This tragedy is the springboard for a complex novel posing essential questions about human experience: What does sorrow do to a person? How can one live with the pain of unbearable loss? How far can a man be driven by the grief and despair surrounding the death of a child? A dark and harrowing story, drawing on elements from dreams, fairy tales, and horror stories, the better to explore the mysterious depths of sorrow and love, Through the Night is Stig Saterbakken at his best.

    Written in a taut and beautifully naturalistic tone, it remains Stig Dagerman’s most widely read novel and is one of the crowning works of his short but celebrated career.

    He is a physician and she is a teacher, and they have three grown daughters and a comfortable home. Yet what binds them together isn’t only affection and solidarity but also the painful facts of their respective histories, which they keep hidden even from their own children. But after the abrupt dismissal of their housekeeper and Simon’s increasing withdrawal into himself, the past can no longer be repressed.

    Not all of them return – and those who do will never be the same. Among them is the daredevil Laurids Madsen, who promptly escapes again into the anonymity of the high seas.As soon as he is old enough, his son Albert sets off in search of his missing father on a voyage that will take him to the furthest reaches of the globe and into the clutches of the most nefarious company. Bearing a mysterious shrunken head, and plagued by premonitions of bloodshed, he returns to a town increasingly run by women – among them a widow intent on liberating all men from the tyranny of the sea.From the barren rocks of Newfoundland to the lush plantations of Samoa, from the roughest bars in Tasmania, to the frozen coasts of northern Russia, We, The Drowned spans four generations, two world wars and a hundred years. Carsten Jensen conjures a wise, humorous, thrilling story of fathers and sons, of the women they love and leave behind, and of the sea’s murderous promise. This is a novel destined to take its place among the greatest seafaring literature.

    First published in Norway as two books in 1924 and 1925, the author collaborated with Minnesotan Lincoln Colcord on the English translation.The novel follows a Norwegian family's struggles as they try to make a new life as pioneers in the Dakota territory. Rølvaag is interested in psychology and the human cost of empire building, at a time when other writers focused on the glamor and romance of the West. The book reflects his personal experiences as a settler as well as the immigrant homesteader experience of his wife’s family. Both the grim realities of pioneering and the gloomy fatalism of the Norse mind are captured in depictions of snow storms, locusts, poverty, hunger, loneliness, homesickness, the difficulty of fitting into a new culture, and the estrangement of immigrant children who grow up in a new land. It is a novel at once palpably European and distinctly American.Giants in the Earth was turned into an opera by Douglas Moore and Arnold Sundgaard; it won the Pulitzer Prize for Music in 1951.

    Niels Klim discovers worlds within our own—exotic civilizations and fabulous creatures scattered across the underside of the earth's crust and, at the earth's center, a small, inhabited planet orbiting around a miniature sun. In an epic journey, Klim visits countries led by sentient and contemplative trees, a kingdom of intelligent apes preoccupied with fashion and change, a land whose inhabitants don’t speak out of their mouths, neighboring countries of birds locked in an eternal war, and a land where string basses talk musically to one another. Brave, inquisitive, and greedy, Klim faces many challenges, the greatest of which are his own temptations. The Journey of Niels Klim to the World Underground is a classic in speculative fiction and was the first fully realized novel set underground in a hollow earth. First published in 1741, it has earned comparisons to Jonathan Swift’s contemporaneous fantasy, Gulliver’s Travels.

    Intricately, meticulously, cunningly, the seduction proceeds. No detail is too small to escape Johannes. "She sits on the sofa by the tea table and I sit on a chair at her side. This position has an intimate quality and at the same time a detaching dignity."Less erotic than an intellectual depiction of seduction, Diary of a Seducer shows the casuist Kierkegaard in what he characterized as the aesthetic mode.

    While around them crime and unrest surge, the Lovatts are certain that their old-fashioned contentment can protect them from the world outside—until the birth of their fifth baby. Gruesomely goblin-like in appearance, insatiably hungry, abnormally strong and violent, Ben has nothing innocent or infant-like about him. As he grows older and more terrifying, Harriet finds she cannot love him, David cannot bring himself to touch him, and their four older children are afraid of him. Understanding that he will never be accepted anywhere, Harriet and David are torn between their instincts as parents and their shocked reaction to this fierce and unlovable child whose existence shatters their belief in a benign world.

