Four great empires - Austria-Hungary, Germany, Russia, and Turkey - were part of the war's rubble. Far from restoring order, the diplomats who met in 1919 at Paris and Versailles plunged the world into the chaos of the twentieth century. Here, from award-winning historian Charles Mee, is the account of what happened when the three most powerful heads of state gathered to establish a new order.

    Between the death of Queen Victoria and the end of the Second World War, the nation was shaken by war and peace. The two wars were the worst we had ever known and the episodes of peace among the most turbulent and surprising. As the political forum moved from Edwardian smoking rooms to an increasingly democratic Westminster, the people of Britain experimented with extreme ideas as they struggled to answer the question "How should we live?" Socialism? Fascism? Feminism? Meanwhile, fads such as eugenics, vegetarianism, and nudism were gripping the nation, while the popularity of the music hall soared. It was also a time that witnessed the birth of the media as we know it today and the beginnings of the welfare state. Beyond trenches, flappers, and Spitfires, this is a story of strange cults and economic madness, of revolutionaries and heroic inventors, sexual experiments and raucous stage heroines. From organic food to drugs, nightclubs and celebrities to package holidays, crooked bankers to sleazy politicians, the echoes of today's Britain ring from almost every page.

    Called the "Year of Victories," 1759 was the fourth year of the Seven Years, or the French-and-Indian War and defeat of the French paved the way for the global hegemony of the English language. Guiding us through England's conquests (and often extremely narrow victories), Frank McLynn (Wagons West) brilliantly interweaves primary sources, ranging from material in the Vatican archives to oral histories of Native Americans. In a stunning chronicle of a pivotal year in world history, he controversially concludes that the birth of the great British Empire was more a result of luck than of rigorous planning.

    This newly edited anthology reflects the diverse experiences of those who lived through the war, bringing together the words of poets, soldiers, and civilians affected by the conflict. Here are famous verses by Rupert Brooke, Siegfried Sassoon, and Wilfred Owen; poetry by women writing from the home front; and the anonymous lyrics of soldiers’ songs. Arranged thematically, the selections take the reader through the war’s stages, from conscription to its aftermath, and offer a blend of voices that is both unique and profoundly moving.

    Drawing on a rich store of materials from the archives of Highclere Castle, including diaries, letters, and photographs, the current Lady Carnarvon has written a transporting story of this fabled home on the brink of war.    Much like her Masterpiece Classic counterpart, Lady Cora Crawley, Lady Almina was the daughter of a wealthy industrialist, Alfred de Rothschild, who married his daughter off at a young age, her dowry serving as the crucial link in the effort to preserve the Earl of Carnarvon's ancestral home.  Throwing open the doors of Highclere Castle to tend to the wounded of World War I, Lady Almina distinguished herself as a brave and remarkable woman.    This rich tale contrasts the splendor of Edwardian life in a great house against the backdrop of the First World War and offers an inspiring and revealing picture of the woman at the center of the history of Highclere Castle.

    What follows is a day of catastrophe in which Allied casualties number almost one hundred thousand. A horror that would have been unimaginable in pre-war Europe and England becomes a day of reckoning, where their lives will change forever, for Frank, Benedict, Jean-Batiste, and Harry.Elizabeth Speller once again sublimely captures the dangerously romantic atmosphere of war-torn Europe in her latest novel that will leave critics and readers astounded.

    (His very first—rejected—comics story dealt with the subject, as does his most recent work, the two-volume Putain de Guerre.) But It Was the War of the Trenches is Tardi’s defining, masterful statement on the subject, a graphic novel that can stand shoulder to shoulder with Erich Maria Remarque’s All Quiet on the Western Front and Ernest Hemingway’s A Farewell to Arms.Tardi is not interested in the national politics, the strategies, or the battles. Like Remarque, he focuses on the day to day of the grunts in the trenches, and, with icy, controlled fury and disgust, with sardonic yet deeply sympathetic narration, he brings that existence alive as no one has before or since. Yet he also delves deeply into the underlying causes of the war, the madness, the cynical political exploitation of patriotism. And in a final, heartbreaking coda, Tardi grimly itemizes the ghastly human cost of the war, and lays out the future 20th century conflicts, all of which seem to spring from this global burst of insanity.Trenches features some of Tardi’s most stunning artwork. Rendered in an inhabitually lush illustrative style, inspired both by abundant photographic documentation and classic American war comics, augmented by a sophisticated, gorgeous use of Craftint tones, trenches is somehow simultaneously atypical and a perfect encapsulation of Tardi’s mature style. It is the indisputable centerpiece of Tardi’s oeuvre.It Was the War of the Trenches has been an object of fascination for North American publishers: RAW published a chapter in the early 1980s, and Drawn and Quarterly magazine serialized a few more in the 1990s. But only a small fraction of Trenches has ever been made available to the English speaking public (in now out of print publications); the Fantagraphics edition, the third in an ongoing collection of the works of this great master, finally remedies this situation.

    He left school in 1913 to become an apprentice plumber but three years later was conscripted, serving as a machine gunner in the Duke of Cornwall's Light Infantry. Fighting in the mud and trenches during the Battle of Passchendaele, he saw a great many of his comrades die, and in one dreadful moment the shell that wounded him kill his three closest friends. In vivid detail he describes daily life in the trenches, the terror of being under intense artillery fire, and the fear of going over the top. Then, after the Armistice, the soldiers' frustration at not being quickly demobbed led to a mutiny in which Harry was soon caught up.The Second World War saw Harry in action on the home front as a fire-fighter during the bombing of Bath. He also warmly describes his friendship with American GIs preparing to go to France, and, years later, his tears when he saw their graves.Late in life Harry achieved fame, meeting the Queen and taking part in the BBC documentary The Last Tommies, finally shaking hands with a German veteran of the artillery and speaking out frankly to Prime Minister Tony Blair about the soldiers shot for cowardice in the First World War.The Last Fighting Tommy is the story of an ordinary man's extraordinary life. Please note eBook edition does not the contain the images included in original print edition.