving two people, that Troy and Camilla love, fighting for their lives. Still not convinced that she has gotten her revenge for Supreme and with her partner in crime, Keyonna dead, Kitty manipulates herself a new partner who also has a score to settle with Troy and Camilla. What’s a Bonnie without her Clyde? While maintaining her home, running her daycare and finishing school, Camilla is out for blood on her one woman warpath. Convinced that the hospital has become her second home, she’s determined to protect all those she care about and take down all who has chosen to become an enemy. With her new sadistic ways of torture Camilla is proving why she’s not the one to mess with. Sometimes less is more even when it comes to family. With his family growing by the minute Troy mistakenly lets his guard down and is now forced to deal with the consequences. Troy has tried to leave the killing in the past but with his family always being a target shit might just have to get ugly one last time. Not feeling his wife acting like a lone ranger, Troy has made it his business to never be too far away. The love this duo have for each other and their family has been tested many times and has proved to be Bulletproof.

    She had been happily married to her lover, until four years later she and her husband becomes an estranged couple. The lady gets lost in a whirlpool of her monotonous life, a life without love and respect, a life of servile existence, a life repressed in every sense from joy and desires. She starts beating her wings to escape from the deadly clutches of expectations and social repressions to rise above the menial existence and achieve what she wanted for her life.She falls in love with another man, a man who is her teacher and mentor. but she is afraid to acknowledge her feelings for fear of social accusations. But an incident drives to her to an awareness of the temporality of life and she indulges in an ambitious and sexual relationship with her mentor. She enters a world led by her lover where ambition becomes real and where she begins to face the disorder of the human world, of women particularly.a time comes when she is asked to choose between the men, and this is where she shows her independence and strength.

    

    Created by The United States Theatre Project, written by Stephen Karam and PJ Paparelli, with dramaturgy by Patricia Hersch, and conceived and directed by PJ Paparelli, columbinus weaves together excerpts from discussions with parents, survivors and community leaders in Littleton as well as diaries and home video footage to bring to light the dark recesses of American adolescence. -Doollee.com