From the appearance in 1936 of Kenneth Patchen's first book, the voice of this great poet has been protesting war and social injustice, satirizing the demeaning and barbarous inanities of our culture--entrancing us with an inexhaustible flow of humor and fantasy.

    Until I did. And then I was thinking, ‘Oh God, do I really want to continue with this?’” - Steve Mera BSc., Director of the Scientific Establishment of Parapsychology Steve Mera had been investigating paranormal phenomena for many years, and had never seen anything that shook him to his very foundations. All that changed in 1996, when he was called in with his team to look into the bizarre occurrences taking place at a small bungalow in Rochdale, Manchester, England. Flying objects, disembodied voices, phantom smells and sounds, and strangest of all, copious falls of water seemingly coming from nowhere plagued the Gardner family for nearly a year. What Steve experienced during the investigation was enough to make him question his entire career path, and remains one of only a handful of cases that he is completely unable to rationally explain. This account, written by horror author Jenny Ashford from interviews conducted with Steve about the case, is a bone-chilling foray into the paranormal that will make even the most ardent skeptic sleep with the lights on.

    It is a story about a boy lost in life, the system and finally found. It is a moving and troubling sotry to read

    Many books on the plague rely on statistics to tell the story: how many people died; how farm output and trade declined. But statistics can’t convey what it was like to sit in Siena or Avignon and hear that a thousand people a day are dying two towns away. Or to have to chose between your own life and your duty to a mortally ill child or spouse. Or to live in a society where the bonds of blood and sentiment and law have lost all meaning, where anyone can murder or rape or plunder anyone else without fear of consequence.In The Great Mortality, author John Kelly lends an air of immediacy and intimacy to his telling of the journey of the plague as it traveled from the steppes of Russia, across Europe, and into England, killing 75 million people—one third of the known population—before it vanished.

    What is it that remains when the spiritual path, and even enlightenment, is transcended? Dismantling the Fantasy is a consideration of the movement out of thought itself. This may sound extreme or even impossible, but again it is a simple consideration of your potential as a human being, and you can easily understand it from the life experience you already have.

    The way in which their stories intersect with real places offers potential for a richly textured narrative. By drawing together narrative history, new academic research and first-hand experience, Tom Williams offers a vital evocation of a forgotten world, its echoes in later history and its implications for the present.A Viking Britain truly existed, and its historical and cultural footprint is in many ways broader and deeper than Rome’s. Between the conventional beginning of the Viking Age in the late eighth century and its close in the eleventh, Scandinavian people and culture were involved with Britain to a degree that has left a permanent impression on these islands. They came to plunder and, ultimately, to settle, to colonize and to rule. By the time of the Norman Conquest, much of Britain might justifiably be described as ‘Viking’, and in language, literature, place-names and folklore, the presence of Scandinavian settlers can still be felt. Indeed, the Vikings have been a powerful cultural force in modern times. Their representation in paintings, novels and operas – from the music of Elgar to the writing of Kipling, Morris and Tolkien – has had a profound impact on the British psyche. Much of what we imagine when we think of the Vikings – even the word ‘Viking’ itself – grew, not form the Viking Age itself, but from the political, literary and artistic currents of the nineteenth and early twentieth centuries. Here, too, a Viking Britain came alive.

    My narrative covers many issues which increasingly threaten all classes of modern day society. Principle among these is the heartbreak of Addiction, and the collateral devastation it exacts in all its’ forms. Regrettably, true appreciation of addiction’s desperate landscape, too often requires one’s intimate personal involvement with its twisted and insidious nature. Despite this grim caveat, a powerfully descriptive account can nevertheless provide some measure of protective awareness. With this in mind, please consider some of the issues discussed in my story: · Raised primarily by an abusive, unemployed, alcoholic step-father, and a mother more concerned with maintaining her tenuous relationship than protecting her children. · My gradual descent into the drug-culture of the 1960’s, culminating in Heroin use at 15, and addiction by 16 years of age. · Forcible eviction from my home by my stepfather at age 16; the grueling adaptation to street-life and homelessness, while supporting a significant drug habit. · Surviving as a frightened white teenager in Spanish Harlem; forced to live in abandoned buildings (which doubled as “Shooting Galleries”), Central Park, the Subways (during winter), stairwells or boiler-rooms. · Ejection from High School after being caught shooting Heroin in the school bathroom. · My criminal involvement and subsequent arrests, resulting in jail time, jumping parole, and interstate flight to avoid prosecution. · My decision to begin Methadone Maintenance. · My mysterious “Epiphany”, providing incentive for my detox, and subsequent devotion to Physical Fitness. · Falsifying documents to enter College without ever achieving a GED or Diploma. · Gaining early admission to Medical School, with neither a College Degree nor High School Diploma. · Relapse into narcotic addiction following surgery during my 3rd year of Medical School. · Completing Internship and gaining acceptance to an Anesthesiology Residency while maintaining a narcotics habit. · Entry into treatment following my 1st year of Residency; my re-entry into another Anesthesia Residency. · Relapse after completing Residency, while performing 3rd world medicine; taking a position at a hospital in Penn. · My arrest for narcotic diversion; my imprisonment which ultimately totaled 34 months, and the loss of my Medical License. · Becoming the subject of a 20/20 television broadcast which was intentionally twisted and malevolently distorted through disingenuous editing. · The years following the loss of my profession. My depression, anxiety, hopelessness, and subsequent suicide attempts; my eventual acceptance of life’s disparate and capricious nature, and how life, and our success within it, is defined simply by our own perspective. DIRTY WHITE BOY avidly supports and encourages the belief that no matter how desperate our current life appears, we all have the power to rise above it. Those currently struggling with personal demons need to realize their future is malleable by design, not immutable or cast in stone. It is also a cautionary tale warning that success comes hand-in-hand with inherent temptations. Arrogance and conceit are equally as addictive as any narcotic; to forget our past quite often means we are destined to repeat it.

