A grieving missionary becomes obsessed with a creature rumoured to live in the forests of the Congo. And, in the title story, a young woman travelling with her scientist mother in Madagascar confronts her burgeoning sexuality and her dream of becoming a long-distance swimmer.

    In the process they discovered both new talents and a wealth of celebrated writers, such as Jorge Luis Arzola, Aimee Bender, Teolinda Gersão, Romulus Linney, Yann Martel, Sam Shepard, and Tobias Wolff. Zdravka Evitmova conjures blood drops that cure any disease. Ian Frazier writes public relations for crows. Juan José Milás leads an amnesiac husband to an affair in the candlelit darkness of a cathedral with his wife. These tales told quickly offer pleasures long past their telling.

    Voices include those of the impulsive first-time murderer, the depressed pet sitter, the assistant of Patsy Cline, the anxiety-riddled new mother, the aged rock and roller, the girlfriend of your husband—human beings often (incredibly) unaware of the turning points staring them in the face.Crossing time, states, class, and religions, McGraw’s stories are on the edge, causing you to wince even as you laugh. And McGraw will draw you to a deep need to read some sentences aloud—a sweet voice, a shrewd insight, some uneasy charm.

    In “The Cemetery for Lost Faces,” two orphans translate their grief into taxidermy, artfully arresting the passage of time. The anchoring novella, “The Unfinished World,” unfurls a surprising love story between a free and adventurous young woman and a dashing filmmaker burdened by a mysterious family. Sparks’s stories—populated with sculptors, librarians, astronauts, and warriors—form a veritable cabinet of curiosities. Mythical, bizarre, and deeply moving, The Unfinished World and Other Stories heralds the arrival of a major writer and illuminates the search for a brief encounter with the extraordinary.

    The heady mix of human depravity, humour, satire, tragedy, revenge and drama makes these stories an essential cocktail of emotions.Review:“Breezy, Flippant, Poignant... Tales of pleasurable wickedness.”-Salil Desai, author of Inspector Saralkar Mystery Series“Although not all sugar and sunshine, Dalvi's voice is an important one, because he chooses to tell stories that others would normally shy away from. There's a serene resignation in his tales, one that is completely devoid of both hope as well as regret. I thoroughly enjoyed the stories.”-Bhaskar Chattopadhyay, author of Patang, Penumbra, Here Falls the Shadow, The Disappearance of Sally Sequeira and Best Served Cold“Gripping short-stories by Rafaa Dalvi. I am both intrigued and scared by his plot-twists. Thrilled to have read this book.”-Sanhita Baruah, author of The Art of Letting Go and The Art of Healing“Some of the best stories I have read so far. Rafaa has a gift of telling complex stories in a very intuitive and straightforward and are easy to read. This book is the best thing that has come out during these current circumstances.”-S. G. Kabe, author of Everything is Normal“Rafaa Dalvi is a flash fiction expert.”-T.F. Carthick, author of Carthick’s Unfairy Tales and More Unfairy Tales“Taut, propulsive and riveting, Rafaa’s mesmerising stories pack a big punch. Chasing Nirvana has been carefully crafted for maximum impact. A highly compelling read.”-Vivek Banerjee, author of ‘The Long Road’ and ‘The Other Side’

    Stories were to be about 250 words long; first prize was a check and a crate of oranges.Two to three thousand stories began to show up annually in Tallahassee, and National Public Radio regularly broadcast the winner. But, more important, the Micro form turned out to be contagious; stories of this "lack of length" now dot the literary magazines. The time seemed right, then, for this anthology, presenting a decade of contest winners and selected finalists. In addition, Stern commissioned Micros, persuading a roster of writers to accept the challenge of completing a story in one page.Jesse Lee Kercheval has a new spin on the sinking of the Titanic; Virgil Suarez sets his sights on the notorious Singapore caning; George Garrett conjures up a wondrous screen treatment pitch; and Antonya Nelson invites us into an eerie landscape. Verve and nerve and astonishing variety are here, with some wild denouements.How short can a Micro be, you wonder. Look up Amy Hempel's contribution, and you'll see.Includes:Poet's husband by M. GilesCough by Harry HumesDaydream by R. AllenWrong channel by R. FernandezHarmony by J. Williams20by20 by L. BrewerYour fears are justified by R. DeMarinisAt the point by B. McCaddonHalo by M. McFeeMockingbird by L. BerryChanging the channel by E.E. MillerWanting to fly by S. DunningEclipsed by R. ShusterNew Year by P. PainterSurvivors by K. AddonizioAnti-Cain by V. SuarezPainted devils by F. ChappellHoneycomb by N.R. SingerBaby, baby, baby by F. CamoinAn old story by J. KelmanConception by T. FlemingAll this by J. AvallonStone belly girl by J. Granger Worry by R. WallaceYou can't see dogs on the radio by L. WendlingTrue story of Mr. and Mrs. Wong by M. ChinFlu by S. DybekThe bridge by R. EdsonKennedy in the barrio by J.O. CoferGrief by R. CarlsonMount Olive by M.A. LoveHurray for Hollywood by G. GarrettThis is how I remember it by Betsy KemperNovember by U. HegiCarpathia by J.L. KerchevalChickens by E. MagarrellMayor of the sister city speaks to the chamber of commerce in Klamath Falls, Oregon, on a night in December in 1976 by M. MartoneConfirmation names by M. LippoHostess ; Housewife by A. HempelLand's end by A. NelsonLast supper in the Cabinet Mountains by D. BottomsStrongman by W. White-RingDiverging paths and all that by M. O'HaraA gentleman's C by P. PowellOf exposure by J. HolmanTea leaves by J. BurrowayWe eat our peas for the souls in Purgatory by A. McPetersWaiting by P. McNallyBut what was her name? by D. RaffelGuadalupe in the Promised Land by Sam ShepardMorning news by J. SternMolibi by L. HancockWallet by A. Woodman

    Each story goes off like a tiny depth charge in the mind, leaving you with the trace memory of some new urban myth - comic, absurd and disturbingly true.

