When they meet at a fair, Alison invites Colette at once to join her on the road as her personal assistant and companion. Troubles spiral out of control when the pair moves to a suburban wasteland in what was once the English countryside. It is not long before the place beyond black threatens to uproot their lives forever. This is Hilary Mantel at her finest--insightful, darkly comic, unorthodox, and thrilling to read.

    When Lemon, an old friend of her mother's, turns up on her doorstep Jinx is forced to confront her past, and with the pain of remembrance comes the possibility of redemption. But Lemon has his own secrets to share, and together they unravel an unforgettable family drama, stoked with violence and passion. Rich with voices from East London and the West Indies, Edwards' narrative is delivered with a unique and uncompromising bite that announces a new talent in British fiction.Longlisted for the 2011 Man Booker Prize.

    . .It’s February 1976, and Odessa, Texas, stands on the cusp of the next great oil boom. While the town’s men embrace the coming prosperity, its women intimately know and fear the violence that always seems to follow.In the early hours of the morning after Valentine’s Day, fourteen-year-old Gloria Ramírez appears on the front porch of Mary Rose Whitehead’s ranch house, broken and barely alive. The teenager had been viciously attacked in a nearby oil field—an act of brutality that is tried in the churches and barrooms of Odessa before it can reach a court of law. When justice is evasive, the stage is set for a showdown with potentially devastating consequences.Valentine is a haunting exploration of the intersections of violence and race, class and region in a story that plumbs the depths of darkness and fear, yet offers a window into beauty and hope. Told through the alternating points of view of indelible characters who burrow deep in the reader’s heart, this fierce, unflinching, and surprisingly tender novel illuminates women’s strength and vulnerability, and reminds us that it is the stories we tell ourselves that keep us alive.

    Since her eccentric father’s untimely death, she is the presumed heir to a long-rumored trove of diaries, paintings, letters, and early novel drafts passed down from the Brontë family - a hidden fortune never revealed to anyone outside of the family, but endlessly speculated about by Brontë scholars and fanatics. Samantha, however, has never seen this alleged estate and for all she knows, it’s just as fictional as Jane Eyre or Wuthering Heights.But everything changes when Samantha enrolls at Oxford University and long lost objects from the past begin rematerializing in her life, beginning with an old novel annotated in her father’s handwriting. With the help of a handsome but inscrutable professor, Samantha plunges into a vast literary mystery and an untold family legacy, one that can only be solved by decoding the clues hidden within the Brontës’ own works

    . . In a war-torn village in Eastern Europe, an American photographer captures a heart-stopping image: a young girl flying toward the lens, fleeing a fiery explosion that has engulfed her home and family. The image wins acclaim and prizes, becoming an icon for millions—and a subject of obsession for one writer, the photographer’s best friend, who has suffered a devastating tragedy of her own. As the writer plunges into a suicidal depression, her filmmaker husband enlists several friends, including a fearless bisexual poet and an ingenuous performance artist, to save her by rescuing the unknown girl and bringing her to the United States. And yet, as their plot unfolds, everything we know about the story comes into question: What does the writer really want? Who is controlling the action? And what will happen when these two worlds—east and west, real and virtual—collide? A fierce, provocative, and deeply affecting novel of both ideas and action that blends the tight construction of Julian Barnes’s The Sense of an Ending with the emotional power of Anthony Marra’s A Constellation of Vital Phenomena, Lidia Yuknavitch’s The Small Backs of Children is a major step forward from one of our most avidly watched writers.

    As Suzanne rushes her to the hospital, she never imagines how the encounter will change her—a change she both fears and desperately needs.Suzanne has the perfect house, a successful husband, and a thriving family. But beneath the veneer of an ideal life, her daughter is rebelling, her son is withdrawing, her husband is oblivious to it all, and Suzanne is increasingly unsure of her place in the world. After her discovery of the ethereal sixteen-year-old who has never experienced civilization, Suzanne is compelled to invite Iris into her family’s life and all its apparent privileges.But Iris has an independence, a love of solitude, and a discomfort with materialism that contrasts with everything the Blakemores stand for—qualities that awaken in Suzanne first a fascination, then a longing. Now Suzanne can’t help but wonder: Is she destined to save Iris, or is Iris the one who will save her?

    Years after coming to New York to try to build a life, she has found herself with two kids, a husband, two jobs, a PhD―and now they’re filing for bankruptcy. As she tries to balance her dream and the impossibility of striving toward it while her work and home lives feel poised to fall apart, she wakes at ungodly hours to run miles by the icy river, struggling to quiet her thoughts.When she reaches out to Sasha, her long-lost childhood friend, it feels almost harmless―one of those innocuous ruptures that exist online, in texts. But her timing is uncanny. Sasha is facing a crisis, too, and perhaps after years apart, their shared moments of crux can bring them back into each other’s lives.In Want, Lynn Steger Strong explores the subtle violences enacted on a certain type of woman when she dares to want things―and all the various violences in which she implicates herself as she tries to survive.

    Outside is the world from which she has been severed: the San Francisco of her youth and her young son, Jackson. Inside is a new reality: thousands of women hustling for the bare essentials needed to survive; the bluffing and pageantry and casual acts of violence by guards and prisoners alike; and the deadpan absurdities of institutional living, which Kushner evokes with great humor and precision.

