Even with their own kin.On the eve of her divining, the day she'll discover her fate, seventeen-year-old Lil and her twin sister Kizzy are captured and enslaved by the cruel Boyar Valcar, taken far away from their beloved traveller community.Forced to work in the harsh and unwelcoming castle kitchens, Lil is comforted when she meets Mira, a fellow slave who she feels drawn to in a way she doesn't understand. But she also learns about the Dragon, a mysterious and terrifying figure of myth and legend who takes girls as gifts.They may not have had their divining day, but the girls will still discover their fate...

    A boy, greatness. A girl, nothingness…In 1345, China lies under harsh Mongol rule. For the starving peasants of the Central Plains, greatness is something found only in stories. When the Zhu family’s eighth-born son, Zhu Chongba, is given a fate of greatness, everyone is mystified as to how it will come to pass. The fate of nothingness received by the family’s clever and capable second daughter, on the other hand, is only as expected.When a bandit attack orphans the two children, though, it is Zhu Chongba who succumbs to despair and dies. Desperate to escape her own fated death, the girl uses her brother's identity to enter a monastery as a young male novice. There, propelled by her burning desire to survive, Zhu learns she is capable of doing whatever it takes, no matter how callous, to stay hidden from her fate.After her sanctuary is destroyed for supporting the rebellion against Mongol rule, Zhu uses takes the chance to claim another future altogether: her brother's abandoned greatness.

    Now his sudden death allows her to return to New York to make a fresh start, restoring Liefdehuis, a dilapidated Hyde Park mansion, and hopefully her reputation at the same time. However, fresh starts aren't as easy as they seem, as Alva discovers when stories of a haunting at Liefdehuis begin to reach her. But Alva doesn't believe in ghosts. So when the eccentric and brilliant professor, Samuel Moore, appears and informs her that he can get to the bottom of the mystery that surrounds Liefdehuis, she turns him down flat. She doesn't need any more complications in her life―especially not a handsome, convention-flouting, scandal-raising one like Sam. Unfortunately, though Alva is loath to admit it, Sam, a pioneer in electric lighting and a member of the nationally-adored Moore family of scientists, is the only one who can help. Together, the two delve into the tragic secrets wreathing Alva's new home while Sam attempts to unlock Alva's history―and her heart. Set during the Gilded Age in New York City, The Widow of Rose House is a gorgeous debut by Diana Biller, with a darkly Victorian Gothic flair and an intrepid and resilient American heroine guaranteed to delight readers.

    As our story opens, the Bennet sisters are enjoying a peaceful life in the English countryside. They idle away the days reading, gardening, and daydreaming about future husbands - until a funeral at the local parish goes strangely and horribly awry.Suddenly corpses are springing from the soft earth - and only one family can stop them. As the bodies pile up, we watch Elizabeth Bennet evolve from a naive young teenager into a savage slayer of the undead. Along the way, two men vie for her affections: Master Hawksworth is the powerful warrior who trains her to kill, while thoughtful Dr. Keckilpenny seeks to conquer the walking dead using science instead of strength. Will either man win the prize of Elizabeth's heart? Or will their hearts be feasted upon by hordes of marauding zombies? Complete with romance, action, comedy, and an army of shambling corpses, Pride and Prejudice and Zombies: Dawn of the Dreadfuls will have Jane Austen rolling in her grave - and just might inspire her to crawl out of it!(Description from back cover of trade paperback edition)

    It has been some years since Jonathan and Mina Harker survived their ordeal in Transylvania and, vanquishing Count Dracula, returned to England to try and live ordinary lives. But shadows linger long in this world of blood feud and superstition - and, the older their son Quincy gets, the deeper the shadows that lengthen at the heart of the Harkers' marriage. Jonathan has turned back to drink; Mina finds herself isolated inside the confines of her own family; Quincy himself struggles to live up to a family of such high renown. And when a gathering of old friends leads to unexpected tragedy, the very particular wounds in the heart of the Harkers' marriage are about to be exposed...There is darkness both within the marriage and without - for, while Jonathan and Mina wrestle with the right way to raise a child while still recovering from the trauma of their past lives, new evil is arising on the Continent. A naturalist is bringing a new species of bat back to London; two English gentlemen, on their separate tours of the continent, find a strange quixotic love for each other, and stumble into a calamity far worse than either has imagined; and the vestiges of something thought long-ago forgotten is, finally, beginning to stir...

