Told by her brother Parr, this is the story of 18-year-old Evie, her Missouri farm family, and the turmoil created by Evie's love for the local banker's daughter.

    In 1985, the "Daily Mirror" reported the death of Rock Hudson. Halfway through the century that falls between these dates a man who claims his name is Mr Page sits down by his gas-fire on a snowbound Christmas Eve and sets himself the task of explaining a story that connects these apparently unconnected events. Neil Bartlett's new novel spins a dark and erotic web of conjecture in the gaps of history. It takes its reader from the brittle glamour of the twenties into the violent repression of the fifties; from Mayfair dining rooms to the steam room of a gentlemen's Turkish Bath; from the ordinary world of Mr Page into the strange and unsettling world of the black-haired, well-dressed and immensely wealthy Mr Clive.

    Phil is the bright one, George the plodder. Phil is tall and angular; George is stocky and silent. Phil is a brilliant chess player, a voracious reader, an eloquent storyteller; George learns slowly, and devotes himself to the business.Phil is a vicious sadist, with a seething contempt for weakness to match his thirst for dominance; George has a gentle, loving soul. They sleep in the room they shared as boys, and so it has been for forty years. When George unexpectedly marries a young widow and brings her to live at the ranch, Phil begins a relentless campaign to destroy his brother's new wife. But he reckons without an unlikely protector.From its visceral first paragraph to its devastating twist of an ending, The Power of the Dog will hold you in its grip.WITH AN AFTERWORD BY ANNIE PROULX

    . .Twenty-three-year-old artist Andrea Morales escaped her Midwestern Catholic childhood—and the closet—to create a home and life for herself within the thriving but insular lesbian underground of Portland, Oregon. But one drunken night, reeling from a bad breakup and a friend’s betrayal, she recklessly crosses enemy lines and hooks up with a man. To her utter shock, Andrea soon discovers she’s pregnant—and despite the concerns of her astonished circle of gay friends, she decides to have the baby.A decade later, when her precocious daughter Lucia starts asking questions about the father she’s never known, Andrea is forced to reconcile the past she hoped to leave behind with the life she’s worked so hard to build.A thoroughly modern and original anti-romantic comedy, Stray City is an unabashedly entertaining literary debut about the families we’re born into and the families we choose, about finding yourself by breaking the rules, and making bad decisions for all the right reasons.

    His poetry, whether dealing with art, war, memories of childhood, or the loneliness of everyday life, is powerful and moving. A poet of colloquial language, ample generosity, and intimacy, Jarrell wrote beautifully "of the American landscape," as James Atlas noted in American Poetry Review, "[with] a broad humanism that enabled him to give voice to those had been given none of their own."The Complete Poems is the definitive volume of Randall Jarrell's verse, including Selected Poems (1955), with notes by the author; The Woman at the Washington Zoo (1960), which won the National Book Award for Poetry; and The Lost World (1965), "his last and best book," according to Robert Lowell. This volume also brings together several of Jarrell's uncollected or posthumously published poems as well as his Rilke translations.

    Law school, girlfriends, and career choices were all part of Raymond Tyler's life, but there were other, more terrifying issues for him to confront. Being black was tough enough, but Raymond was becoming more and more conscious of sexual feelings that he knew weren't "right." He was completely committed to Sela, his longtime girlfriend, but his attraction to Kelvin, whom he had met during his last year in law school, had become more than just a friendship. No matter how much he tried to suppress them, his feelings were deeply sexual.Fleeing to New York to escape both Sela and Kelvin, Raymond finds himself more confused than ever before. New relationships -- both male and female -- give him enormous pleasure but keep him from finding the inner peace and lasting love he so desperately desires. The horrible illness and death of a friend force Raymond, at last, to face the truth.

    However, Burns's early death at the age of 36 led to the subsequent neglect of this searching book, which captures the shock the war dealt to the preconceptions and ideals of the victorious Americans.Set in occupied Naples in 1944, The Gallery takes its name from the Galleria Umberto, a bombed-out arcade where everybody in town comes together in pursuit of food, drink, sex, money, and oblivion. A daring and enduring novel—one of the first to look directly at gay life in the military—'The Gallery' poignantly conveys the mixed feelings of the men and women who fought the war that made America a superpower."The first book of real magnitude to come out of the last war." —John Dos Passos

    In doing so, England's reigning man of letters set in motion a series of events that would culminate in his ruin and imprisonment. For within a year the bewildered Wilde himself was on trial for acts of gross indecency and, implicitly--for a vision of art that outraged Victorian propriety. Expertly interweaving courtroom testimony with excerpts from Wilde's writings and the words of his contemporaries, Gross Indecency unveils its subject in all his genius and human frailty, his age in all its complacency and repression. The result is a play that will be read and studied for decades to come.

