The Fellowship of the Round Table was formed, and the most famous knights in the land came to court.In a new retelling of the well-loved legend, Rosemary Sutcliff dramatically recounts their tales: the quests and adventures, jousts and loves of Gawain, Gareth, Tristan, Percival and many others.But what happened to King Arthur himself—how he got his sword Excalibur, his marriage to Guenever, the magic of Merlin and the threat of the evil Morgan La Fay—makes for the most fascinating story of all.Especially when Lancelot, the world's greatest knight, decided to come to Camelot.Contents:The Coming of Arthur --The Sword in the Stone --The Sword from the Lake --The Round table --The Ship, the Mantle and the Hawthorn tree --Sir Lancelot of the Lake --Sir Gawain and the Green Knight --Beaumains, the Kitchen Knight --Lancelot and Elaine --Tristan and Iseult --Geraint and Enid --Gawain and the Loathely Lady --The Coming of Percival.

    She is the last defender of the Celtic culture in Britain; the only woman openly to lead her warriors into battle and to stand successfully against the might of Imperial Rome -- and triumph.It is 33 AD and eleven-year-old Breaca (later named Boudica), the red-haired daughter of one of the leaders of the Eceni tribe, is on the cusp between girl and womanhood. She longs to be a Dreamer, a mystical leader who can foretell the future, but having killed the man who has attacked and killed her mother, she has proven herself a warrior. Dreaming the Eagle is also the story of the two men Boudica loves most: Caradoc, outstanding warrior and inspirational leader; and Bàn, her half-brother, who longs to be a warrior, though he is manifestly a Dreamer, possibly the finest in his tribe’s history. Bàn becomes the Druid whose eventual return to the Celts is Boudica’s salvation.Dreaming the Eagle is full of brilliantly realised, luminous scenes as the narrative sweeps effortlessly from the epic -- where battle scenes are huge, bloody, and action-packed -- to the intimate. Manda Scott plunges us into the unforgettable world of tribal Britain in the years before the Roman invasion: a world of druids and dreamers and the magic of the gods where the natural world is as much a character as any of the people who live within it, a world of warriors who fight for honour as much as victory, a world of passion, courage and spectacular heroism pitched against overwhelming odds.Dreaming the Eagle stunningly recreates the roots of a story so powerful its impact has lasted through the ages.

    The tales draw on pre-Christian Celtic mythology, international folktale motifs and early medieval historical traditions. While some details may hark back to older Iron Age traditions, each of the tales is the product of a developed medieval Welsh narrative tradition, both oral and written.Lady Charlotte Guest in the mid 19th century was the first to publish English translations of the collection, popularising the name "Mabinogion". The stories appear in either or both of two medieval Welsh manuscripts, the White Book of Rhydderch or Llyfr Gwyn Rhydderch, written c.1350, and the Red Book of Hergest or Llyfr Coch Hergest, written c.1382 – 1410, tho texts or fragments of some of the tales have been preserved in earlier 13th century and later mss.Scholars agree that the tales are older than the existing mss, but disagree over just how much older. The different texts originated at different times. Debate has focused on the dating of the Four Branches of the Mabinogi. Sir Ifor Williams offered a date prior to 1100, based on linguistic and historical arguments, while later Saunders Lewis set forth a number of arguments for a date between 1170 and 1190; Th Charles-Edwards, in a paper published in 1970, discussed both viewpoints, and while critical of the arguments of both scholars, noted that the language of the stories fits the 11th century. More recently, Patrick Sims-Williams argued for a plausible range of about 1060 to 1200, the current scholarly consensus.

    Merlin must do something before the king is betrayed, or murdered, or--worst of all--gets married. So Merlin creates a trick: a sword magically placed into a slab of rock that only Arthur can withdraw. Then he lets it be known that whosoever removes the blade will rule all of England, and invites any man who would dare, to try to pull out the sword.But then someone else pulls the sword out first. . . .

    In the shadow of King Arthur's Britain, one woman knows the truth that could save a kingdom from the hands of a tyrant... Ancient grudges, old wounds, and the quest for power rule in the newly widowed Queen Isolde's court. Hardly a generation after the downfall of Camelot, Isolde grieves for her slain husband, King Constantine, a man she secretly knows to have been murdered by the scheming Lord Marche -- the man who has just assumed his title as High King. Though her skills as a healer are renowned throughout the kingdom, in the wake of Con's death, accusations of witchcraft and sorcery threaten her freedom and her ability to bring Marche to justice. Burdened by their suspicion and her own grief, Isolde must conquer the court's distrust and superstition to protect her throne and the future of Britain. One of her few allies is Trystan, a prisoner with a lonely and troubled past. Neither Saxon nor Briton, he is unmoved by the political scheming, rumors, and accusations swirling around the fair queen. Together they escape, and as their companionship turns from friendship to love, they must find a way to prove what they know to be true -- that Marche's deceptions threaten not only their lives but the sovereignty of the British kingdom. In Twilight of Avalon, Anna Elliott returns to the roots of the legend of Trystan and Isolde to shape a very different story -- one based in the earliest written versions of the Arthurian tales -- a captivating epic brimming with historic authenticity, sweeping romance, and the powerful magic of legend.

