She is touring the east coast of Australia during August.Tara’s first novel, Swallow the Air, was published in 2006 and won the David Unaipon Prize as well as a plethora of other literary awards. Tara was hailed as one of Australia’s finest young writers and her book became part of the HSC syllabus.After the Carnage is another unforgettable work of fiction – this time a collection of stories about characters living all over the world, from New York to Istanbul and from Pakistan to Australia.Tara’s characters are living at a distance, displaced from their countries, marriages, families, friends and even identities. They are struggling with feelings of loss and of being adrift, trying to reconcile their dreams with reality.A single mother resorts to extreme measures to protect her young son. A Nigerian student undertakes a United Nations internship in the hope of a better future. A recently divorced man starts a running group with members of an online forum for recovering addicts.PRAISE FOR TARA JUNE WINCH‘Her writing is raw and sparky, her prose so charged with energy that it bursts, Melville-like, into occasional poetic firestorms.’ Age‘The quality of her writing, her eye for the miniature of life, fleshes out both place and persona, and ultimately guides the reader’s entry into her action. She is gifted.’ Wole Soyinka, Nobel Laureate (Literature)TARA JUNE WINCH is an Australian writer based in France. She has written essay, short fiction and memoir for Vogue, Vice, McSweeney’s, and various Australian publications and anthologies. Her first novel, Swallow the Air, was published in 2006 and won numerous literary awards, including the David Unaipon Award and a Victorian Premier’s Literary Award. It has been on the education and HSC syllabus for Standard and Advanced English in Australia since 2009. In the same year she was awarded the International Rolex Mentor and Protégé Award that saw her work under the guidance of Nobel Laureate Wole Soyinka.

    I buried my mother. My grandfather buried a swimming pool. A boy who can’t speak has adopted me. A girl kissed me. I broke and entered. Now I’m fantasizing about a guy who’s a victim of crime and I am the criminal. I’m going nowhere and every minute I’m not moving, I’m being tail-gated by a curse that may or may not be real. They call me Friday. It has been foretold that on a Saturday I will drown…Friday, 17, flees memories of her mother, granddad, and the family curse. She joins Silence in a street gang led by beautiful charismatic Arden, and escapes to a ghost town in the outback. In Murungal Creek, the town of never leaving, Friday faces the ghosts of her past. Sometimes you have to stay to finish what you started, and before you can find out who you are, you have to become someone you never meant to be.

    When Ellen turns nineteen Holland makes an announcement: she may marry only the man who can correctly name the species of each of the hundreds of gum trees on his property. Ellen is uninterested in the many suitors who arrive from around the world, until one afternoon she chances on a strange, handsome young man resting under a Coolibah tree. In the days that follow, he spins dozens of tales set in cities, deserts, and faraway countries. As the contest draws to a close, Ellen and the stranger's meetings become more erotic, the stories more urgent. Murray Bail's rich narrative is filled with unexpected wisdom about art, feminine beauty, landscape, and language. Eucalyptus is a shimmering love story that affirms the beguiling power of storytelling itself.

    Watching them fade into the grey fall of snow, Nance thought she could hear Maggie's voice. A whisper in the dark. "Some folk are born different, Nance. They are born on the outside of things, with a skin a little thinner, eyes a little keener to what goes unnoticed by most. Their hearts swallow more blood than ordinary hearts; the river runs differently for them." Nóra Leahy has lost her daughter and her husband in the same year, and is now burdened with the care of her four-year-old grandson, Micheál. The boy cannot walk, or speak, and Nora, mistrustful of the tongues of gossips, has kept the child hidden from those who might see in his deformity evidence of otherworldly interference. Unable to care for the child alone, Nóra hires a fourteen-year-old servant girl, Mary, who soon hears the whispers in the valley about the blasted creature causing grief to fall upon the widow's house. Alone, hedged in by rumour, Mary and her mistress seek out the only person in the valley who might be able to help Micheál. For although her neighbours are wary of her, it is said that old Nance Roche has the knowledge. That she consorts with Them, the Good People. And that only she can return those whom they have taken...