    More interested in David Bowie and the Beatles than the Nordic sagas that shape the lives of the working-class peoples of Reykjavik, Paul retreats into his own fantastic, schizophrenic, painful world. His madness springs from bits of reality and brighter strikes of insanity. Out-of-work and aimless, tormented by bouts of drinking and ferocious tantrums, Paul walks Reykjavik's streets scaring his family lusting after women, recounting petty humiliations, and imagining the forces that both guide and haunt him. Paul's behaviors lead him to Klepp, a psychiatric hospital outside Reykjavik where he plays out his days in therapy and frantic conversation with its resident patients. Sparsely inhabited, Klepp tends to a variety of disturbed people creating comedic havoc.

    An ex-Marine, he talks often to the ghosts of his past - the friends he lost in the Pacific and the son who followed him into the US Army, and to his death in Vietnam.When Sheldon witnesses the murder of a woman in his apartment complex, he rescues her six-year-old son and decides to run. Pursued by both the Balkan gang responsible for the murder, and the Norwegian police, he has to rely on training from over half a century before to try and keep the boy safe. Against a strange and foreign landscape, this unlikely couple, who can't speak the same language, start to form a bond that may just save them both.An extraordinary debut, featuring a memorable hero, Norwegian by Night is the last adventure of a man still trying to come to terms with the tragedies of his life. Compelling and sophisticated, it is both a chase through the woods thriller and an emotionally haunting novel about ageing and regret.

    The Norwegian folktales, said Jacob Grimm, "surpass nearly all others."Within these captivating tales we meet witches, trolls, and ogres; sly foxes and great, mysterious bears; beautiful princesses and country-lads-turned-heroes. Collected here in a sparkling contemporary translation by Pat Shaw Iversen and Carl Norman, these tales brim with the matchless vitality and power of their original telling. Included also are the wonderfully evocative original illustrations of Erik Werenskiold and Theodor Kittelsen.

    Authorities confine the blind to an empty mental hospital, but there the criminal element holds everyone captive, stealing food rations and assaulting women. There is one eyewitness to this nightmare who guides her charges—among them a boy with no mother, a girl with dark glasses, a dog of tears—through the barren streets, and their procession becomes as uncanny as the surroundings are harrowing. As Blindness reclaims the age-old story of a plague, it evokes the vivid and trembling horrors of the twentieth century, leaving readers with a powerful vision of the human spirit that's bound both by weakness and exhilarating strength.

    The Magic Mountain is a monumental work of erudition and irony, sexual tension and intellectual ferment, a book that pulses with life in the midst of death.

    Her three sons have been quietly immersed in their work: one an undertaker, one a window-dresser, and the eldest running the family farm, but now they are forced to reunite for the first time in many years. Their personalities are as disparate as their careers, and tensions mount from the second they meet, climaxing over Christmas dinner when the matter of inheritance prompts the revelation of disturbing family secrets. Anne B. Ragde has created an engrossing dark comedy brought vividly to life through extraordinary characters. While perfectly in tune with their professions the Neshov sons as a family are little short of dysfunctional; nevertheless, the real theme of the novel is a sense of belonging. The farm itself defines this, with its power to draw people back to their roots, whether they like it or not.

    Here they are each assigned a name and an age, and held in a camp in the desert while they learn Spanish, the language of their new country. As Simón and David they make their way to the relocation centre in the city of Novilla, where officialdom treats them politely but not necessarily helpfully.Simón finds a job in a grain wharf. The work is unfamiliar and backbreaking, but he soon warms to his stevedore comrades, who during breaks conduct philosophical dialogues on the dignity of labour, and generally take him to their hearts.Now he must set about his task of locating the boy’s mother. Though like everyone else who arrives in this new country he seems to be washed clean of all traces of memory, he is convinced he will know her when he sees her. And indeed, while walking with the boy in the countryside Simón catches sight of a woman he is certain is the mother, and persuades her to assume the role.David's new mother comes to realise that he is an exceptional child, a bright, dreamy boy with highly unusual ideas about the world. But the school authorities detect a rebellious streak in him and insist he be sent to a special school far away. His mother refuses to yield him up, and it is Simón who must drive the car as the trio flees across the mountains.