The next, he's declared the long-lost heir to a dukedom. Quinn has fought his way up from the vilest slums, and now he's ready to use every dirty trick he knows to find the enemy who schemed against him.There was just one tiny problem...Jane Winston, the widowed, pregnant daughter of a meddlesome prison preacher, crosses paths with Quinn in jail. Believing his days are numbered, Quinn offers Jane marriage as a way to guarantee her independence and provide for her child. Neither thinks they'll actually have a future together.They were wrong.He's a wealthy gutter rat out for vengeance. She's a minister's daughter who must turn a marriage of desperation into a proper ducal union. Are they doomed from the start or destined for a happily-ever-after?

    "I'd rather take a photograph than be one," she declares after she arrives in Paris in 1929, where she soon catches the eye of the famous Surrealist Man Ray. Though he wants to use her only as a model, Lee convinces him to take her on as his assistant and teach her everything he knows. But Man Ray turns out to be an egotistical, charismatic force, and as they work together in the darkroom, their personal and professional lives become intimately entwined, changing the course of Lee's life forever.Lee's journey takes us from the cabarets of bohemian Paris to the battlefields of war-torn Europe during WWII, from discovering radical new photography techniques to documenting the liberation of the concentration camps as one of the first female war correspondents. Through it all, Lee must grapple with the question of whether it's possible to reconcile romantic desire with artistic ambition-and what she will have to sacrifice to do so.Told in interweaving timelines, this sensuous, richly detailed novel brings Lee Miller-a brilliant and pioneering artist-out of the shadows of a man's legacy and into the light.