    An imaginative young boy from the Bronx goes swimming with his group from day camp at a backyard pool in the suburbs, and faces the effects of power and privilege in ways he can barely grasp. A teen intent on proving himself a man through the all-night revel of J’Ouvert can’t help but look out for his impressionable younger brother. A pair of college boys on the prowl follow two girls home from a party and have to own the uncomfortable truth of their desires. And at a capoeira conference, two brothers grapple with how to tell the story of their family, caught in the dance of their painful, fractured history.Jamel Brinkley’s stories, in a debut that announces the arrival of a significant new voice, reflect the tenderness and vulnerability of black men and boys whose hopes sometimes betray them, especially in a world shaped by race, gender, and class―where luck may be the greatest fiction of all.

    World’s greatest stories are created when people are high – masterpieces are painted, universal truths are realised, models on billboards are befriended, lovers are united, butts are kicked, confessions are made, and relationships are sorted.The book started as a blog with people from across the world sharing their stories, ideas, confessions and beliefs, and the elixir of the 14 best stories is here to reveal what lies beyond a conscious mind.Though the book does not intend to encourage drinking alcohol in any sense, here’s to celebrate every emotion that kicks after a few pegs. Cheers!!

    Told through the eyes of a young man who yearns to find excitement, truth, and a deeper family bond in his life, Weaver's approachable and revealing stories, lists, fragments, and memories delve into the weird, funny, and sometimes unsettling world of a midwest kid finding his own path."Thank god you can come across a writer like Troy James Weaver. In the future people will just say these stories are like Troy James Weaver stories and you'll know exactly what they mean." --Scott McClanahan "There are moments, reading Witchita Stories, where everything dropped away, and I was speechless, or at least whatever the equivalent of speechless is when you're not talking in the first place. There is a deep sadness to these stories, and humor, but most importantly, honesty. This feels real and heavy and it's just about the best thing I've read in a long time." --J. David Osborne

    In AM/PM, impish humor and cutting insight are on full display. Readers tour the lives of 23 characters across 120 stories full of lizard tails, Schrödinger boxes, and volcano love. June wakes up one morning covered in seeds; Leonard falls in love with a chaise lounge; Betty insists everything except flowers are a symbol of her love for her husband; Andrew talks to his house in times of crisis. Written every morning and night for two months, these brief vignettes (50 to 100 words) recall Donald Barthelme in their whimsy and subtle yet powerful emotions. An intermittent love story as seen through a darkly comic lens, AM/PM mixes poetry and prose, humor and hubris to create a truly original work of fiction.

    Her admirers include Grace Paley, Jonathan Franzen, and Zadie Smith; as Time magazine observed, her stories are "moving . . . and somehow inevitable, as if she has written what we were all on the verge of thinking."In Varieties of Disturbance, her fourth collection, Davis extends her reach as never before in stories that take every form from sociological studies to concise poems. Her subjects include the five senses, fourth-graders, good taste, and tropical storms. She offers a reinterpretation of insomnia and re-creates the ordeals of Kafka in the kitchen. She questions the lengths to which one should go to save the life of a caterpillar, proposes a clear account of the sexual act, rides the bus, probes the limits of marital fidelity, and unlocks the secret to a long and happy life.No two of these fictions are alike. And yet in each, Davis rearranges our view of the world by looking beyond our preconceptions to a bizarre truth, a source of delight and surprise.Varieties of Disturbance is a 2007 National Book Award Finalist for Fiction.

    In this debut collection of enormously perceptive and brutally unsentimental short stories, Parsons illuminates the ache of first love, the banality of self-loathing, the scourge of addiction, the myth of marriage, and the magic and inevitable disillusionment of childhood.Taking us from hot Texas highways to cold family kitchens, from the freedom of pay-by-the-hour motels to the claustrophobia of private school dorms, these stories erupt off the page with a primal howl—sharp-voiced, bitter, and wise. Black Light contains the type of storytelling that resonates somewhere deep, in the well of memory that repudiates nostalgia.

    A widowed insomniac is roused from malaise when an alligator appears in her backyard. A group of college friends try to stay close after graduation, but are drawn away from-and back toward-each other by the choices they make. A boy's friendship with a pair of identical twins undergoes a strange and tragic evolution over the course of adolescence. A promising academic and her fiancée attempt to finish their dissertations, but struggle with writer's block, a nasty secret, and their own expert knowledge of Freud.From an East Village rooftop to a cabin in Tennessee, from the Florida suburbs to Hong Kong, Taylor covers a vast emotional and geographic landscape while ushering us into an abiding intimacy with his characters. Flings is a commanding work of fiction that captures the contemporary search for identity, connection, and a place to call home.

    In stories filled with heart and humour, Tim Gautreaux explores the stresses and strains of everyday life as his characters struggle to make amends for their mistakes and hope for different, better days to come.