It tells of the life and opinions of Reger, a 'musical philosopher', through the voice of his acquaintance Atzbacher, a 'private academic'.The book is set in Vienna on one day around the year of its publication, 1985. Reger is an 82-year-old music critic who writes pieces for The Times. For over thirty years he has sat on the same bench in front of Tintoretto's White-bearded Man in the Bordone Room of the Kunsthistorisches Museum for four or five hours of the morning of every second day. He finds this environment the one in which he can do his best thinking. He is aided in this habit by the gallery attendant Irrsigler, who prevents other visitors from using the bench when Reger requires it.

    Librarian Note: An alternative cover for this ISBN can be found here Dom Salabos had a lot of advantages.As heir to a huge fortune he had an excellent robot servant (with Man-Friday subcircuitry), a planet (the First Syrian Bank) as a godfather, a security chief who even ran checks on himself, and on Dom's home world even death was not always fatal.Why then, in an age when prediction was a science, was his future in doubt?

    While there, they are willing slaves to their former butler, but on return to civilization, the positions are shifted.

    Sir Godber Evans, ex-Cabinet Minister and the new Master, is determined to change all this. Spurred on by his politically angular wife, Lady Mary, he challenges the established order and provokes the wrath of the Dean, the Senior Tutor, the Bursar and, most intransigent of all, Skullion the Head Porter - with hilarious and catastrophic results.

    Growing up, Max is surrounded by Jews, each with an entirely different and outspoken view on what it means to be Jewish. His mother, incessantly preoccupied with a card game called Kalooki, only begrudgingly puts the deck away on the High Holy Days. Max's father, a failed boxer prone to spontaneous nosebleeds, is a self-proclaimed atheist and communist, unable to accept the God who has betrayed him so unequivocally in recent years.But it is through his friend and neighbor Manny Washinsky that Max begins to understand the indelible effects of the Holocaust and to explore the intrinsic and paradoxical questions of a postwar Jewish identity. Manny, obsessed with the Holocaust and haunted by the allure of its legacy, commits a crime of nightmare proportion against his family and his faith. Years later, after his friend's release from prison, Max is inexorably drawn to uncover the motive behind the catastrophic act -- the discovery of which leads to a startling revelation and a profound truth about religion and faith that exists where the sacred meets the profane.Spanning the decades between World War II and the present day, acclaimed author Howard Jacobson seamlessly weaves together a breath-takingly complex narrative of love, tragedy, redemption, and above all, remarkable humor. Deeply empathetic and audaciously funny, "Kalooki Nights" is a luminous story torn violently between the hope of restoring and rebuilding Jewish life, and the painful burden of memory and loss.

    Soon after her untimely death in 1965, Jackson’s children discovered a treasure trove of previously unpublished and uncollected stories, many of which are brought together in this remarkable collection. Here are tales of torment, psychological aberration, and the macabre, as well as those that display her lighter touch with humorous scenes of domestic life. Reflecting the range and complexity of Jackson’s talent, Just an Ordinary Day reaffirms her enduring influence and celebrates her singular voice, rich with magic and resonance.  Praise for Just an Ordinary Day   “Jackson at her best: plumbing the extraordinary from the depths of mid-twentieth-century common. [Just an Ordinary Day] is a gift to a new generation.”—San Francisco Chronicle  Praise for Shirley Jackson   “[Jackson’s] work exerts an enduring spell.”—Joyce Carol Oates   “Shirley Jackson’s stories are among the most terrifying ever written.”—Donna Tartt   “An amazing writer . . . If you haven’t read [Jackson] you have missed out on something marvelous.”—Neil Gaiman   “Shirley Jackson is unparalleled as a leader in the field of beautifully written, quiet, cumulative shudders.”—Dorothy Parker   “An author who not only writes beautifully but who knows what there is, in this world, to be scared of.”—Francine Prose   “The world of Shirley Jackson is eerie and unforgettable.”—A. M. Homes   “Jackson enjoyed notoriety and commercial success within her lifetime, and yet it still hardly seems like enough for a writer so singular. When I meet readers and other writers of my generation, I find that mentioning her is like uttering a holy name.”—Victor LaValle

    Magnus Mills gives us a wiry novel of tensile strength that proves him a writer of ferocious talent. Eerie, resonant, spare yet rich in tones both hilarious and ominous—as if a work by Irvine Welsh, or perhaps Macbeth, had been adapted by the Coen brothers—his story has a finale so ingenious, insidious, and satisfying, it remains locked in the mind long after the last wire has been strung into place.

    It is purely for their own amusement that they create a fictional mutual friend: an elderly lady, Miss Hargreaves... The sexton does not doubt her existence. For him, Miss Hargreaves is as real as you or I. And she gradually assumes a fully-rounded character in the imaginings of the two young men as they while away their holiday in expanding the details of her life: her book of poetry, her parrot Dr Pepusch, her harp, and her hip-bath. It is merely a continuation of their little joke when they write to invite her to visit them back in their cathedral home-town of Cornford. It is something of a surprise when Miss Hargreaves accepts their invitation. And their disbelief turns to confusion and horror as, one evening soon afterwards, her train pulls into Cornford Station . . . As Dr Glen Cavaliero stresses in his introduction, Miss Hargreaves is a brilliantly funny and moving fantasy with an admirable lightness of touch and wonderful characterisation, but for all that it has a dark and frightening undercurrent. A burlesque parable of 'the ways of God with man', the book explores how the creator must live with the consequences of their creation, no matter how uncomfortable. And if they renounce their responsibilities, then there is always the possibility that their power may be turned against them. Miss Hargreaves, first published in 1940 to great acclaim, is a classic novel of the supernatural. Glen Cavaliero is a Fellow of St Catharine's College, Cambridge, and author of The Supernatural and English Fiction (O.U.P., 1995).

    A joke at first; but then he was caught up, terrifyingly, in a vision of suffering, and he sought a way out, turning first here, then there—Art, Sex, Religion. Shrike, the cynical editor, the friend and enemy, compulsively destroyed each of his friend’s gestures toward idealism. Together, in the city’s dim underworld, Shrike and Miss Lonelyhearts turn round and round in a loathsome dance, unresolvable, hating until death…The Day of the LocustTo Hollywood comes Tod Hackett, hoping for a career in scene designing, but he finds the way hard and falls in with others—extras, technicians, old vaudeville hands—who are also in difficulty. Around him he sees the great mass of inland Americans who have retired to California in expectation of health and ease. But boredom consumes them, their own emptiness maddens them; they search out any abnormality in their lust for excitement—drugs, perversion, crime. In the end only blood will serve; unreasoned, undirected violence. The day of the locust is at hand…

    Here are urban upheavals reimagined as frontier myth; travelogues through countries that might have been created by Kafka; cryptic dialogues that bore down to the bedrock of our longings, dreams, and angsts. Like all of Donald's work, the sixty stories collected in this volume are triumphs of language and perception, at once unsettling and irresistible.