A brilliant overview of world history from prehistoric times to the early 20th century

    Included are poems by:Emily DickinsonEdgar Allan PoeWilliam ShakespeareSylvia PlathWalt WhitmanPablo NerudaLucille CliftonElizabeth Barrett BrowningGwendolyn BrooksWallace Stevens Marianne MoorePercy Bysshe Shelley. . . and many more!

    Some people call this kind of picture puzzle a rebus. Children will have fun guessing some of the words in twenty Mother Goose rhymes. It’s not hard! There are clues on every page in Will Hillenbrand’s sparkling, imaginative mixed-media artwork!

    At the Jungle Dance, the warthogs waltz, the chimps cha-cha, and the lions tango. "Giraffes can't dance," they all jeer when it's Gerald's turn to prance. But with some sound advice from a wise cricket, Gerald starts swaying to his own sweet tune.

    In his introduction to this book Jim Trelease, bestselling author of The Read-Aloud Handbook, writes, “No one better recognizes the essence of the child-poetry connection than poet and anthologist Jack Prelutsky. . . . Here are more than 200 little poems to feed little people with little attention spans to help both grow. Marc Brown’s inviting illustrations add a visual dimension to the poems, which further engage young imaginations.” The poems are by 119 of the best-known poets of the 20th century.This book has been selected as a Common Core State Standards Text Exemplar (Grades K-1, Poetry) in Appendix B.

    Visit with Humpty Dumpty, Little Miss Muffet, Old King Cole and many other favorite childhood nursery rhyme characters.

    Come enter a world where sledding excursions melt into summer picnics, and autumn fairs beckon Christmas cheer.

    Beautiful illustrations by Linda Edwards bring the myths to life for children of all ages. Specially written for reading aloud Different colourful page design for each story Pronunciation guide at the back to help with Greek names Available in standard or mini format edition

    Little mouse goes for a walk in a dangerous forest. To scare off his enemies he invents tales of a fantastical creature called the Gruffalo. So imagine his surprise when he meets the real Gruffalo.

    Children will immediately respond to Eric Carle's flat, boldly colored collages. Combined with Bill Martin's singsong text, they create unforgettable images of these endearing animals.

    The hen offers eggs, the goose feathers, and the sheep wool. But mother already has those things. Then the cow suggests that Danny go ask Mr. Bear. It’s from him that Danny gets a special and unique gift for his mother.

    Green's class. In his nightmare, Mrs. Green is a monster with a tail and smoke coming out of her nostrils. He is so happy when he awakes to see the real Mrs. Green that he gives her a hug.

    But the children laughed and danced, and caught the lacy snowflakes on their tongues. All the wonder and delight a child feels in a snowfall is caught in the pages of this book -- the frost ferns on the window sill, the snow man in the yard and the mystery and magic of a new white world. Roger Duvoisin's pictures in soft blue half-tones with briliant splashes of yellow and red emphasize the gaiety and humor as well as the poetic quality of the text.

    And everywhere that Mary went, the lamb was sure to go. It follows her to school one day—and then the fun really starts! Illustrations rendered in acrylic, gouache, and fabric collage bring a fresh look to this classic children’s nursery rhyme A note about the poem’s origin is included.

    Seuss, an American artist delighted a generation of children and their parents with hilarious, topsy-turvy illustrations and slightly subversive tales told in rhyme. This was illustrator/author Peter Newell.Originally published in 1908, The Hole Book remains as profoundly enjoyable and incredibly popular as ever. With humorous text and irresistible drawings, this classic work will delight readers of all ages with the story of Tom Potts' bullet, which leads him through all sorts of unexpected scenes and adventures, each funnier than the last.Peter Newell (1862-1924) began his career as an artist drawing portraits, using crayons as his medium. In his fantastic humor, many believe, is the first appearance of the gentle humor of the absurd which The New Yorker has subsequently developed to such a high level.