How does someone, excluded entirely from the only community they have ever known, live the rest of their life? After extensive interviews with Beulah—a young woman banished—Jeremy is no closer to understanding her choice than he is to his own peculiar exile.Camp Ironwood, set in the Vermont woods, is more than a summer distraction for restless adolescent boys—it is a place to belong. And not unlike the Amish community, it is a place where the whole is greater than the sum of its parts. For Jeremy, first as a camper and later as the co-director, the usual camp activities become their own kind of ritual that binds the community. But when he is blindsided by the seductive charm of Max, a fourteen-year-old boy from Manhattan, all arms and legs and attitude, Jeremy must confront his desires, and worse yet, uncover the dark secrets of his beloved Camp Ironwood.In the powerful and daring novel Avoidance, Lowenthal elegantly draws unexpected parallels between the Amish and Camp Ironwood. By doing so, he ingeniously explores an age-old dilemma: individual desires versus the good of a community.

    In order to be true to himself, he goes against the grain of society’s often unspoken rules of class, wealth, and politics.Forster understood that his homage to same-sex love, if published when he completed it in 1914, would probably end his career. Thus, Maurice languished in a drawer for fifty-seven years, the author requesting it be published only after his death (along with his stories about homosexuality later collected in The Life to Come).Since its release in 1971, Maurice has been widely read and praised. It has been, and continues to be, adapted for major stage productions, including the 1987 Oscar-nominated film adaptation starring Hugh Grant and James Wilby.

    The energy formerly focused on his religious studies now turns in the direction of rising to the top of the business world, where he discovers the high price of assimilation.

    Closeted teenager Jeremy is sent to live with wealthy relatives after his mother enters rehab. Struggling to fit into the posh world of Ballena Beach, Jeremy joins the high school swim team, dates a popular girl, and begins to think he may have landed in paradise - until his great aunt Katharine starts to dictate his every move and a late-night phone call insinuates that his father's accidental death was not so accidental after all.As Jeremy grows accustomed to the veneer of a fabulous life, so grows his need for answers - as well as the danger of immeasurable harm. Weaving together a murder mystery, sexual ambiguity, and characters with hidden identities and agendas, Nick Nolan offers listeners a deliciously witty novel about the "puppet" who wishes only to be a real boy. Strings Attached is also a surprisingly heartfelt story about coming-of-age and coming out - not necessarily in that order.

    Besieged by the press, his widow Millie flees to a remote Scottish village, where she seeks solace in memories of their marriage. The reminiscences of those who knew Joss Moody render a moving portrait of a shared life founded on an intricate lie, one that preserved a rare, unconditional love.

    After a highly controversial trial, the couple go to the electric chair for treason despite worldwide protests. Decades later their son, Daniel, grown to young manhood, tries to make sense of their lives and deaths - and their legacy to him. Like millions of other Americans, he is attempting to reconcile an America based on the highest human ideals with the tragedy of his parents. This is the framework for E.L. Doctorow's dazzling masterpiece, as he fictionalizes an actual social and political drama to create an intensely moving, searching, and illuminating tale of two decades, two generations, and a troubled legacy of passion and purpose, martyrdom and meaning.

    In a Bangkok drunk on the nation's financial miracle - and high on an assortment of other things - the narrator meets Thong, a young, beautiful male hustler who works at a nightclub. As his romantic obsession with Thong grows, the narrator tries to convince himself that it transcends its commercial nature, but he is quickly forced into a hard look at the connections between desire and exploitation, personal and national identity. Lawrence Chua vividly combines Southeast Asia's troubled history with evocations of its modern face - its polyglot culture, its colonial past, the cool futurism of its skyscrapers and its sex industry. Written in hard-bitten, dazzling prose, Gold by the Inch is a stunning debut.

    A wedding invitation arrives in the mail: your boyfriend of the past nine years now engaged to someone else. You can’t say yes--it would all be too awkward--and you can’t say no--it would look like defeat. On your desk are a series of half-baked literary invitations you’ve received from around the world. QUESTION: How do you arrange to skip town?ANSWER: You accept them all. If you are Arthur Less.Thus begins an around-the-world-in-eighty-days fantasia that will take Arthur Less to Mexico, Italy, Germany, Morocco, India and Japan and put thousands of miles between him and the problems he refuses to face. What could possibly go wrong?Well: Arthur will almost fall in love in Paris, almost fall to his death in Berlin, barely escape to a Moroccan ski chalet from a Sahara sandstorm, accidentally book himself as the (only) writer-in-residence at a Christian Retreat Center in Southern India, and arrive in Japan too late for the cherry blossoms. In between: science fiction fans, crazed academics, emergency rooms, starlets, doctors, exes and, on a desert island in the Arabian Sea, the last person on Earth he wants to see. Somewhere in there: he will turn fifty. The second phase of life, as he thinks of it, falling behind him like the second phase of a rocket. There will be his first love. And there will be his last.A love story, a satire of the American abroad, a rumination on time and the human heart, by an author The New York Times has hailed as “inspired, lyrical,” “elegiac,” “ingenious,” as well as “too sappy by half,” Less shows a writer at the peak of his talents raising the curtain on our shared human comedy.

