Alexa is curious about what lies beyond the massive ramparts that surround the city and the walled roads that link Bridewell to nearby towns; soon after town leader Thomas Warvold passes away, Alexa finds herself outside the walls, acquires a stone with remarkable powers, and discovers that she's meant to stop a potential war from occurring.[Author notes in a video blog at http://www.patrickcarman.com/wp-conte..., about the series reading order that the books in the original trilogy (The Dark Divide #1, Beyond The Valley of Thorns #2 and The Tenth City #3) should be read in that order and that Stargazer #4 read after the original trilogy. Otherwise is up to reader preference. Into The Mist, is a chronological prequel to the trilogy, but the story is told by characters on the boat where The Tenth City left off; it can be read before or after the original trilogy.]

    But he's just a commoner, and no match for royalty. Heck, he lives in a cave with a troll! And now he's discovered another reason to put his love-soggy heart on ice: Queen Olympia is scheming to take over the kingdom--and she'll bump off her own daughter to do it. Can Christian foil her diabolical plans?

    When she is eventually spotted on an unpopulated island off Cuba, she is an adolescent and seems hardly human to her rescuers. Mila is taken to a child study center in Boston. Eager to please, she makes rapid progress in language and social skills. With her recorder, Mila finds she can even make music like the dolphin songs she yearningly remembers. But the more Mila discovers about what it means to be human--the locked doors, the rules, the betrayals--the more she longs for her watery home and gentle dolphin family. In an emotionally wracking conclusion, she returns to the world where her ears never want for song. Where, although she cannot stand on her tail or jump the waves, she is part of the music of dolphins.

    McMartin is definitely dead. Now her crumbling Victorian mansion lies vacant. When eleven-year-old Olive and her dippy mathematician parents move in, she knows there's something odd about the place--not least the walls covered in strange antique paintings. But when Olive finds a pair of old spectacles in a dusty drawer, she discovers the most peculiar thing yet: She can travel inside these paintings to a world that's strangely quiet . . . and eerily like her own. Yet Elsewhere harbors dark secrets--and Morton, an undersized boy with an outsize temper. As she and Morton form an uneasy alliance, Olive finds herself ensnared in a plan darker and more dangerous than she could have imagined, confronting a power that wants to be rid of her by any means necessary. It's up to Olive to save the house from the dark shadows, before the lights go out for good.

    A Halloween classic about the power of make-believe.

    Part animal and part human, the groundlings toil in classroom and factory, forbidden to enjoy anything regular children have, most particularly singing and music. For the Wonderling, an innocent-hearted, one-eared, fox-like eleven-year-old with only a number rather than a proper name -- a 13 etched on a medallion around his neck -- it is the only home he has ever known. But unexpected courage leads him to acquire the loyalty of a young bird groundling named Trinket, who gives the Home's loneliest inhabitant two incredible gifts: a real name -- Arthur, like the good king in the old stories -- and a best friend. Using Trinket's ingenious invention, the pair escape over the wall and embark on an adventure that will take them out into the wider world and ultimately down the path of sweet Arthur's true destiny.