Ángel Santiago, a youth determined to avenge abuse he received in jail, seeks out the notorious bank robber Nicolás Vergara Grey, whose front-page exploits won him a reputation he would rather leave behind. Their plan for an ambitious and daring robbery is complicated by the galvanizing presence of Victoria Ponce, a virtuosic dancer and high-school dropout whose father was a victim of the regime. Praised for his “ability to place a personal story in the context of a national upheaval and make it warm, funny and universal” (San Francisco Chronicle), Antonio Skármeta sets this exuberant love story against the backdrop of the new Chile, free from the Pinochet dictatorship but beholden to the perils of globalization. The Dancer and the Thief, which won Spain’s prestigious Planeta Prize, is a remarkable new novel from one of South America’s finest storytellers.

    Originally published in New York City in 1882, Cirilo Villaverde's novel has fascinated readers inside and outside Cuba since the late 19th century. In this new English translation, a vast landscape emerges of the moral, political, and sexual depravity caused by slavery and colonialism. Set in the Havana of the 1830s, the novel introduces us to Cecilia, a beautiful light-skinned mulatta, who is being pursued by the son of a Spanish slave trader, named Leonardo. Unbeknownst to the two, they are the children of the same father. Eventually Cecilia gives in to Leonardo's advances; she becomes pregnant and gives birth to a baby girl. When Leonardo, who gets bored with Cecilia after a while, agrees to marry a white upper class woman, Cecilia vows revenge. A mulatto friend and suitor of hers kills Leonardo, and Cecilia is thrown into prison as an accessory to the crime. For the contemporary reader Helen Lane's masterful translation of Cecilia Vald�s opens a new window into the intricate problems of race relations in Cuba and the Caribbean. There are the elite social circles of European and New World Whites, the rich culture of the free people of color, the class to which Cecilia herself belonged, and then the slaves, divided among themselves between those who were born in Africa and those who were born in the New World, and those who worked on the sugar plantation and those who worked in the households of the rich people in Havana. Cecilia Vald�s thus presents a vast portrait of sexual, social, and racial oppression, and the lived experience of Spanish colonialism in Cuba.

    Now I'm only one. The Burned Girl.Ava Lee has lost everything there is to lose: Her parents. Her best friend. Her home. Even her face. She doesn't need a mirror to know what she looks like--she can see her reflection in the eyes of everyone around her. A year after the fire that destroyed her world, her aunt and uncle have decided she should go back to high school. Be "normal" again. Whatever that is. Ava knows better. There is no normal for someone like her. And forget making friends--no one wants to be seen with the Burned Girl, now or ever. But when Ava meets a fellow survivor named Piper, she begins to feel like maybe she doesn't have to face the nightmare alone. Sarcastic and blunt, Piper isn't afraid to push Ava out of her comfort zone. Piper introduces Ava to Asad, a boy who loves theater just as much as she does, and slowly, Ava tries to create a life again. Yet Piper is fighting her own battle, and soon Ava must decide if she's going to fade back into her scars . . . or let the people by her side help her fly."A heartfelt and unflinching look at the reality of being a burn survivor and at the scars we all carry. This book is for everyone, burned or not, who has ever searched for a light in the darkness." --Stephanie Nielson, New York Times bestselling author of Heaven Is Here and a burn survivor

    Jobless and ashamed, he takes them into a stranger’s house, a place that will become the site of the greatest humiliation of his life. In an impoverished fishing town, four teenage boys try to allay their boredom during an endless summer by translating lyrics from the Smiths into Spanish using a stolen dictionary. Their dreams of fame and glory twist into a plan to steal musical instruments from a church, an obsession that prevents one of them from anticipating a devastating ending. Meanwhile a young woman goes home with a charismatic man after finding his daughter wandering lost in a public place. She soon discovers, like so many characters in this book, that fortuitous encounters can be deceptions in disguise.Themes of pride, shame, and disgrace—small and large, personal and public—tie the stories in this collection together. Humiliation becomes revelation as we watch Paulina Flores’s characters move from an age of innocence into a world of conflicting sensations.

    So when the guilt-ridden husband who abandoned her shows up and offers to take care of their kids for the summer, she accepts his offer and escapes rural Pennsylvania for New York City.Usually grounded and mild mannered, Amy finally lets her hair down in the city that never sleeps. She discovers a life filled with culture, sophistication, and—with a little encouragement from her friends—a few blind dates. When one man in particular makes quick work of Amy’s heart, she risks losing herself completely in the unexpected escape, and as the summer comes to an end, Amy realizes too late that she must make an impossible decision: stay in this exciting new chapter of her life, or return to the life she left behind.But before she can choose, a crisis forces the two worlds together, and Amy must stare down a future where she could lose both sides of herself, and every dream she’s ever nurtured, in the beat of a heart.

    One day in Paris, she is discovered by an American music producer who takes her to New York to live with him and his close-knit family while producing her first album, with help from teen pop star, Matt. Maude will dive into a new fascinating world discovering New York City, music, family, love and the truth about her past.

    Seven-year-old Chula and her older sister Cassandra enjoy carefree lives thanks to this protective bubble, but the threat of kidnappings, car bombs, and assassinations hover just outside the neighborhood walls, where the godlike drug lord Pablo Escobar continues to elude authorities and capture the attention of the nation.When their mother hires Petrona, a live-in-maid from the city's guerrilla-occupied slum, Chula makes it her mission to understand Petrona's mysterious ways. But Petrona's unusual behavior belies more than shyness. She is a young woman crumbling under the burden of providing for her family as the rip tide of first love pulls her in the opposite direction. As both girls' families scramble to maintain stability amidst the rapidly escalating conflict, Petrona and Chula find themselves entangled in a web of secrecy that will force them both to choose between sacrifice and betrayal. Inspired by the author's own life, and told through the alternating perspectives of the willful Chula and the achingly hopeful Petrona, Fruit of the Drunken Tree contrasts two very different, but inextricable coming-of-age stories. In lush prose, Rojas Contreras sheds light on the impossible choices women are often forced to make in the face of violence and the unexpected connections that can blossom out of desperation.