    Stephen Spender for The New York Review of Books commented: "One of the most brilliant strokes in this novel about relations in the Thirties between Italians and Germans is that Moravia never reveals whether his Italian narrator and hero is serious or not, and doubt about the seriousness lies in his being Italian. ... This is the truth of the book: that within the external situation of the Italian Fascist--German Nazi relationship it is impossible to accept as authentic virtually anything people do."Moravia is not simply painting the portrait of an age but also coming to grips through his art with the great questions of all ages - the erotic, love, death, and the purpose of life. 1934 recapitulates the major themes of his art and at the same time takes us beyond them.

    A powerful and passionate tale is set on a southern army post --a human hell inhabited by a sexually disturbed officer, his animalistic wife, her lover, and the driven young private who forces the drama to its climax...

    It is "an age in which appearances matter more and more and more. Only the shallowest of people won't judge by them."

    1962) is a lecturer at the University of Rennes II and research professor of literature and Romance studies at Duke University. She joined the Oulipo in 2000, becoming the first member to join born after the Oulipo was founded. Garréta won France's prestigious Prix Médicis in 2002, awarded each year to an author whose "fame does not yet match their talent," for her novel Pas un jour.Emma Ramadan is a graduate of Brown University and received her master's in literary translation from the American University of Paris. Her translation of Anne Parian's Monospace is forthcoming from La Presse. She is currently on a Fulbright Fellowship for literary translation in Morocco.

    Your best friend died in September, you've been robbed twice, your girlfriend is leaving you, you've lost your job...and the only one left to talk to is the gay burglar you've got tied up in the kitchen... P.S. your cat is dead.An instant classic upon its initial publication, P.S. Your Cat is Dead received widespread critical acclaim and near fanatical reader devotion. The stage version of the novel was equally successful and there are still over 200 new productions of it staged every year. Now, for the first time in a decade, James Kirkwood's much-loved black humor comic novel of manners and escalating disaster returns to bewitch and beguile a new generation.

    Rasa spends his days translating for Western journalists and pining for the nights when he can sneak his lover, Taymour, into his room. One night Rasa's grandmother—the woman who raised him—catches them in bed together. The following day Rasa is consumed by the search for his best friend Maj, a fiery activist and drag queen star of the underground bar, Guapa, who has been arrested by the police. Ashamed to go home and face his grandmother, and reeling from the potential loss of the three most important people in his life, Rasa roams the city’s slums and prisons, the lavish weddings of the country’s elite, and the bars where outcasts and intellectuals drink to a long-lost revolution. Each new encounter leads him closer to confronting his own identity, as he revisits his childhood and probes the secrets that haunt his family. As Rasa confronts the simultaneous collapse of political hope and his closest personal relationships, he is forced to discover the roots of his alienation and try to re-emerge into a society that may never accept him.

    Living in New York in 1991 is Gilbert Selwyn, a young man possessed of boundless charm and an allergy to employment, who has devised a plan to wring a nice pile of loot from his mother's newest (and obscenely wealthy) husband.The scheme, simply put, is to get married for the gifts. But Gilbert, who's gay, needs a fiancée... Enter Moira Finch, a demonically conniving young woman whose own mother, having recently married the Duke of Dorsetshire, will contribute richly to the couple's receipts. Enter, too, Philip Cavanagh, Gilbert's longtime friend, former lover, and highly strung Best Man. And enter, finally, the Cellinis, Gilbert's huge internecine stepfamily, whose fortune has not been amassed as innocently as Gilbert first thought, and who conform rather more closely to Italian-American stereotypes than Gilbert would like to believe. As Gilbert, Moira, and Philip struggle to keep their plot under wraps, the scams get bigger and more perilous, deceit multiplies, and a wonderfully calamitous trail leads us towards what could be the wedding of the season.