    Her thin arms are covered with bruises from her "caregiver," and she is on the verge of being thrown into the streets . . . until she is brought to the home of Victor Frankenstein, an unsmiling, solitary boy who has everything--except a friend.Victor is her escape from misery. Elizabeth does everything she can to make herself indispensable--and it works. She is taken in by the Frankenstein family and rewarded with a warm bed, delicious food, and dresses of the finest silk. Soon she and Victor are inseparable.But her new life comes at a price. As the years pass, Elizabeth's survival depends on managing Victor's dangerous temper and entertaining his every whim, no matter how depraved. Behind her blue eyes and sweet smile lies the calculating heart of a girl determined to stay alive no matter the cost . . . as the world she knows is consumed by darkness.

    Until she woke up in a coffin.Ushers die young. Ushers are cursed. Ushers can never leave their house, a house that haunts and is haunted, a house that almost seems to have a mind of its own. Madeline’s life—revealed through short bursts of memory—has hinged around her desperate plan to escape, to save herself and her brother. Her only chance lies in destroying the house.In the end, can Madeline keep her own sanity and bring the house down? The Fall is a literary psychological thriller, reimagining Edgar Allan Poe’s classic The Fall of the House of Usher.

    Godwin Baxter's scientific ambition to create the perfect companion is realized when he finds the drowned body of Bella, but his dream is thwarted by Dr. Archibald McCandless's jealous love for Baxter's creation.The hilarious tale of love and scandal that ensues would be "the whole story" in the hands of a lesser author (which in fact it is, for this account is actually written by Dr. McCandless). For Gray, though, this is only half the story, after which Bella (a.k.a. Victoria McCandless) has her own say in the matter. Satirizing the classic Victorian novel, Poor Things is a hilarious political allegory and a thought-provoking duel between the desires of men and the independence of women, from one of Scotland's most accomplished author.

    When Jacob joins the Northern army, no one anticipates he will not return. Then Caroline gets word that her husband is wounded, and she must find her way alone to Washington City and search among the thousands of casualties to find him.When Jacob succumbs to his injuries, she brings his body home on the eve of the deadliest battle of the war. With troops and looters roaming the countryside, it is impossible to know who is friend and who is foe. Caroline fights to protect those she holds most dear while remaining compassionate to the neediest around her, including two strangers from opposite sides of the fight. Each is wounded… Each is drawn to her beauty, her kindness. Both offer comfort, but only one secretly captures her heart. Still, she must resist exposing her vulnerability in these uncertain times when so much is at risk.In The Yankee Widow, gifted storyteller Linda Lael Miller explores the complexities and heartbreak that women experienced as their men took up arms to preserve the nation and defend their way of life.

    Jekyll and Mr. Hyde from the monster's perspective, Hyde makes a hero of a villain. As a bonus, Stevenson's original novel is included at the back. Mr. Hyde is hiding, trapped in Dr. Jekyll's surgical cabinet, counting the hours until capture. As four days pass, he has the chance, finally, to tell the story of his brief, marvelous life.We join Hyde, awakened after years of dormancy, in the mind he hesitantly shares with Jekyll. We spin with dizzy confusion as the potions take effect. We tromp through the dark streets of Victorian London. We watch Jekyll's high-class life at a remove, blurred by a membrane of consciousness. We feel the horror of lost time, the helplessness of knowing we are responsible for the actions of a body not entirely our own.Girls have gone missing. Someone has been killed. The evidence points to Mr. Hyde. Someone is framing him, terrorizing him with cryptic notes and whisper campaigns. Who can it be? Even if these crimes weren't of his choosing, can they have been by his hand?Though this classic has been often reinvented, no one ever imagined Hyde's perspective, or that he could be heroic. Daniel Levine changes that. A mesmerizing gothic, Hyde tells the fascinating story of an underexamined villain.

