When Roisin Ogilvie moves to Wollombi her thoughts are only of protecting her illegitimate son, Ruan, from the grasps of his powerful and dangerous father. Posing as an impoverished widow, she settles into a quiet existence as a local dressmaker. She doesn’t expect to catch the attention of Irish champion cedar cutter Carrick O’Connor, or any other man for that matter.Carrick O’Connor may have won the coveted Wollombi Wood Chop, but his mind is on the beautiful seamstress and her son. Or rather, on who they remind him of. Determined to exact revenge for the horrors of his past, Carrick plans to return to Ireland to seek revenge on the land agent who was responsible for the death of his wife and child, and his transportation. Then, hopefully, he can return to Wollombi to start life afresh.But a murder charge, a kidnapping, a growing attraction, and a past that refuses to stay silent will turn both his and Roisin’s lives upside down and will lead them to a hard choice. Redemption? Or cutters’ justice?

    His life has been spent on the banks of the Murrumby River at Prosperous House, on Massacre Plains. Albert is determined to pass on the language of his people and everything that was ever remembered. He finds the words on the wind.August Gondiwindi has been living on the other side of the world for ten years when she learns of her grandfather’s death. She returns home for his burial, wracked with grief and burdened with all she tried to leave behind. Her homecoming is bittersweet as she confronts the love of her kin and news that Prosperous is to be repossessed by a mining company. Determined to make amends she endeavours to save their land – a quest that leads her to the voice of her grandfather and into the past, the stories of her people, the secrets of the river.Profoundly moving and exquisitely written, Tara June Winch’s The Yield is the story of a people and a culture dispossessed. But it is as much a celebration of what was and what endures, and a powerful reclaiming of Indigenous language, storytelling and identity.

    He can buckle down and set about his agricultural recovery, or he can heed the whispers of an earthly paradise on the far side of the mountains – a place where men are truly free – and strike out for a new life. But what chance does a ditherer such as Sparrow have of renewal, either in the brutal colony or in the forbidding wilderness?The decision he makes triggers a harrowing chain of events and draws in a cast of extraordinary characters, including Alister Mackie, the chief constable on the river; his deputy, Thaddeus Cuff; the vicious hunter, Griffin Pinney; the Romany girl, Bea Faa; and the young Aboriginal men, Caleb and Moowut’tin, caught between war and peace.Rich, raw, strangely beautiful and utterly convincing, The Making of Martin Sparrow reveals Peter Cochrane – already one of our leading historians – as one of our most compelling novelists.

    Failed entrepreneur Stanton Finch moves his family from Adelaide to the remote Coorong area of Southern Australia, in pursuit of his dream to become a farmer.Housed in a driftwood cabin, they try to make the best of their situation. The children roam the beautiful landscape of Salt Creek; visitors are rare but warmly welcomed; a local Indigenous boy becomes almost part of the family. Yet there are daily hardships, and tensions with the Ngarrindjeri people they have displaced; disaster never seems far away.With Mrs Finch struggling to cope, Hester, their perceptive eldest daughter, willingly takes on more responsibility. But as Hester’s sense of duty grows, so does a yearning to escape Salt Creek and make a new life of her own …Lucy Treloar was born in Malaysia and educated in Melbourne, England, and Sweden. Awards for her writing include the 2014 Commonwealth Short Story Prize. Salt Creek is her first novel.

    Orphaned at age nine, at home under the stars, completely unschooled, Adam uses his fists and his wits to rise from poverty to prosperity. He befriends an aborigine, performs dangerous work in the opal mines, falls in love with a sensual half-caste, has a run-in with a murderous policeman, marries a cold and manipulative beauty and finally treks west to carve himself an empire. This striking first novel tells a colorful and entertaining story, vividly evoking a vigorous, multiethnic society and a beautiful, diverse, often dangerous land. Green is a journalist and the author of Alice to Nowhere. Copyright 1987 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title. From Library JournalNine-year old Adam is orphaned when his father is buried during an Australian desert sandstorm. A childhood of roaming the outback with his father's drilling partner instills in him a fierce determination to have a place of his own. In this fast-paced, gripping saga, the reader follows the hard-working Adam and his mates, Jimmy, the practical aboriginal, and Josef, the impetuous young German immigrant, from the opal mines to the desert. They feint with death in mine disasters, at the hands of Mailey, the revenge-seeking law officer, and in the ravages of flash floods. A more deadly threat for Adam is his beautiful, calculating, near-mad wife, but a seductive half-caste woman lends her own type of danger to all of the men. Essential for most fiction collections. Joan Hinkemeyer, Englewood P.L., Col.