    Courted long and hopelessly by young scientist, Ted Tice, she is to find that love brings passion, sorrow, betrayal and finally hope. The milder Grace seeks fulfilment in an apparently happy marriage. But as the decades pass and the characters weave in and out of each other's lives, love, death and two slow-burning secrets wait in ambush for them.

    Winner of the United Nations Human Rights Award for Nonfiction, HOLDING THE MAN has been adapted into a play opening in America in September 2007. The playwright who adapted the book for stage refers to this a a memoir of striking and unapologetic honesty.

    Their affluent father, Rex, has made sure that they'll be the envy of the new, working-class suburb they've moved to. But underneath the surface of the perfect family, is there something unsettling about the Jensons? To the local kids, Rex becomes a kind of hero, but Colt senses there's something in his father that could destroy their fragile new lives.

    . . until she meets Tim. A beautiful young man with the mind of a child; a gentle outcast in a cruel, unbending world - he illuminates the darkness of Mary's days with his boyish innocence. And he will shatter the lonely, middle-aged spinster's respectable, ordered life with a forbidden promise of a very special love.

    It's not as if Eli's life isn't complicated enough already. He's just trying to follow his heart, learning what it takes to be a good man, but life just keeps throwing obstacles in the way - not least of which is Tytus Broz, legendary Brisbane drug dealer.But if Eli's life is about to get a whole lot more serious. He's about to fall in love. And, oh yeah, he has to break into Boggo Road Gaol on Christmas Day, to save his mum.A story of brotherhood, true love and the most unlikely of friendships, Boy Swallows Universe will be the most heartbreaking, joyous and exhilarating novel you will read all year.

    And what appears to be an ordinary night out is--through the prism of her singular perspective--extraordinary. As the evening unfolds, each encounter she has reveals the vast discrepancies between what she is thinking and feeling, and what she is able to say. And there's so much she'd like to say. So when she meets a man and a genuine connection occurs, it's nothing short of a miracle. However, it isn't until she invites him home that we come to appreciate the humanity beneath the labels we cling to, and we can grasp the pleasure of what it means to be alive.The debut novel from the inimitable Madeleine Ryan, A Room Called Earth is a humorous and heartwarming adventure inside the mind of a bright and dynamic woman. This hyper-saturated celebration of love and acceptance, from a neurodiverse writer, is a testament to moving through life without fear, and to opening ourselves up to a new way of relating to one another.

    Nor does she expect to become fast friends with beautiful, vivacious Pearl Kelly, organizer of the high school float at the annual Harvest Festival parade. It's better not to get too attached when Rose and her father live on the road, driving their caravan from one place to the next whenever her dad gets itchy feet. But Rose can't resist the mysterious charms of the town or the popular girl, try as she might.Pearl convinces Rose to visit Edie Baker, once a renowned dressmaker, now a rumored witch. Together Rose and Edie hand-stitch an unforgettable dress of midnight blue for Rose to wear at the Harvest Festival—a dress that will have long-lasting consequences on life in Leonora, a dress that will seal the fate of one of the girls. Karen Foxlee's breathtaking novel weaves friendship, magic, and a murder mystery into something moving, real, and distinctly original.

    Choices were made without thinking. Young lives came together and would never be the same again. Years on, as Ursula confronts decisions that are not so easy to make, revelations collide with memories of Candelo - and some breathtaking secrets come to light.

    These are the memoirs of 29 year old John Birmingham, who has shared houses and apartments with 89 people and kept notes on all of them.

    Set against the background of Australia and England in the late nineteenth and early twentieth centuries, this book is part of a series that provides a vivid portrait of an upper middle-class family divided between the two countries yet at home in neither.

    She plans only to check on her ailing mother and leave. But Tilly decides to stay, and though she is still an outcast, her lush, exquisite dresses prove irresistible to the prim women of Dungatar. Through her fashion business, her friendship with Sergeant Farrat—the town’s only policeman, who harbors an unusual passion for fabrics—and a budding romance with Teddy, the local football star whose family is almost as reviled as hers, she finds a measure of grudging acceptance. But as her dresses begin to arouse competition and envy in town, causing old resentments to surface, it becomes clear that Tilly’s mind is set on a darker design: exacting revenge on those who wronged her, in the most spectacular fashion.