But in the hands of fierce women, men will be brought to their knees.Three campfire secrets. Two witnesses. One dead in the trees. And the woman, thirty years later, bent on making the guilty finally pay.1988. A group of outcasts gather at a small, prestigious arts camp nestled in the Maine woods. They're the painters: bright, hopeful, teeming with potential. But secrets and dark ambitions rise like smoke from a campfire, and the truths they tell will come back to haunt them in ways more deadly than they dreamed.2018. Esteemed art professor Max Durant arrives at his protégé's remote home to view her graduate thesis collection. He knows Audra is beautiful and brilliant. He knows being invited into her private world is a rare gift. But he doesn't know that Audra has engineered every aspect of their weekend together. Every detail, every conversation. Audra has woven the perfect web.Only Audra knows what happened that summer in 1988. Max's secret, and the dark things that followed. And even though it won't be easy, Audra knows someone must pay.A searing thriller of trauma, dark academia, complicity, and revenge, Dark Things I Adore unravels the realities behind campfire legends―the horrors that happen in the dark, the girls who become cautionary tales, and the guilty who go unpunished. Until now.

    Together they must untangle the threads of this ever-more-complicated case—and stay ahead of whoever’s trying to slash their progress. The old man’s failing memory adds urgency: wherever he is, he’s no doubt lost, confused, and in extreme danger.What started as a traffic stop gone wrong quickly unfolds into one of the darkest cases of Susan’s career, and it all leads to a sick, desperate killer. Susan and Liam must work fast to save the old man’s life and keep future victims from the killer’s grasp.

    -Her son adores him. He was there when she needed him most. -He anticipates her every need. -He would never betray her like her first husband.The perfect husband. He checks all the boxes.The question is, why? Nina Garrity learned the hard way that her missing husband, Glen, had been leading a double life with another woman. But with Glen gone—presumably drowned while fishing on his boat—she couldn't confront him about the affair or find closure to the life he blew apart. Now, a year and a half later, Nina has found love again and hopes she can put her shattered world back together. Simon, a widower still grieving the death of his first wife, thinks he has found his dream girl in Nina, and his charm and affections help break through to a heart hardened by betrayal. Nina's teenage son, Connor, embraces Simon as the father he wishes his dad could have been, while her friends see a different side to him, and they aren't afraid to use the word obsession.Nina works hard to bridge the divide that’s come between her daughter and Simon. She wants so badly to believe her life is finally getting back on track, but she’ll soon discover that the greatest danger to herself and her children are the lies people tell themselves.

    She’s one big case away from securing her place among London’s legal elite. But when she meets her new client, Martin Joy, the natural caution that has protected Francine and fueled her rise melts away. Powerless to fight the irresistible magnetism between them, client and counsel tumble into a blistering affair that breaks every rule.Though Martin insists his marriage is over, Francine doesn’t believe him. Certain details he’s told her don’t quite add up. Consumed with a passion she cannot control and increasingly obsessed with Martin’s relationship with his wife, Donna, Francine follows the woman one night . . . and discovers her having dinner with her supposedly soon-to-be-ex-husband.The next morning, Francine awakens in her neighbor’s apartment with blood on her clothes and no recollection of what transpired after she spied Donna and Martin together. Then Francine receives more devastating news: Martin’s wife has vanished. That dinner was the last place anyone has seen Donna Joy alive.Suddenly, Francine finds herself caught in a dangerous labyrinth of deception, lies, and secrets, in which one false move could lead to her undoing. What happened that night and why can’t Francine remember? Where is Donna and who is responsible for her disappearance? The further Francine goes to find answers, the tighter the net seems to draw—around her lover, herself, and the life she’s meticulously built.