    Born with red pupils, he was called “Devil Boy” or Sam “Hell” by his classmates; “God’s will” is what his mother called his ocular albinism. Her words were of little comfort, but Sam persevered, buoyed by his mother’s devout faith, his father’s practical wisdom, and his two other misfit friends.Sam believed it was God who sent Ernie Cantwell, the only African American kid in his class, to be the friend he so desperately needed. And that it was God’s idea for Mickie Kennedy to storm into Our Lady of Mercy like a tornado, uprooting every rule Sam had been taught about boys and girls.Forty years later, Sam, a small-town eye doctor, is no longer certain anything was by design—especially not the tragedy that caused him to turn his back on his friends, his hometown, and the life he’d always known. Running from the pain, eyes closed, served little purpose. Now, as he looks back on his life, Sam embarks on a journey that will take him halfway around the world. This time, his eyes are wide open—bringing into clear view what changed him, defined him, and made him so afraid, until he can finally see what truly matters.

    She's smart, she's cute, and she's a swimming prodigy who has a first-class ticket to any Ivy League school of her choice. But what her new friends, roommate, and boyfriend don't know is that Katie is swimming away from the secrets of her past, and from the schizophrenic older brother, Will, who won't let her go. As Katie's star rises, Will descends deeper into insanity. And when he does the unthinkable, it's all Katie can do to keep her head above water. Largely based on the author's own experiences, Breathless is a stunning debut that explores illness and health, love and lust, friends and enemies, and the moneyed world of prep school with a deft, expert hand.

    Drawn to what lies beyond the range of reason, they all reach for the beautiful and fleeting, whether through humor, music, poetry, or unspoken words. Across his encounters with each of them, the narrator—a Guatemalan literature professor and writer named Eduardo Halfon—pursues his most enigmatic subject: himself.Mapping the geography of identity in a world scarred by a legacy of violence and exile, The Polish Boxer marks the debut of a major new Latin American voice in English.Eduardo Halfon has been cited as among the best young Latin American writers by the Hay Festival of Bogotá and is the recipient of Spain’s prestigious José María de Pereda Prize for the Short Novel. In 2011 he received a Guggenheim Fellowship to continue the story of The Polish Boxer, which is his first novel to be published in English. He travels frequently to his native Guatemala and lives in Nebraska.

    In the end, however, it is a meditation on the nature of totalitarian regimes, on the transition to democracy after the end of such regimes, and on the power of language to create and define reality. Ricardo Piglia combines his trademark avant-garde aesthetics with astute cultural and political insights into Argentina’s history and contemporary condition in this conceptually daring and entertaining work.The novel follows Junior, a reporter for a daily Buenos Aires newspaper, as he attempts to locate a secret machine that contains the mind and the memory of a woman named Elena. While Elena produces stories that reflect on actual events in Argentina, the police are seeking her destruction because of the revelations of atrocities that she—the machine—is disseminating through texts and taped recordings. The book thus portrays the race to recover the history and memory of a city and a country where history has largely been obliterated by political repression. Its narratives—all part of a detective story, all part of something more—multiply as they intersect with each other, like the streets and avenues of Buenos Aires itself. The second of Piglia’s novels to be translated by Duke University Press—the first was Artifical Respiration—this book continues the author’s quest to portray the abuses and atrocities that characterize dictatorships as well as the difficulties associated with making the transition to democracy. Translated and with an introduction by Sergio Waisman, it includes a new afterword by the author.

    She also knows there's just one other resident her age, Luke. What she does not expect is the love that blossoms between her and Luke even as she resists her new life at Rosalind House. As her disease steals more and more of her memory, Anna fights to hold on to what she knows, including her relationship with Luke.When Eve Bennett is suddenly thrust into the role of single mother she finds herself putting her culinary training to use at Rosalind house. When she meets Anna and Luke she is moved by the bond the pair has forged. But when a tragic incident leads Anna's and Luke's families to separate them, Eve finds herself questioning what she is willing to risk to help them.

    Iago and his family are longevos—people who never seem to age after reaching adulthood. The ancient family is divided: Iago’s brother and sister seek the source of their longevity in hopes of creating more like themselves, while Iago and his father fear the repercussions of the true Fountain of Youth.A dangerous game of power and knowledge that has played out over eons becomes even more complicated when Adriana attracts both brothers’ attention—and learns their secret.Filled with science, history, and passion, The Immortal Collection transports the reader through time and space, from the days of cavemen, through the Roaring Twenties, to the charming plazas of contemporary Spain. Ancient history meets cutting-edge research in this modern love story and sweeping historical saga.

    Even if you were once The Beast, you can become The Beauty. One boy can awaken the music inside of you and make your voice sing out. And then, one terrible secret can take it all away. But as Beth discovers in this tragic, award-winning tale from the author of TAKEN BY STORM, no matter how painful love is, it's worth it. Brand new ebook. First-time ever published with the original Epilogue!

    In the summer before his senior year, Sammy falls in love with the beautiful, independent, and intensely vulnerable Juliana. Sammy's chronicle of his senior year is both a love story and a litany of loss, the tale of his love not only for Juliana but for their friends, a generation from a barrio: tough, innocent, humorous, and determined to survive.