Celebrating the 50th anniversary of the liberation, this extraordinary diary by the author of The Lover is "a haunting portrait of a time and place" (New York Times).Written in 1944, and first published in 1985, Duras's riveting account of life in Paris during the Nazi occupation and the first few months of liberation depicts the harrowing realities of World War II-era France "with a rich conviction enhanced by [a] spare, almost arid, technique" (Julian Barnes, The Washington Post Book World). Duras, by then married and part of a French resistance network headed by François Mitterand, tells of nursing her starving husband back to health after his return from Bergen-Belsen, interrogating a suspected collaborator, and playing a game of cat and mouse with a Gestapo officer who was attracted to her. The result is "more than one woman's diary...[it is] a haunting portrait of a time and a place and also a state of mind" (The New York Times).

    Young Miriam Willard, on a day that had promised new happiness, finds herself instead a captive on a forest trail, caught up in the ebb and flow of the French and Indian War. It is a harrowing march north. Miriam can only force herself to the next stopping place, the next small portion of food, the next icy stream to be crossed. At the end of the trail waits a life of hard work and, perhaps, even a life of slavery. Mingled with her thoughts of Phineas Whitney, her sweetheart on his way to Harvard, is the crying of her sister’s baby, Captive, born on the trail. Miriam and her companions finally reach Montreal, a city of shifting loyalties filled with the intrigue of war, and here, by a sudden twist of fortune, Miriam meets the prominent Du Quesne family, who introduce her to a life she has never imagined. Based on an actual narrative diary published in 1807, Calico Captive skillfully reenacts an absorbing facet of history.

    Restless and unable to sleep, she wanders through her parents' house, revisiting the scenes of her childhood. In a cupboard drawer, folded and pushed away from sight, she finds a sepia photograph of her grandmother, Hanna, whom she remembers as old and forbidding, a silent stranger enveloped in a huge pleated black dress. Now, looking at the features Anna recognises as her own, she realises she is looking at a different woman from the one of her memory. Set against the majestic isolation of the Scandinavian lakes and mountains, this is more than a story of three Swedish women. It is a moving testament of a time forgotten and an epic romance in every sense of the word.

    Written in Iceland a century after the close of the Viking Age, it tells ancient stories of the Norse creation epic and recounts the battles that follow as gods, giants, dwarves and elves struggle for survival. It also preserves the oral memory of heroes, warrior kings and queens. In clear prose interspersed with powerful verse, the Edda provides unparalleled insight into the gods' tragic realisation that the future holds one final cataclysmic battle, Ragnarok, when the world will be destroyed. These tales from the pagan era have proved to be among the most influential of all myths and legends, inspiring modern works as diverse as Wagner's Ring Cycle and Tolkien's The Lord of the Rings.This new translation by Jesse Byock captures the strength and subtlety of the original, while his introduction sets the tales fully in the context of Norse mythology. This edition also includes detailed notes and appendices.

    The Confabulist weaves together the life, loves and murder of the world's greatest magician, Harry Houdini, with the story of the man who killed him (twice): Martin Strauss, an everyday man whose fate was tied to the magician's in unforeseen ways. A cast of memorable characters spins around Houdini's celebrity-driven life, as they did in his time: from the Romanov family soon to be assassinated, to Sir Arthur Conan Doyle and the powerful heads of Scotland Yard, and the Spiritualists who would use whoever they could to establish their religion. A brilliant novel about fame and ambition, reality and illusion, and the ways that love, grief and imagination can alter what we perceive and believe.

    But while everyone cheers on Jo March, based on Louisa herself, Amy March is often the least favorite sister. Now, it’s time to learn the truth about the real “Amy”, Louisa’s sister, May.Stylish, outgoing, creative, May Alcott grows up longing to experience the wide world beyond Concord, Massachusetts. While her sister Louisa crafts stories, May herself is a talented and dedicated artist, taking lessons in Boston, turning down a marriage proposal from a well-off suitor, and facing scorn for entering what is very much a man’s profession.Life for the Alcott family has never been easy, so when Louisa’s Little Women is published, its success eases the financial burdens they’d faced for so many years. Everyone agrees the novel is charming, but May is struck to the core by the portrayal of selfish, spoiled “Amy March.” Is this what her beloved sister really thinks of her?So May embarks on a quest to discover her own true identity, as an artist and a woman. From Boston to Rome, London, and Paris, this brave, talented, and determined woman forges an amazing life of her own, making her so much more than merely The Other Alcott.