    Then there’s Violet Devohr, Zee’s great-grandmother, who they say took her own life somewhere in the vast house, and whose massive oil portrait still hangs in the dining room.The Hundred-Year House unfolds a generational saga in reverse, leading the reader back in time on a literary scavenger hunt as we seek to uncover the truth about these strange people and this mysterious house. With intelligence and humor, a daring narrative approach, and a lovingly satirical voice, Rebecca Makkai has crafted an unforgettable novel about family, fate and the incredible surprises life can offer.

    Emerging from London’s psychedelic scene in 1967 and fronted by folk singer Elf Holloway, guitar demigod Jasper de Zoet, and blues bassist Dean Moss, Utopia Avenue released only two LPs during its brief, blazing journey from the clubs of Soho and drafty ballrooms to Top of the Pops and the cusp of chart success, and on to glory in Amsterdam, prison in Rome, and a fateful American fortnight in the autumn of 1968.David Mitchell’s captivating new novel tells the unexpurgated story of Utopia Avenue; of riots in the streets and revolutions in the head; of drugs, thugs, madness, love, sex, death, art; of the families we choose and the ones we don’t; of fame’s Faustian pact and stardom’s wobbly ladder. Can we change the world in turbulent times, or does the world change us?

    He has sold Jonah’s ship for what appears to be a mermaid.As gossip spreads through the docks, coffee shops, parlours and brothels, everyone wants to see Mr Hancock’s marvel. Its arrival spins him out of his ordinary existence and through the doors of high society, where he meets Angelica Neal, the most desirable woman he has ever laid eyes on... and a courtesan of great accomplishment. This meeting will steer both their lives onto a dangerous new course.What will be the cost of their ambitions? And will they be able to escape the legendary destructive power a mermaid is said to possess?

    Using a playful parallel-universe structure, The Post-Birthday World follows one woman's future as it unfolds under the influence of two drastically different men.Children's book illustrator Irina McGovern enjoys a quiet and settled life in London with her partner, fellow American expatriate Lawrence Trainer, a smart, loyal, disciplined intellectual at a prestigious think tank. To their small circle of friends, their relationship is rock solid. Until the night Irina unaccountably finds herself dying to kiss another man: their old friend from South London, the stylish, extravagant, passionate top-ranking snooker player Ramsey Acton. The decision to give in to temptation will have consequences for her career, her relationships with family and friends, and perhaps most importantly the texture of her daily life.Hinging on a single kiss, this enchanting work of fiction depicts Irina's alternating futures with two men temperamentally worlds apart yet equally honorable. With which true love Irina is better off is neither obvious nor easy to determine, but Shriver's exploration of the two destinies is memorable and gripping. Poignant and deeply honest, written with the subtlety and wit that are the hallmarks of Shriver's work, The Post-Birthday World appeals to the what-if in us all.(jacket)

    They live in a honey-colored house in a picture-perfect Cotswolds village, with rambling, unkempt gardens stretching beyond. Pragmatic Meg, dreamy Beth, and tow-headed twins Rory and Rhys all attend the village school and eat home-cooked meals together every night. Their father is a sweet gangly man named Colin, who still looks like a teenager with floppy hair and owlish, round-framed glasses. Their mother is a beautiful hippy named Lorelei, who exists entirely in the moment. And she makes every moment sparkle in her children's lives.Then one Easter weekend, tragedy comes to call. The event is so devastating that, almost imperceptibly, it begins to tear the family apart. Years pass as the children become adults, find new relationships, and develop their own separate lives. Soon it seems as though they've never been a family at all. But then something happens that calls them back to the house they grew up in -- and to what really happened that Easter weekend so many years ago.Told in gorgeous, insightful prose that delves deeply into the hearts and minds of its characters, The House We Grew Up In is the captivating story of one family's desire to restore long-forgotten peace and to unearth the many secrets hidden within the nooks and crannies of home.

    Killing men in times like these. Joan has spent a lifetime enduring the cruel acts of men. But when one of them commits a shocking act of violence in front of her, she flees New York City in search of Alice, the only person alive who can help her make sense of her past. In the sweltering hills above Los Angeles, Joan unravels the horrific event she witnessed as a child—that has haunted her every waking moment—while forging the power to finally strike back. Here is the electrifying debut novel from Lisa Taddeo, author of the #1 New York Times bestseller and international phenomenon Three Women, which was named to more than thirty best-of-the-year lists and hailed as “a dazzling achievement” (Los Angeles Times) and “a heartbreaking, gripping, astonishing masterpiece” (Esquire). Animal is a depiction of female rage at its rawest, and a visceral exploration of the fallout from a male-dominated society. With writing that scorches and mesmerizes, Taddeo illustrates one woman’s exhilarating transformation from prey into predator.

    Nora is an unflinching frontierswoman awaiting the return of the men in her life--her husband, who has gone in search of water for the parched household, and her elder sons, who have vanished after an explosive argument. Nora is biding her time with her youngest son, who is convinced that a mysterious beast is stalking the land around their home.Meanwhile, Lurie is a former outlaw and a man haunted by ghosts. He sees lost souls who want something from him, and he finds reprieve from their longing in an unexpected relationship that inspires a momentous expedition across the West. The way in which Lurie's death-defying trek at last intersects with Nora's plight is the surprise and suspense of this brilliant novel.Mythical, lyrical, and sweeping in scope, Inland is grounded in true but little-known history. It showcases all of Téa Obreht's talents as a writer, as she subverts and reimagines the myths of the American West, making them entirely--and unforgettably--her own.