    'The Book of Guinevere' is an elegant anthology of poetry and prose, literature and legend, with accessible, lively commentary by Arthurian scholar Andrea Hopkins

    Rain-lashed city streets. A flash of lightning. A scruffy lad sees a girl leap desperately from a horse-drawn carriage in a vain attempt to escape her captors. Can the lad stand by and let her be caught again? Of course not, because he's...Dodger.Seventeen-year-old Dodger may be a street urchin, but he gleans a living from London's sewers, and he knows a jewel when he sees one. He's not about to let anything happen to the unknown girl--not even if her fate impacts some of the most powerful people in England.From Dodger's encounter with the mad barber Sweeney Todd to his meetings with the great writer Charles Dickens and the calculating politician Benjamin Disraeli, history and fantasy intertwine in a breathtaking account of adventure and mystery.Beloved and bestselling author Sir Terry Pratchett combines high comedy with deep wisdom in this tale of an unexpected coming-of-age and one remarkable boy's rise in a complex and fascinating world.

    Tom Swan is not a professional soldier. He's really a merchant and a scholar looking for remnants of Ancient Greece and Rome - temples, graves, pottery, fabulous animals, unicorn horns. But he also has a real talent for ending up in the midst of violence when he didn't mean to. Having used his wits to escape execution, he begins a series of adventures that take him to street duels in Italy, meetings with remarkable men - from Leonardo Da Vinci to Vlad Dracula - and from the intrigues of the War of the Roses to the fall of Constantinople.

    Lewis, J.R.R. Tolkien... and Anna Francis, a young Greek refugee looking to escape the grim reality of her new life. The night they cross paths, none suspect the fantastic world at work around them.Anna Francis lives in a tall old house with her father and her doll Penelope. She is a refugee, a piece of flotsam washed up in England by the tides of the Great War and the chaos that trailed in its wake. Once upon a time, she had a mother and a brother, and they all lived together in the most beautiful city in the world, by the shores of Homer's wine-dark sea.But that is all gone now, and only to her doll does she ever speak of it, because her father cannot bear to hear. She sits in the shadows of the tall house and watches the rain on the windows, creating worlds for herself to fill out the loneliness. The house becomes her own little kingdom, an island full of dreams and half-forgotten memories. And then one winter day, she finds an interloper in the topmost, dustiest attic of the house. A boy named Luca with yellow eyes, who is as alone in the world as she is.That day, she’ll lose everything in her life, and find the only real friend she may ever know.

    Other great kings and paladins are lost in the dim shadows oflong-past centuries, but Arthur still reigns in Camelot and his knightsstill ride forth to seek the Grail. "No little thing shall be The gentle music of the bygone years, Long past to us with all their hopes and fears."So wrote the poet William Morris in _The Earthly Paradise_. And surelyit is no small debt of gratitude we owe the troubadours and chroniclersand poets who through many centuries have sung of Arthur and hischampions, each adding to the song the gifts of his own imagination, sobuilding from simple folk-tales one of the most magnificent and movingstories in all literature.This debt perhaps we owe in greatest measure to three men; to Chrétiende Troies, a Frenchman, who in the twelfth century put many of the oldArthurian legends into verse; to Sir Thomas Malory, who first wrote outmost of the stories in English prose, and whose book, the _MorteDarthur_, was printed by William Caxton, the first English printer, in1485; and to Alfred, Lord Tennyson, who in his series of poems entitledthe _Idylls of the King_ retold the legends in new and beautiful guisein the nineteenth century.The history of Arthur is so shrouded in the mists of early England thatit is difficult to tell exactly who and what he was. There probably wasan actual Arthur, who lived in the island of Britain in the sixthcentury, but probably he was not a king nor even a prince. It seems mostlikely that he was a chieftain who led his countrymen to victory againstthe invading English about the year 500. So proud were his countrymen ofhis victories that they began to invent imaginary stories of his prowessto add to the fame of their hero, just as among all peoples legends soonspring up about the name of a great leader. As each man told the featsof Arthur he contributed those details that appealed most to his ownfancy and each was apt to think of the hero as a man of his own time,dressing and speaking and living as his own kings and princes did, withthe result that when we come to the twelfth century we find Geoffrey ofMonmouth, in his _History of the Kings of Britain_, describing Arthurno longer as a half-barbarous Briton, wearing rude armor, his arms andlegs bare, but instead as a most Christian king, the flower of mediævalchivalry, decked out in all the gorgeous trappings of a knight of theCrusades.As the story of Arthur grew it attracted to itself popular legends ofall kinds. Its roots were in Britain and the chief threads in its fabricremained British-Celtic. The next most important threads were those thatwere added by the Celtic chroniclers of Ireland. Then stories that werenot Celtic at all were woven into the legend, some from Germanicsources, which the Saxons or the descendants of the Franks may havecontributed, and others that came from the Orient, which may have beenbrought back from the East by men returning from the Crusades. And if itwas the Celts who gave us the most of the material for the stories ofArthur it was the French poets who first wrote out the stories and gavethem enduring form.It was the Frenchman, Chrétien de Troies, who lived at the courts ofChampagne and of Flanders, who put the old legends into verse for thepleasure of the noble lords and ladies that were his patrons. Hecomposed six Arthurian poems. The first, which was written about 1160 orearlier, related the story of Tristram. The next was called _Érec etÉnide_, and told some of the adventures that were later used by Tennysonin his _Geraint and Enid_. The third was _Cligès_, a poem that haslittle to do with the stories of Arthur and his knights as we havethem. Next came the _Conte de la Charrette_, or _Le Chevalier de laCharrette_, which set forth the love of Lancelot and Guinevere. Thenfollowed _Yvain_, or _Le Chevalier au Lion_, and finally came_Perceval_, or _Le Conte du Graal_, which gives the first account of theHoly Grail.

