A finely wrought filigree of stars, vines, flowers, butterflies, ancient symbols and words ran from her feet, up her legs, over her narrow waist, spanned her chest and finished down her arms to the tips of her fingers.Born into a life of secrets and service, Chrysabelle's body bears the telltale marks of a comarré—a special race of humans bred to feed vampire nobility. When her patron is murdered, she becomes the prime suspect, which sends her running into the mortal world...and into the arms of Malkolm, an outcast vampire cursed to kill every being from whom he drinks.Now, Chrysabelle and Malkolm must work together to stop a plot to merge the mortal and supernatural worlds. If they fail, a chaos unlike anything anyone has ever seen will threaten to reign.

    In this book, he's created a whole crew. Each is so vivid in my mind that I am able to look at the beautiful artwork of the cover and pick out each character by name." ~Laurie Laliberte About Quite Contrary: The secret of having an adventure is getting lost. Who ever visited an enchanted kingdom or fell into a fairy tale without wandering into the woods first? Well, Mary is lost. Mary is lost in the story of Little Red Riding Hood, and that is a cruel and murderous story. She's put on the red hood and met the Wolf. When she gives in to her Wolf's temptations, she will die. That's how the story goes, after all. Unfortunately for the story and unfortunately for the Wolf, this Little Red Riding Hood is Mary Stuart, and she is the most stubborn and contrary twelve year old the world has ever known. Forget the Wolf's temptations, forget the advice of the talking rat trying to save her - she will kick her way through every myth and fairy tale ever told until she finds a way to get out of this alive. Her own way, and no one else's.

    Hannah Smith just wishes she wasn't that girl. As a narcoleptic and the companion to an earl's daughter with a strange affliction of her own, Hannah knows she's lucky to have a roof over her head and food in her belly when so many orphans starve on the streets. Yet freedom is something Hannah longs for. She did not, however, want her freedom to arrive in the form of kidnapping.Taken by handsome Jack Langley to a place known as Freak House, she finds herself under the same roof as a mad scientist, his niece, a mute servant and Jack, a fire starter with a mysterious past. They assure Hannah she is not a prisoner and that they want to help her. The problem is, they think she's the earl's daughter. What will they do when they discover they took the wrong girl?

    I prefer the term Fallen Angel.Everybody deserves a vacation, right? Especially if you have a pointless job like tormenting the damned. So who could blame me for blowing off my duties and taking a small, unauthorized break?Besides, I've always wanted to see what physical existence is like. That's why I "borrowed" the slightly used body of a slacker teen. Believe me, he wasn't going to be using it anymore anyway.I have never understood why humans do the things they do. Like sin—if it's so terrible, why do they keep doing it?I'm going to have a lot of fun finding out!

    But soon it’s discovered that Warwick killed dozens of people as he strove to perfect another improved Ticker for Penny, and he’s put on trial for mass murder. On the last day of Warwick’s trial, the Farthings’ factory is bombed, Penny’s parents disappear, and Penny and her brother, Nic, receive a ransom note demanding all of their Augmentation research if they want to see their parents again. Is someone trying to destroy the Farthings...or is the motive more sinister?Desperate to reunite their family and rescue their research, Penny and her brother recruit fiery baker Violet Nesselrode, gentleman-about-town Sebastian Stirling, and Marcus Kingsley, a young army general who has his own reasons for wanting to lift the veil between this world and the next. Wagers are placed, friends are lost, romance stages an ambush, and time is running out for the girl with the clockwork heart.

    Elegant and intimate; you're close enough to kiss, close enough to feel your partner's heartbeat. But for Vanessa, dance is deadly – and she must be very careful who she trusts . . .Vanessa Adler attends an elite ballet school – the same one her older sister, Margaret, attended before she disappeared. Vanessa feels she can never live up to her sister's shining reputation. But Vanessa, with her glorious red hair and fair skin, has a kind of power when she dances – she loses herself in the music, breathes different air, and the world around her turns to flames . . . Soon she attracts the attention of three men: gorgeous Zep, mysterious Justin, and the great, enigmatic choreographer Josef Zhalkovsky. When Josef asks Vanessa to dance the lead in the Firebird, she has little idea of the danger that lies ahead – and the burning forces about to be unleashed . . .

    Trapped in the dark limbo between life and death as a ghost, he searches for an escape. Instead, he discovers the beautiful Laura...and a love stronger than the boundaries of the grave and the spirit world.

    A middle-aged man returns to his childhood home to attend a funeral. Although the house he lived in is long gone, he is drawn to the farm at the end of the road, where, when he was seven, he encountered a most remarkable girl, Lettie Hempstock, and her mother and grandmother. He hasn't thought of Lettie in decades, and yet as he sits by the pond (a pond that she'd claimed was an ocean) behind the ramshackle old farmhouse, the unremembered past comes flooding back. And it is a past too strange, too frightening, too dangerous to have happened to anyone, let alone a small boy.Forty years earlier, a man committed suicide in a stolen car at this farm at the end of the road. Like a fuse on a firework, his death lit a touchpaper and resonated in unimaginable ways. The darkness was unleashed, something scary and thoroughly incomprehensible to a little boy. And Lettie—magical, comforting, wise beyond her years—promised to protect him, no matter what.A groundbreaking work from a master, The Ocean at the End of the Lane is told with a rare understanding of all that makes us human, and shows the power of stories to reveal and shelter us from the darkness inside and out. It is a stirring, terrifying, and elegiac fable as delicate as a butterfly's wing and as menacing as a knife in the dark.