But when his embittered spinster daughter Magda feels shamed, this lurch across the racial divide marks the end of a tenuous feudal peace. As she dreams madly of bloody revenge, Magda's consciousness starts to drift and the line between fact and the workings of her excited imagination becomes blurred. What follows is the fable of a woman's passionate, obsessed and violent response to an Africa that will not heed her.

    TALKING WITH GODIn Don Camillo's Little World, where the Cold War is fought on the very doorstep of life, the hot-headed Catholic priest and the equally pugnacious Communist mayor, Peppone, confront one another in riotous and often hilarious manner.But when Don Camillo unburdens himself in the village church a voice from the cross above the high altar responds and his conversations with Il Cristo begin. We watch and listen, as with fascinating insights and gentle humour the prejudices of the stubborn priest are undermined, a resolution to conflict emerges, and the situation is transformed to the benefit of the community.It is then that we see that the ideas and values of Don Camillo's Little World are true for all times, the world over...Inimitable, delicious, full of pure fun THE OBSERVERIn this brand new, authorised edition of Giovanni Guareschi's enchanting classic, nineteen stories never before translated into English are published for the first time. Set in an isolated village amidst the sultry beauty of Italy s Lower Plain, The Little World of Don Camillo has been enjoyed by countless folk from 10 to 100, not only in book form, but also on film, TV and radio, and most recently as an audio-book.

    G. Sebald's first novel, never before translated into English, is perhaps his most amazing and certainly his most alarming. Sebald—the acknowledged master of memory's uncanniness—takes the painful pleasures of unknowability to new intensities in Vertigo. Here in their first flowering are the signature elements of Sebald's hugely acclaimed novels The Emigrants and The Rings of Saturn. An unnamed narrator, beset by nervous ailments, is again our guide on a hair-raising journey through the past and across Europe, amid restless literary ghosts—Kafka, Stendhal, Casanova. In four dizzying sections, the narrator plunges the reader into vertigo, into that "swimming of the head," as Webster's defines it: in other words, into that state so unsettling, so fascinating, and so "stunning and strange," as The New York Times Book Review declared about The Emigrants, that it is "like a dream you want to last forever."