     Except it wasn't flu, and death gave them back.Seventeen-year-old Ella copes the best she can; caring for her war-injured father, scrubbing the floors, and slaying the undead that attack the locals. Vermin they're called, like rats they spread pestilence with their bite. Ella's world collides with another when she nearly decapitates a handsome stranger, who is very much alive.Seth deMage, the new Duke of Leithfield, has returned to his ancestral home with a mission from the War Office -- to control the plague of vermin in rural Somerset. He needs help; he just didn't expect to find it in a katana-wielding scullery maid.Working alongside Seth blurs the line between their positions, and Ella glimpses a future she never dreamed was possible. But in overstepping society's boundaries, Ella could lose everything - home, head and her heart...

    But Koschei has never before been seen through the eyes of Catherynne Valente, whose modernized and transformed take on the legend brings the action to modern times, spanning many of the great developments of Russian history in the twentieth century.Deathless, however, is no dry, historical tome: it lights up like fire as the young Marya Morevna transforms from a clever child of the revolution, to Koschei’s beautiful bride, to his eventual undoing. Along the way there are Stalinist house elves, magical quests, secrecy and bureaucracy, and games of lust and power. All told, Deathless is a collision of magical history and actual history, of revolution and mythology, of love and death, which will bring Russian myth back to life in a stunning new incarnation.

    He hopes to uncover the truth behind the legend of the selkies—mermaids or seal people who have been sighted off the north of Scotland for centuries. He has a more personal motive, too; family legend states that Alexander is descended from seal men. As he struggles to be the good pastor he was called to be, his maid Moira faces the terrible eviction of her family by Lord Marstone, whose family owns the island. Their time on the island will irrevocably change the course of both their lives, but the white house on the edge of the dunes keeps its silence long after they are gone.It will be more than a century before the Sea House reluctantly gives up its secrets. Ruth and Michael buy the grand but dilapidated building and begin to turn it into a home for the family they hope to have. Their dreams are marred by a shocking discovery. The tiny bones of a baby are buried beneath the house; the child's fragile legs are fused together—a mermaid child. Who buried the bones? And why? To heal her own demons, Ruth feels she must discover the secrets of her new home—but the answers to her questions may lie in her own traumatic past. The Sea House by Elisabeth Gifford is a sweeping tale of hope and redemption and a study of how we heal ourselves by discovering our histories.

    Except Isabelle isn’t the beautiful girl who lost the glass slipper and captured the prince’s heart. She’s the ugly stepsister who’s cut off her toes to fit into Cinderella’s shoe ... which is now filling with blood.When the prince discovers Isabelle’s deception, she is turned away in shame. It’s no more than she deserves: she is a plain girl in a world that values beauty; a feisty girl in a world that wants her to be pliant.Isabelle has tried to fit in. To live up to her mother’s expectations. To be like her stepsister. To be sweet. To be pretty. One by one, she has cut away pieces of herself in order to survive a world that doesn’t appreciate a girl like her. And that has made her mean, jealous, and hollow.Until she gets a chance to alter her destiny and prove what ugly stepsisters have always known: it takes more than heartache to break a girl.

    Darkness abounds, punctuated by odd bumps in the night, strange creatures on the moor, and a sinister silver mist that never seems to dissipate. And at the center of it all, John’s new employer—a widow as alluring as she is mysterious.Sixteen months earlier, heiress Bertha Mason embarked on the journey of a lifetime. Marriage wasn’t on her itinerary, but on meeting the enigmatic Edward Rochester, she’s powerless to resist his preternatural charm. In letters and journal entries, she records the story of their rapidly-disintegrating life together, and of her gradual realization that Mr. Rochester isn’t quite the man he appears to be. In fact, he may not be a man at all.From a cliff-top fortress on the Black Sea coast to an isolated estate in rural England, John and Bertha contend with secrets, danger, and the eternal struggle between light and darkness. Can they help each other vanquish the demons of the past? Or are some evils simply too powerful to conquer?