    They're forged.Dug Sealskinner is a down-on-his-luck mercenary travelling south to join up with King Zadar's army. But he keeps rescuing the wrong people. First, Spring, a child he finds scavenging on the battlefield, and then Lowa, one of Zadar's most fearsome warriors, who's vowed revenge on the king for her sister's execution. Now Dug's on the wrong side of that thousands-strong army he hoped to join ­- and worse, Zadar has bloodthirsty druid magic on his side. All Dug has is his war hammer, one rescued child and one unpredictable, highly-trained warrior with a lust for revenge that's going to get them all killed . . . It's a glorious day to die.

    Told from the point of view of Guinevere, this epic romance chronicles the life and loves of the queen of the Round Table. From being torn away from her native Breton to wed Arthur, being held captive by his enemies to her affair with Lancelot and the subsequent fall of Arthur’s kingdom, every dramatic event is explored in a rich, compelling narrative.With acute attention to the existing literature and historical studies, Medievalist scholar Lavinia Collins brings the world of dashing knights, week-long banquets and cruel wars to light for a contemporary audience eager to get an insider view of life at Arthur’s court. While this book will make fans of Arthurian literature ecstatic, it will also bring delight to any reader of quality contemporary fiction.Guinevere – A medieval romance was previously published as three volumes: The Warrior Queen, A Champion’s Duty and The Day of Destiny.

    The bonfire is a part of history, but the princess is a part of legend."Tristan and Isot, Tristram and Isolde, Essyllt and Drust, Yseult and Drystan: the spellings have changed, but they have always been lovers - the greatest lovers the world has ever known. Most accounts of their story have begun with the man."This one begins with the woman."- From YSEULT For the price of a truce, Yseult is sent to a world where magic is dying - to marry the father of the man she loves. Marcus's son Drystan would have saved her from a loveless marriage, but with her relatives being held hostage, Yseult cannot endanger them and must go through with the wedding. The tragic love story of Yseult and Drystan plays out against the backdrop of a violent world threatening to descend into the Dark Ages - only Arthur's battles to push back the Saxon hordes can save what is left of civilization. With her background, Yseult could act as a bridge between the old age and the new - but will the price be too high?

    She is his ultimate risk... After losing both her parents, Teresa Dowels' future seems uncertain. Forced to leave the house she grew up in, she finds employment as a governess at the Duke of Rowfex’s mysterious manor. Luke Morton, second son of the Duke of Rowfex, is trying to preserve a well-hidden family secret. But life as he knows it changes the day he saves his younger sibling’s ravishing governess from rape. However, it is only a matter of time before the attacker, a notorious criminal with an ulterior motive, strikes again... When Luke disappears, all pieces seem to connect. With Teresa discovering the ugly truth about his family, time is against her. And only a miracle can keep them both alive... *If you like a realistic yet steamy depiction of the Regency and Victorian era, then An Untamed Governess for the Rogue is the novel for you. This is Olivia's 5th novel, a historical Regency romance novel of 80,000 words (around 400 pages). No cheating, no cliffhangers, and a strong happily ever after. Pick up "An Untamed Governess for the Rogue" today to discover Olivia's amazing new story!

    Her life is brutal but simple: fight and survive. Until the day she sees the impossible on the battlefield—her brother, fighting with the enemy—the brother she watched die five years ago.Faced with her brother's betrayal, she must survive the winter in the mountains with the Riki, in a village where every neighbor is an enemy, every battle scar possibly one she delivered. But when the Riki village is raided by a ruthless clan thought to be a legend, Eelyn is even more desperate to get back to her beloved family.She is given no choice but to trust Fiske, her brother’s friend, who sees her as a threat. They must do the impossible: unite the clans to fight together, or risk being slaughtered one by one. Driven by a love for her clan and her growing love for Fiske, Eelyn must confront her own definition of loyalty and family while daring to put her faith in the people she’s spent her life hating.Part Wonder Woman, part Vikings—and all heart.