THE TENTH DOCTOR IS BACK, IN AN ALL-NEW ONGOING SERIES! NEW COMPANION! NEW FOES! UNFORGETTABLE NEW HORIZONS! ALLONS-Y!Two strangers: the Doctor, charming, eccentric Time Lord with a past as dark and heavy as a black hole; Gabriella Gonzalez, waitress and wannabe artist with a future dragging her down like lead chains.Hurled together by a wave of psychic horror haunting New York, they embark on an epic new adventure across time and space, brought to life by award-winning writer Nick Abadzis (Laika) and fan-favourite artist Elena Casagrande (Suicide Risk)! Collects Doctor Who: The Tenth Doctor #1-5.

    (‘Only of your time?’, the Doctor asks, unimpressed.) But what brought them here? When the Doctor discovers that Dee and his assistant have come across a ‘great disturbance in the cosmos, in the constellation of Cassiopeia,’ he realizes that they are all in terrible danger.

    We meet the Greek gods on Olympus and Norse gods in Valhalla. We follow the drama of the Trojan War and the wanderings of Odysseus. We hear the tales of Jason and the Golden Fleece, Cupid and Psyche, and mighty King Midas. We discover the origins of the names of the constellations. And we recognize reference points for countless works of art, literature, and cultural inquiry--from Freud's Oedipus complex to Wagner's Ring Cycle of operas to Eugene O'Neill's Mourning Becomes Electra. Praised throughout the world for its authority and lucidity, Mythology is Edith Hamilton's masterpiece--the standard by which all other books on mythology are measured.

    The really unfortunate took years. The survivors - people like me, who had the blood group that kept us safe from the disease - were now targets for those who believed our blood could save them.I survived for three years. I lived alone, spending my days avoiding the fascist Blackshirts who wanted my blood for their dying leader. Then I met the others - and life got complicated all over again . . .

    Love was a luxury she could not afford. The huntress does not love her prey, after all, and Sabella Quey's need to hunt was overpowering.It had been so ever since the day she had wandered into the ruins on Novo Mars and found the strange gem. The thirst for blood had grown in her just as desire grows in most young women. And back then, inexperienced, reckless, she had sated her lust with any of the boys who whistled after her -- boys who were unaware that death awaited them in her arms.As she matured, Sabella became cautious; she did not kill the men who pursued her, but rather allowed them to use her body to satisfy their needs -- all the while satisfying her own. The gem, pale at first, would become deep red as her hunger abated, but the men didn't notice the change. They would faint, ecstatic, and afterward never remember the true nature of Sabella's passion.Yet there were people who understood what Sabella was- people who feared and despised her. And of those, one in particular had found a way to vent her hatred....Kill the Dead. A hush came over the inn's common room when Parl Dro entered. A few in the crowd who recognized him spread the word: he was the Ghost-Killer.Conversation resumed as Dro ordered a meal, and he listened quietly to their nervous sallies.'How do you sleep nights?' someone asked, not really expecting an answer. 'He sleeps all right,' came the reply. 'There'll be plenty with cause to thank him.' 'And plenty who curse him,' another man said.The room was growing quiet again; they wanted to know, yet dared not ask too directly.'Well, you've had a wasted journey to this place, Parl Dro,' someone ventured at last. 'We haven't any deadalive here.'He had been expecting such a comment, and readying himself to say the words none of them wanted to hear.'Oh, but you're wrong,' he told them quietly. And almost against their will, they believed him.

    From the landmark comic book series "The Sandman" to novels such as the "New York Times" bestselling "American Gods" and "Anansi Boys," from children's literature like "Coraline" to screenplays for such films as "Beowulf," Gaiman work has garnered him an enthusiastic and fiercely loyal, global following. To comic book fans, he is Zeus in the pantheon of creative gods, having changed that industry forever. For discerning readers, he bridges the vast gap that traditionally divides lovers of "literary" and "genre" fiction. Gaiman is truly a pop culture phenomenon, an artist with a magic touch whose work has won almost universal acclaim.Now, for the first time ever, "Prince of Stories" chronicles the history and impact of the complete works of Neil Gaiman in film, fiction, music, comic books, and beyond. Containing hours of exclusive interviews with Gaiman and conversations with his collaborators, as well as wonderful nuggets of his work such as the beginning of an unpublished novel, a rare comic and never-before-seen essay, this is a treasure trove of all things Gaiman. In addition to providing in depth information and commentary on Gaiman's myriad works, the book also includes rare photographs, book covers, artwork, and related trivia and minutiae, making it both an insightful introduction to his work, and a true "must-have" for his ever growing legion of fans.

    MoreauThe Invisible ManThe War of the WorldsThe First Men in the MoonThe Food of the Gods