    One day, she received a message from a stranger. This woman offered to lead her on a self-healing trip hiking through the Scottish highlands.It seemed like a sign—a big sister sent when she needed one most.In this sometimes hilarious, sometimes terrifying, but always inspiring memoir, an introverted pollyanna is paired up with her polar opposite—a steamrolling, abrasive female with completely unorthodox healing methods. As they barrel through the winding one lane roads in a tiny rental car stopping to hike at breathtaking mountains and glens, an outrageous series of events forces Ninya to reclaim her power and find the strength to heal herself in one of the most beautiful places on earth.Readers of “Eat, Pray, Love” and “Wild” will love this memoir.

    The greatest historians are vivid storytellers, Robert Lacey reminds us, and in Great Tales from English History, he proves his place among them, illuminating in unforgettable detail the characters and events that shaped a nation. In this volume, Lacey limns the most important period in England's past, highlighting the spread of the English language, the rejection of both a religion and a traditional view of kingly authority, and an unstoppable movement toward intellectual and political freedom from 1387 to 1689. Opening with Chaucer's Canterbury Tales and culminating in William and Mary's "Glorious Revolution," Lacey revisits some of the truly classic stories of English history: the Battle of Agincourt, where Henry V's skilled archers defeated a French army three times as large; the tragic tale of the two young princes locked in the Tower of London (and almost certainly murdered) by their usurping uncle, Richard III; Henry VIII's schismatic divorce, not just from his wife but from the authority of the Catholic Church; "Bloody Mary" and the burning of religious dissidents; Sir Francis Drake's dramatic, if questionable, part in the defeat of the Spanish Armada; and the terrible and transformative Great Fire of London, to name but a few. Here Anglophiles will find their favorite English kings and queens, villains and victims, authors and architects - from Richard II to Anne Boleyn, the Virgin Queen to Oliver Cromwell, Samuel Pepys to Christopher Wren, and many more. Continuing the "eminently readable, highly enjoyable" (St. Louis Post-Dispatch) history he began in volume I of Great Tales from English History, Robert Lacey has drawn on the most up-to-date research to present a taut and riveting narrative, breathing life into the most pivotal characters and exciting landmarks in England's history.

    By focusing on the experiences of ordinary villagers as they lived-and died-during the Black Death (1345-50), Hatcher vividly places the reader directly inside those tumultuous times and describes in fascinating detail the day-to-day existence of people struggling with the tragic effects of the plague. Dramatic scenes portray how contemporaries must have felt and thought about these momentous events: what they knew and didn't know about the horrors of the disease, what they believed about death and God's vengeance, and how they tried to make sense of it all despite frantic rumors, frightening tales, and fearful sermons.

    From his studio in London, he starts by travelling to three "white hills" - sites in China, Germany and England that are key to porcelain's creation. But his search eventually takes him around the globe and reveals more than a history of cups and figurines; rather, he is forced to confront some of the darkest moments of twentieth-century history.Part memoir, part history, part detective story, The White Road chronicles a global obsession with alchemy, art, wealth, craft and purity. In a sweeping yet intimate style that recalls The Hare with Amber Eyes, de Waal gives us a singular understanding of "the spectrum of porcelain" and the mapping of desire.

     All the best,Kerry and Kurtanp.s. Kurtan wants to make it clear that although this newsletter is in book format it does not make him any of the following:Book WormBook bummerBoffinNerd alertThe lion, the witch and the book wormp.p.s If you don't buy this newsletter that's fine, but we are getting a percent of the profits to donate to the Kerry Mucklowe eating fund, so if you don't buy it I'll basically starve. Which is fine if your conscience can deal with that utter headf***.

