First Paragraph:'P S,' they said. And 'Vanessa'. Or sometimes 'Ness'. PS. PS. PS. PS. Ness. Ness. Ness. It sounded through his half sleep like surreptitious mice foraging through tissue paper. It was as mysterious as the lateness of the hour — after nine o'clock — and only as far away as the kitchen door, ajar so as to hear him if he should call to them or have a nightmare. He turned in bed, listening to the whispering undertones, as steady and continuous as a tap left running and broken only by a cough or sometimes a chair scraping back on the linoleum; then a dish being taken from a cupboard and now and then a voice would catch on fire and break adrift from the murmurings, but always with the same word, Vanessa, said sharply like hitting a brass gong at dead of night and then someone would say, 'Shhh, was that him? Did he call out?' and tiptoeing would startle the old floorboards while a shadow grew larger and larger on his wall; bent to hear if he was stirring and so, annoyed with their secrets, he would feign sleep until whoever it was retreated to the kitchen and the whispering hissed up again like damp green eucalyptus logs burning.

    Skye is a daring and brash pilot, and Liberty the one to defy her at every turn. Even if women aren't allowed in the Royal Air Force, Skye is determined to help the war effort. She's thrilled when it reunites her with her childhood soulmate, Nicholas. She's less thrilled to learn Nicholas is now engaged to an enigmatic Frenchwoman named Margaux Jourdan.Paris, 1947: Designer Christian Dior unveils his glamorous first collection to a world weary of war and grief. He names his debut fragrance Miss Dior in tribute to his beloved sister Catherine, who forged a friendship with Skye and Margaux through her work with the French Resistance.Present Day: Fashion conservator Kat Jourdan discovers a priceless collection of Dior gowns in her grandmother's vacant cottage. As she delves into the mystery of their origin, Kat begins to doubt everything she thought she knew about her beloved grandmother.

    To which I say something like: ‘People are infinitely complex.’ But I say it in such a way—so pregnant with misanthropy—that it’s obvious I hate her.​Michaela and Eve are two bright, bold women who befriend each other their first year at a residential college at university, where they live in adjacent rooms. They could not be more different; one assured and popular – the other uncertain and eager-to-please. But something happens one night in O-week – a drunken encounter, a foggy memory that will force them to confront the realities of consent and wrestle with the dynamics of power.Initially bonded by their wit and sharp eye for the colleges’ mix of material wealth and moral poverty, Michaela and Eve soon discover how fragile friendship is, and how capable of betrayal they both are.​Written with a strikingly contemporary voice that is both wickedly clever and incisive, issues of consent, class and institutional privilege, and feminism become provocations for enduring philosophical questions we face today.

    The surgeon conducting the autopsy claimed the remains were those of a woman. Why, then, was the victim identified as Little Jock, a sandalwood-cutter and former convict? And why was the murder so brutal, so gruesome?More than a hundred years later, Willa Samson embarks on a search to find out why in this novel. A recluse after having lost her daughter, Willa is drawn back into the world as she negotiates and researches various archives, communicates with family historians, and journeys to Scotland, Northern Ireland, and England, looking for clues to her questions.The Sinkings is a story within a story, the portrayal of a figure from the margins of history embedded within a contemporary narrative of a mother's guilt and grief. Beautifully crafted, this novel deals with the dilemma confronting parents of an intersexed child and of coming to terms with gender identification. While the book is a work of fiction, the discovery of Little Jock's remains and the controversy surrounding their identification are actual events.

    It goes down into the guts of the world. But a child’s love for a parent is different. It goes up. It’s more ethereal. It’s not quite present on the earth.’In present-day Melbourne, a man attempts to piece together the mystery of his father’s apparent suicide, as his young family slowly implodes. At the ashram of Bhagwan Shree Rajneesh, in 1976, a man searching for salvation must confront his capacity for violence and darkness. And in a not-too-distant future, a woman with a life-altering decision to make travels through a climate-ravaged landscape to visit her estranged father.In Moonland is a portrait of three generations, each grappling with their own mortality. Spanning the wild idealism of the 70s through to the fragile hope of the future, it is a novel about the struggle for transcendence and the reverberating effects of family bonds. This long-awaited second outing from Miles Allinson, the multi-award-winning author of Fever of Animals, will affirm his reputation as one of Australia’s most interesting contemporary fiction writers, and urge us to see our own political and environmental reality in a new light.

    By morning, the head of the sexual crimes squad confirmed to journalists that they were preparing to question two Collingwood players ... And so, as police were confiscating bed sheets from a townhouse in South Melbourne, the trial by media began.'What does a young footballer do to cut loose? At night, some play what they think of as pranks, or games. Night games with women. Sometimes these involve consensual sex, but sometimes they don't, and sometimes they fall into a grey area.In the tradition of Helen Garner's The First Stone comes a closely observed, controversial book about sex, consent and power. In Night Games, Anna Krien follows the rape trial of an Australian Rules footballer. She also takes a balanced and fearless look at the dark side of footy culture – the world of Sam Newman, Ricky Nixon, Matty Johns and the Cronulla Sharks.Both a courtroom drama and a riveting piece of narrative journalism, this is a breakthrough book from one of the young leading lights of Australian writing.