    Score high enough, and attend a top tier school with a golden future. Score too low, and it's off to a federal boarding school with limited prospects afterwards. The purpose? An improved society where education costs drop, teachers focus on the more promising students, and parents are happy.Elena Fairchild is a teacher at one of the state's elite schools. When her nine-year-old daughter bombs a monthly test and her Q score drops to a disastrously low level, she is immediately forced to leave her top school for a federal institution hundreds of miles away. As a teacher, Elena thought she understood the tiered educational system, but as a mother whose child is now gone, Elena's perspective is changed forever. She just wants her daughter back.And she will do the unthinkable to make it happen.

    Through her neighbor's kitchen window, she sees what appears to be a little girl washing dishes late at night. But the Fleming family doesn't have a child that age, and even if they did, why would she be doing housework at this late hour?It would be easy for Sharon to just let this go, but when eighteen-year-old Niki, a former foster child, comes to live with Sharon, she notices suspicious activity at the Flemings' house as well. When calling social services doesn't result in swift action, the two decide to investigate on their own.

    When an inexplicable outbreak rapidly develops, this idyllic town becomes the epicenter of an epidemic of violence as the teenaged children of several executives from the local biotech firm become ill and aggressively murderous. Suddenly the town is on edge, and Lucy and her friends must do everything it takes just to fight through the night.

    But on Phoenix Island, the choice will be made for him.A champion boxer with a sharp hook and a short temper, sixteen-year-old Carl Freeman has been shuffled from foster home to foster home. He can't seem to stay out of trouble, using his fists to defend weaker classmates from bullies. His latest incident sends his opponent to the emergency room, and now the court is sending Carl to the worst place on earth: Phoenix Island. Classified as a terminal facility, it's the end of the line for delinquents who have no home, no family, and no future. Located somewhere far off the coast of the United States and immune to its laws, the island is a grueling Spartan-style boot camp run by sadistic drill sergeants who show no mercy to their young, orphan trainees. Sentenced to stay until his eighteenth birthday, Carl plans to play by the rules, so he makes friends with his wisecracking bunkmate, Ross, and a mysterious gray-eyed girl named Octavia. But he makes enemies, too, and after a few rough scrapes, he earns himself the nickname "Hollywood" as well as a string of punishments, including a brutal night in the sweatbox. But that's nothing compared to what awaits him in the Chop Shop: a secret government lab where Carl is given something he never dreamed of. A new life. . . . A new body. A new brain. Gifts from the fatherly Old Man, who wants to transform Carl into something he's not sure he wants to become. For this is no ordinary government project. Phoenix Island is ground zero for the future of combat intelligence. And for Carl, it's just the beginning. . .

    She was supposed to be in the building that day. Instead, she stood on the street and witnessed it going down, with her husband and best friend inside. Kate, now living thousands of miles away, fled the disaster and is hoping that her past won’t catch up with her. And Franny, a young woman in search of her birth mother, watched the horror unfold on the morning news, knowing that the woman she was so desperate to reconnect with was in the building.Now, despite the marks left by the tragedy, they all seem safe. But as its anniversary dominates the media, the memories of that terrifying morning become dangerous triggers. All these women are guarding important secrets. Just how far will they go to keep them?

    The line goes dead. The mystery begins.During a superstorm, Holly Boswell receives a panicked call from her sister, Vivian: Come get me…There’s somebody coming. But when Holly arrives at a Long Island marina, there’s only her sister’s abandoned car. Vivian is gone.It’s all eerily familiar. Holly and Vivian used to play hide-and-seek as children. It was a reprieve from the mental abuses of their parents, psychology professors who raised the siblings as if it were research. Decades later, Holly is reminded of their childhood games.In her relentless search for the answers, Holly is reading between the lines in Vivian’s journals. She’s untangling clues in their mother’s diary and discovering secrets from her sister’s private world that are casting a dangerous shadow. Maybe Vivian has reasons for wanting to disappear from her well-to-do life. Or is it something more sinister? As Holly follows Vivian’s trail, she can’t shake the feeling that someone might be following her.