    There are two stories here.Hannah Mulvey left her island home as a teenager. But her stubborn, defiant mother is dying, and now Hannah has returned to Chesil, taking up a teaching post at the tiny schoolhouse, doing what she can in the long days of this final year.But though Hannah cannot pinpoint exactly when it begins, something threatens her small community. A girl disappears entirely from class. Odd reports and rumours reach her through her young charges. People mutter on street corners, the church bell tolls through the night and the island's women gather at strange hours...And then the miracles begin.A page-turning, thought-provoking portrayal of a remote community caught up in a collective moment of madness, of good intentions turned terribly awry. A blistering examination of truth and power, and how we might tell one from the other.'Catherine Noske's debut novel grapples with questions of familial obligation, complicity, remorse and the fallibility of memory...The Salt Madonna will appeal to readers who enjoyed Laura Elizabeth Woollett's Beautiful Revolutionary.' Books+Publishing'Catherine Noske's The Salt Madonna is Australian Gothic at its most sublime and uncanny. Superbly atmospheric and darkly unsettling, the characters are haunted by their colonial pasts, manifested in guilty silence...Noske's taut, subversive writing exposes unspeakable truths buried in dazzling stories, miracles and epiphanies.' Cassandra Atherton

    I cannot recommend this book highly enough.' Heather Morris, author of The Tattooist of AuschwitzI have wished so many times that I had acted differently.I wish that I had been more worthy of you...Eventually the war will end, and then we will find each other.Until then, remember me.Budapest, 1938. In a city park, five young Jewish mathematicians gather to share ideas, trade proofs and whisper sedition.Sydney, 2007. Illy has just buried her father, a violent, unpredictable man whose bitterness she never understood. And now Illy's mother has gifted her a curious notebook, its pages a mix of personal story and mathematical discovery, recounted by a woman full of hopes and regrets.Inspired by a true story, Miriam Sved's beautifully crafted novel charts a course through both the light and dark of human relationships: a vivid recreation of 1930s Hungary, a decades-old mystery locked in the story of one enduring friendship, a tribute to the selfless power of the heart.LONGLISTED FOR THE COLIN RODERICK AWARD 2020PRAISE FOR A UNIVERSE OF SUFFICIENT SIZE'A fascinating, compelling, beautifully written novel.' Liane Moriarty, author of Big Little Lies and The Husband's Secret 'A taut, tender novel about family, secrets, genius and survival. Sved shows great insight into the complicated emotional architecture of family created in the aftermath of trauma.' Emily Maguire, author of An Isolated Incident'A superbly structured novel of family, history, secrets, trauma, and mathematics, stretching from 1930s Budapest to Sydney in the 2000s' Andrea Goldsmith'Sved's prose is as sinewy and powerful as her characters - beautifully controlled and full of revealing moments that... glow in the memory.' Cate Kennedy'A beautifully imagined inter-generational portrait of friendship, love and loss, set across three continents.' Julienne van LoonPRAISE FOR MIRIAM SVED'The best kind of storyteller... hypnotic, startling almost.' Clementine Ford, author of Fight Like a Girl and Boys Will Be Boys'At times I found myself being reminded of the American author Jennifer Egan. Both authors share the ability to surprise with character insights, something so traditional yet so mentally refreshing. The prose is limpid yet razor sharp. Highly recommended.' The Australian

    So when an outsider with grand plans threatens to demolish an iconic local landmark and build a huge resort the battle lines are drawn.Young journalist Jessica hopes to make it big with her coverage of the court case, but first she has to appease her editor and put a human interest spin on the situation. At first glance the five people she chooses to background have little in common – but it soon becomes apparent that staying at The Beach House has changed all of them in some way.In telling the stories of Kate, Simone, Tom, Clare and Jack, Jessica too learns some important life lessons.

    Ruthie receives the news every woman dreads. Meanwhile, a wealthy landowner, Wally Oliver, appears on the local radio station, warning small farmers like Dimple and Ruthie that they are doomed, that the sooner they leave the land to large operators like him, the better. Bracing for a fight on all fronts, the couple decide to take a road trip to confront Oliver. Along the way, not only is their resolve tested, but their relationship as well.Desperate not to dwell on the past but to face up to the future, Dimple and Ruthie make a crucial decision they soon regret. And when the storm clouds finally roll in across the land they love, there’s more than the rain to contend with.Told with enormous heart, Small Mercies is a tender love story. It is a story of a couple who feel they must change to endure, and of the land that is as important as their presence on it.