    Too soon, with winter coming, he calls it quits. Helped by Rudy—her government-questioning, wisdom-spouting, seasonal-affective-disordered boss—and a neighbor couple, Helen makes it to spring. Those neighbors, Karen and Lily, are awaiting the arrival of their first child, a boy, which means their time at the Women’s Land Trust must end.So Helen invites the new family to throw in with her—they’ll split the work and the food, build a house, and make a life that sustains them, if barely, for years. Then young Perley decides he wants to go to school. And Rudy sets up a fruit-tree nursery on the pipeline easement edging their land. The outside world is brought clamoring into their makeshift family.Set in a region known for its independent spirit, Stay and Fight shakes up what it means to be a family, to live well, to make peace with nature and make deals with the system. It is a protest novel that challenges our notions of effective action. It is a family novel that refuses to limit the term. And it is a marvel of storytelling that both breaks with tradition and celebrates it. Best of all, it is full of flawed, cantankerous, flesh-and-blood characters who remind us that conflict isn't the end of love, but the real beginning.Absorbingly spun, perfectly voiced, and disruptively political, Madeline ffitch's Stay and Fight forces us to reimagine an Appalachia—and an America—we think we know. And it takes us, laughing and fighting, into a new understanding of what it means to love and to be free.

     Josh Felling has always been a romantic--up until the moment his lover Doug announced that he'd had an affair with a guy from their gym. Now, with his life playing out like a very bad movie of the week, Josh impulsively heads to the Cape for a few days--long enough to figure out where his relationship--what's left of it--might be going. But the summer has other plans for Josh, and his trip to P-town will bring bigger changes than he ever imagined. With its windswept dunes, lazy summer days, and starry nights filled with possibilities, Provincetown holds special appeal for those who call it home. . .and for those who come seeking its open welcome. People like Reilly Brennan, son of an old P-town family, whose days are caught up in wedding plans, even as his nights are increasingly taken over by heated fantasies about other men. . .Wide-eyed, blond-haired, All-American Toby Evans, an escapee from the Midwest ready to spend the summer in the equivalent of gay boot camp for anyone who will tutor him. . .Elegant Emmeline, age unknown, a southern belle straight out of Faulkner, with a mean drag act and almost enough money for her permanent gender transformation. . .Ty Rusk, one of Hollywood's hottest new stars hiding an ages-old secrets about to explode. Weaving in and out of these and other lives like the concierge of a Grand Hotel, Josh is in for the summer of his life, a time of turning points and bridges burned, of second chances and new beginnings, of renewal and hope that will bring him closer to becoming the man he needs to be. "This is a cut above more mainstream gay fiction offerings, thanks to Ford's crisp prose and snappy, contemporary dialogue. . ..the sandy, barefoot-friendly setting morphs all the melodrama into a satisfying beach book--and a pleasant fiction debut for Ford."--Publishers Weekly

    Before, he had always brought men with him on his visits, lovers with whom his mother had been “civil, even flirtatious,” while his father retreated into his sacred woodshop. Now his mother has died and, at age thirty-six, Raphael has come back to see his dying father, who knows and disapproves of Raphael’s boyfriends but who is unaware that this, his youngest child, may be ill as well. Raphael’s halting, often painful attempt to reconcile with his father forms the centerpiece of Fenton Johnson’s astonishing novel. At times funny, at times heartbreakingly poignant, Scissors, Paper, Rock explores with wisdom and humor the many kinds of family, the infinite varieties of love. Through the intricately interwoven stories of the Hardin parents and children, Scissors, Paper, Rock contrasts the families we inherit — our blood ties — with the families we choose, our partners in love and our friends.

    "Sutcliffe has managed to pull off a worthy British companion to Portnoy's Complaint" Jay Rayner,Observer "Well-written,clever and very funny" Literary Review "Smart,entertaining stuff...somewhere between Adrian Mole and Holden Caulfield" Philip Hensher,Mail on Sunday

    Amy is an enigma-a brilliant scholar who has forgotten how to read. She is estranged from her wealthy English parents and lives a nomadic life in Scotland, dragging Kate from one school to the next, barely scraping by. And then there is Ash, a fiery Scottish actresss who cannot shake her demons-chief among them an unrequited passion for Amy that has obsessed her ever since they met as teenagers. Like is the story of two parallel lives that intersect briefly, then diverge. It is also a timeless evocation of adolescence and its agonizing anticipations, its contradictory yearnings for freedom and safety, its blind quest for mastery over pleasure and pain. Deftly constructed, passionately imagined, Like is a remarkably mature debut for a powerful young talent.

    Advertising in New York Review of Books and Village Voice Literary Supplement.

    In Portland, Oregon, Julie moves through her days in a series of negatives: the skaters she doesn’t think are cute, the trinkets she doesn’t buy at the craft fair, the umbrella she refuses to carry despite the incessant rain. Her family life is routine and restrained, and no one talks about Julie’s older brother, a one-time Olympic-hopeful swimmer who now lives in self-imposed exile in Berlin. Julie has never considered swimming herself, until Alexis, the girls’ swim team captain, tries to recruit her. It’s a dare, and a flirtation—and a chance for Julie to find her brother, or to finally let him go. Anything could happen when her body hits water.