    All the local, able-bodied young men, including the husband Kate barely knows, have enlisted and Kate’s father is struggling with his debts and his wounds from the Great War. He borrows recklessly from the bank and enlists two Italian prisoners of war to live and work on the station.With their own scars and their defiance, the POWs Luca and Vittorio offer an apparent threat to Kate and Daisy, the family’s young Aboriginal maid. But danger comes from surprising corners and Kate finds herself more drawn to Luca than afraid of him.Scorned bank managers, snobbish neighbours and distant husbands expect Kate to fail and give up her home but over the course of a dry, desperate year she finds within herself reserves of strength and rebellion that she could never have expected.The Woolgrower’s Companion is the gripping story of one woman’s fight to save her home and a passionate tribute to Australia’s landscape and its people.

    In this startling debut novel, Matt Nable follows the fortunes of Charlie, Tess, and their families and neighbours. Their lives intertwine, unravel, straighten, and become tangled again. A father tries to relive his football career through his son; a mother deserts her children in an attempt to find herself; a daughter purges to take control of her life.This is a portrait of plans gone wrong, a lament of what could have been, a salute to the power of redemptive love, and a brave examination of contemporary society.

    Both need to start again.When the three women's paths unexpectedly cross, they throw themselves into realising Kate's magical vision for London's branch of The Tea Chest. But every time success is within their grasp, increasing tensions damage their trust in each other.With the very real possibility that The Tea Chest will fail, Kate, Leila and Elizabeth must decide what's important to each of them. Are they willing to walk away or can they learn to believe in themselves?An enchanting, witty novel about the unexpected situations life throws at us, and how love and friendship help us through. Written with heart and infused with the seductive scents of bergamot, Indian spices, lemon, rose and caramel, it's a world you won't want to leave.

    In his fourteenth collection of poems, Pulitzer Prize winner Stephen Dunn reveals his concerns, ranging from meditations on salvation and time to the difficulties and pleasures of loving in this "already brutal century." In language that Gerald Stern has called "unbearably fearless and beautiful," Dunn continues to probe the elusive in the lives we live.

    A prickling sensation crawls up her arms, her heart rate speeds up. ‘Found who?’ she asks, slowly, carefully, deliberately. ‘They found Daniel.’ Six years ago Megan waits at the school gates for her six-year-old son, Daniel. As children come and go, the playground emptying, panic bubbles inside her. Daniel is nowhere to be found. According to his teacher, Daniel’s father, Greg, has picked up his son. Except Greg and Megan are no longer together. After years of being controlled by her cruel husband, Megan has finally found the courage to divorce him. Hands trembling, she dials his number, but the line is dead. Six years later Megan is feeding baby daughter, Evie, when she gets the call she has dreamt about for years. Daniel has walked into a police station in a remote town just a few miles away. Her son is alive – and he’s coming home. But their joyful family reunion does not go to plan. His room may have been frozen in time, with his Cookie Monster poster and stack of Lego under the bed, but Daniel is no longer the sweet little boy Megan remembers. Cold and distant, Daniel is grieving the death of his father, blaming Megan for his loss and rejecting his family. And as Megan struggles to connect with the son she no longer recognises as her own, she begins to realise that Daniel has a secret. A secret that could destroy their family and put them in terrible danger. A heartbreaking, emotional drama about a family in turmoil, with a jaw-dropping twist that will blow you away. Fans of Jodi Picoult, Liane Moriarty and Lisa Wingate – this moving and poignant novel is for you.

    But as questions mount, Falk is forced to probe deeper into the deaths of the Hadler family. Because Falk and Luke Hadler shared a secret. A secret Falk thought was long buried. A secret Luke's death now threatens to bring to the surface in this small Australian town, as old wounds bleed into new ones.

    Getting so tall and mature. Why, you can barely recognize yourself from just a few short months ago-back when you were so young. Your body is changing. Changes can be scary. Especially for girls, and, gosh, it can be confusing." Nope. No way. That's not this book. This is NOT your mother's coming-of-age manual. In the comedic likes of Chelsea Handler, author Jen Ashton breaks sex-education tradition and begins her hilariously endearing journey to womanhood with stories of growing up a tomboy in Middle America, circa the 1980's. Packed with iconic pop culture, nostalgic geekery, and a healthy dose of self-deprecation, Ashton foregoes the conventional route of learning how to be a lady and dives right in, enlisting the help of Cosmo, Hustler and her anal-loving housekeeper. Forget dancing around the dutiful explanations passed on from generation to generation-tales of 'the red curse' and 'your changing body.' Ashton's rites of passage are chock-full of unique life lessons learned the extracurricular way. From bodily functions to breast enlargement, pregnancy prevention to purgatory, learn the real facts of life as only she can describe them. If you're lucky, you might even discover the answer to the age-old question: Do Girls Poop? If you thought your journey through puberty was rough, be prepared to finally feel normal. Girls Don't Poop is a jaw-dropping, side-splitting adventure of one clueless tomboy's quest to figure out women, so that she could inevitably become one.