    A chest of clues.Come find me... I’ll be waiting…1929: On the night of her engagement to austere banker Floyd Clark, Charlotte Greene meets enigmatic Sydney Harbour Bridge engineer, Alexander Young. Their encounter is brief, but their attraction instant.During a second-chance meeting, Alex invites Charlotte to play a game with him, one of daring clues and secret meeting places. She accepts and they embark on a thrilling lover’s chase across the city.But with her arranged marriage to Floyd looming, will she have the strength to let Alex go?Present Day: Paige Westwood is helping her boss establish a publishing company in his newly-purchased Playfair Street house in The Rocks, Sydney. In the attic, she discovers a chest of old clues that lead the reader on a journey across the city. Paige contacts the former owner, Ryan Greene, who explains the clues belonged to his great-aunt Charlotte, who once lived in the house, but who mysteriously disappeared in 1929.Together, they follow Charlotte and Alex’s clues to unravel a fascinating tale of lies and intrigue, of two lovers bound by hope, but also by deceit. Can they solve the mystery of Charlotte’s disappearance or has all hope been lost to the past?

    In her spellbinding new bestseller she takes us on a breathtaking journey deep into the red heart of Australia. It is 2001 and as the world charges into the new Millennium, a century-old dream is about to be realised in the Red Centre of Australia: the completion of the mighty Ghan railway, a long-lived vision to create the 'backbone of the continent', a line that will finally link Adelaide with the Top End. But construction of the final leg between Alice Springs and Darwin will not be without its complications, for much of the desert it will cross is Aboriginal land. Hired as a negotiator, Jessica Manning must walk a delicate line to reassure the Elders their sacred sites will be protected. Will her innate understanding of the spiritual landscape, rooted in her own Arunta heritage, win their trust? It’s not easy to keep the peace when Matthew Witherton and his survey team are quite literally blasting a rail corridor through the timeless land of the Never-Never.When the paths of Jessica and Matthew finally cross, their respective cultures collide to reveal a mystery that demands attention. As they struggle against time to solve the puzzle, an ancient wrong is awakened and calls hauntingly across the vastness of the outback . . .

    Lucky's is a story of family.It is also about a man called Lucky.His restaurant chain.A fire that changed everything.A New Yorker article which might save a career.The mystery of a missing father.An impostor who got the girl.An unthinkable tragedy.A roll of the dice.And a story of love, lost, sought and won again, (at last).

    And you can talk about a Mallee tree. And you can talk about the Mallee itself: a land and a place full of red sand and short stubby trees. Silent skies. The undulating scorch of summer plains. Quiet, on the surface of things. But Elise wasn't from the Mallee, and she knew nothing of its ways. Discover the world of a small homestead perched on the sunburnt farmland of northern Victoria. Meet Elise, whose urbane 1950s glamour is rudely transplanted to the pragmatic red soil of the Mallee when her husband returns to work the family farm. But you cannot uproot a plant and expect it to thrive. And so it is with Elise. Her meringues don't impress the shearers, the locals scoff at her Paris fashions, her husband works all day in the back paddock, and the drought kills everything but the geraniums she despises.As their mother withdraws more and more into herself, her spirited, tearaway daughters, Marjorie and Ruby, wild as weeds, are left to raise themselves as best they can. Until tragedy strikes, and Marjorie flees to the city determined to leave her family behind. And there she stays, leading a very different life, until the boy she loves draws her back to the land she can't forget...'In the same vein as Rosalie Ham, Brinsden weaves a compelling story of country Australia with all its stigma, controversy and beauty.' Fleur McDonald

    What follows is a playful dance of possibilities between the real and the invented.Grenville's Elizabeth Macarthur is a passionate woman managing her complicated life-marriage to a ruthless bully, the impulses of her own heart, the search for power in a society that gave her none-with spirit, cunning and sly wit.Her memoir reveals the dark underbelly of the polite world of Jane Austen. It explodes the stereotype of the women of the past- devoted and docile, accepting of their narrow choices. That was their public face-here's what one of them really thought.At the heart of this book is one of the most toxic issues of our times- the seductive appeal of false stories. Beneath the surface of Elizabeth Macarthur's life and the violent colonial world she navigated are secrets and lies with the dangerous power to shape reality.A Room Made of Leaves is the internationally acclaimed author Kate Grenville's first novel in almost a decade. It is historical fiction turned inside out, a stunning sleight of hand that gives the past the piercing immediacy of the present.

    There was no thought in his head, only an intense drive to run. There was no sense he was getting anywhere, no plan, no destination, no future. All he had was a sense of what was behind, what he was running from. Jacky was running.The Natives of the Colony are restless. The Settlers are eager to have a nation of peace, and to bring the savages into line. Families are torn apart, reeducation is enforced. This rich land will provide for all.This is not Australia as we know it. This is not the Australia of our history.