    When Jon is finally ready to confess his feelings, he's suddenly kidnapped by his substitute teacher who is obsessed with H.P. Lovecraft and has a plot to save humanity.Mourning the disappearance of Jon and facing the reality he may never return, Chloe tries to navigate the rites of entering young adulthood and "fit in" with the popular crowd, but thoughts of Jon are never far away. When Jon finally escapes, he discovers he now has an uncontrollable power that endangers anyone he has intense feelings for. He runs away to protect Chloe and find the answers to his new identity—but he's soon being tracked by a detective who is fascinated by a series of vigilante killings that appear connected. Whisking us on a journey through New England and crashing these characters' lives together in the most unexpected ways, Kepnes explores the complex relationship between love and identity, unrequited passion and obsession, self-preservation and self-destruction, and how the lines are often blurred between the two.

    A young man well known in their small town of Hardys Walk, Texas, Bo seems fine, even if Lauren’s intuition says otherwise. Since the accident two years ago that left her brain in a fragile state, she can’t trust her own instincts—and neither can her family. Then Bo vanishes, and as the search for him ensues, the police question whether she’s responsible. Lauren is terrified, not of what she remembers but of what she doesn’t.Unable to trust herself and unwilling to trust anyone else, Lauren begins her own investigation into the mystery of Bo’s disappearance. But the truth can prove to be as shocking as any lie, and as Lauren exposes each one, from her family, from her friends, she isn’t the only one who will face heart-stopping repercussions.

    It's not. Quentin's podcast, Closure, focuses on a series of murders in the 1970s, committed by teen couple April Cooper and Gabriel LeRoy. It seems that Quentin has reason to believe Robin's own mother may be intimately connected with the killings.Robin thinks Quentin’s claim is absolutely absurd. But is it? The more she researches the Cooper/LeRoy murders herself, the more disturbed she becomes by what she finds. Living just a few blocks from her, Robin’s beloved parents are the one absolute she’s always been able to rely upon, especially now amid rising doubts about her husband and frequent threats from internet trolls. She knows her mother better than anyone—or so she believes. But all that changes when, in an apparent home invasion, Robin's father is killed and her mother's life hangs in the balance.Told through the eyes of Robin, podcaster Quentin, and a series of letters written by fifteen-year-old April Cooper at the time of the killings, Never Look Back asks the question:How well do we really know our parents, our partners—and ourselves?

    Hospitals and lakes. When Ian drinks vodka in the basement. ISIS. When Ian gets angry... That something is really, really wrong with me.Maddie and Ian's romance began with a chance encounter at a party overseas; he was serving in the British army and she was a travel writer visiting her best friend, Jo. Now almost two decades later, married with a beautiful son, Charlie, they are living the perfect suburban life in Middle America. But when a camping accident leaves Maddie badly scarred, she begins attending writing therapy, where she gradually reveals her fears about Ian's PTSD; her concerns for the safety of their young son, Charlie; and the couple's tangled and tumultuous past with Jo.From the Balkans to England, Iraq to Manhattan, and finally to an ordinary family home in Kansas, sixteen years of love and fear, adventure and suspicion culminate in The Day of the Killing, when a frantic 911 call summons the police to the scene of a shocking crime.

    After her husband’s sudden death, the runaway success of the tech company they built with their best friends has become overwhelming. Her nerves are frayed, she’s disengaged, and her frustrated daughter, Shorie, is pulling away from her. Maybe Erin’s friends and family are right. Maybe a few weeks at a spa resort in the Caribbean islands is just what she needs to hit the reset button…Shorie is not only worried about her mother’s mental state but also for the future of her parents’ company. Especially when she begins to suspect that not all of Erin’s colleagues can be trusted. It seems someone is spinning an intricate web of deception—the foundation for a conspiracy that is putting everything, and everyone she loves, at risk. And she may be the only one who can stop it.Now, thousands of miles away in a remote, and oftentimes menacing, tropical jungle, Erin is beginning to have similar fears. Things at the resort aren’t exactly how the brochure described, and unless she’s losing her mind, Erin’s pretty sure she wasn’t sent there to recover—she was sent to disappear.