    Many people think of them as "an awe-inspiring group of ascetic, fanatic, and inhuman supermen."Ernest R. Pope knew all too well how illusory this idea was. As senior correspondent for Reuters in Munich from 1936-1941, American Ernest Pope saw the cruel and outrageous behavior of Nazis in their native habitat. In Munich they ran wild, let their hair down, and indulged in every fantasy money and power could avail them. Pope has all the gossip...and the confirmed stories. HISTORY AS IT HAPPENED "I have seen the leading actors in the Nazi tragedy, playing their parts on the Bavarian stage. Long before the climax—the outbreak of the war—I knew what the denouement in Hitler's theater would be."Pope knew, saw, and/or interviewed all the top Nazis and dozens of lower-level officials, including some of Hitler's security. He saw the Nazis for what they were: a corrupt, debauched, all-to-human menace.Once back in the U.S., Pope let loose his frustration and ire at what he'd seen—but couldn't write about when he was reporting from Germany. With great humor and faced-paced prose, he writes of encounters with Hitler, Hess, Streicher, and many more.He was in Munich during the fated compromise with Chamberlain. He reported on the Nazi invasions of Austria and Czechoslovakia.He reported on Hitler's obsession with Dorothy van Bruck's "blitz-tease" and he knew Hitler's English girlfriend, Unity Mitford. AT THE CENTER OF ACTION Pope turns his savage wit and erudition on his former hosts. Fluent in Bavarian German dialect, Pope made many friends in Munich with citizens and officials alike. He heard jokes from Munichers that could get them thrown in a concentration camp and he poked fun at Nazis whenever he dared.On the Austrian border during Hitler's invasion of that country:Guard: “Heil Hitler! What are you doing here?” Pope: “Just enjoying the scenery.” Guard: “Why did you come to Kiefersfelden today?” Pope: “Well, I'll tell you. It's like this. I'm an American student, and I came to Munich when I read the fascinating travel prospectuses which invited me to ‘Visit the beautiful Alps.’ My friend and I have already seen the Alps at Garmisch, so we thought we might look at them today around Kufstein. They really are pretty, in spite of all the uniforms we didn't expect to find here. But I do think it is odd of you to ask me why I am here. For if I were walking in Central Park in New York, I would not expect a policeman to ask me why I wasn't feeding the pigeons in front of the Public Library.”You won't find another account like this of the Nazis in their favorite playground. INCLUDED CHAPTERS: DER FÜHRER AT PLAY MY FRIENDS THE GESTAPO PORTRAIT OF A NAZI GRAFTER HITLER DABBLES IN ART THE ONE-LEGGED BOSS OF BAVARIA CATHOLICISM IN THE NAZI CAPITAL LUNCH WITH JULIUS STREICHER And more Pope turns serious in the final chapters. As he left Germany, he knew he was saying goodbye to friends he would never see again.

    Now in her ninety-fourth year, this timely celebration sheds new light on the myriad attributes and personal qualities she brings to the nation. From fortitude in the face of adversity to standing as the nation's ambassador all over the world, no one could doubt the work ethic that powers this remarkable woman, even into her nineties. Equally, her love of family - from her rock of over sixty years' marriage, Prince Philip, to her great grandchildren - shines through. But what are the secrets of her success? How does she still approach her day-to-day with such vitality and aplomb, even when culture and society are changing rapidly all around her?The Queen on fame: When an MP commented that it must be a strain meeting so many strangers all the time, the Queen smiled, 'It is not as difficult as it might seem. You see, I don't have to introduce myself. They all seem to know who I am.'The Queen on fashion: In the late sixties when Mary Quant and the mini skirt came to epitomize all that was fashionable, Princess Anne suggested her mother might also consider shortening her hemline. The Queen was adamant, 'I am not a film star.' The Queen on family: As Great Britain's most famous great grandmother, it is no surprise that the Queen values family life. 'Marriage gains from the web of family relationships between parents and children, grandparents and grandchildren, cousins, aunts and uncles.'In this book Karen Dolby unpicks the key elements that make the Queen so special to - and so loved by - the nation and presents a guide to how you too could put into practice some of Her Majesty's traits to help overcome adversity, find inner strength and present yourself as wonderfully considered and calm, even when all about you seems in chaos.

    Dramatic incidents of his reign, such as his quarrel with Archbishop Becket and his troubled relations with his wife, Eleanor of Aquitaine, and his sons, have attracted the attention of historical novelists, playwrights, and filmmakers, but with no unanimity of interpretation. That he was a great king there can be no doubt. Yet his motives and intentions are not easy to divine, and it is Professor Warren's contention that concentration on the great crises of the reign can lead to distortion. This book is therefore a comprehensive reappraisal of the reign based, with rare understanding, on contemporary sources; it provides a coherent and persuasive revaluation of the man and the king, and is, in itself an eloquent and impressive achievement.