An immersive adventure armed with dark politics, sharp objects, and bickering characters, this treacherous saga packs a legendary punch for adult and NA readers alike. Fans of Brandon Sanderson, George R.R. Martin, and Robin Hobb won't be able to resist!BEHIND THE MASK OF DUTY AND POWER, NO ONE IS WHO THEY SEEM...After the Forgotten Wars ravaged the world and turned it to ash, the realm of Orynthia has thrived. To bring peace to their territories, the Houses of Pilar, Darakai, and Boreal forged an accord with Bastiion, founding a Quadren of advisory to the throne. Each generation, a single haidren is appointed to this coveted chair. But in a land of war and deceit, peace should never be trusted.When Luscia Tiergan, al’haidren to the House of Boreal, reaches the age of ascension and takes her seat in court, she is driven into a maze of political traps and dark secrets. Her reputation soiled by seclusion and alleged sorcery, Luscia soon uncovers a pattern of forgotten children, slain in the streets of Bastiion.Ascending from an upbringing rooted in cruelty and suspicion, Zaethan Kasim, al’haidren to the House of Darakai, quickly clashes with Luscia, the newcomer in his midst. His position in Darakai threatened by an old rival, Zaethan is forced into an uneasy alliance to gain the upper hand. As death spills across his second home, Zaethan must set aside his hatred to secure his claim and protect the blameless.Following a disturbing stream of innocent blood, Luscia and Zaethan learn they are not alone as they race through the heart of Orynthia, the House of Bastiion.Content Advisory detailed on the THL website. Direct link provided under "Questions" below.

    Being betrothed to the prince means a life trapped behind the towering stone walls of the Camelot-forged realm. Under the watchful eye of the prince's first knight, Sir Devlan Capra, changing her future becomes difficult. When an unlikely rebel reveals the truth about the deadly secrets that fuel King Hart’s twisted world, Zara’s path to rescue her father becomes clouded by deception. The Rebels clear her path by forcing Zara’s hand with an ultimatum: sway Prince Sebastian to join the Rebels, convincing him of his father’s evil nature, or they will take him out. But Zara is uncertain about a future under the Rebels’ command and where the prince’s heart truly lies. She must decide who to trust, what to believe, and what she’s truly fighting for before the king destroys all of Karm, including her heart.

    . . I made a mistake, we all did . . . go back to the beginning . . . it’s not too late.As the only female to survive the devastating virus, Ara hasn’t seen another human in months―not since her father disappeared. The plague has swept away humanity, and Ara’s world is desolate, haunted by the ghosts of her former life. Her mother. Her sister.Kaden and his crew live by a code: stay alert, stay alive. When they catch Ara stealing from them, they are furious―and confused. She is the first girl they have seen in three years. And while Kaden knows taking her captive is wrong, he tells himself he’s doing it to protect her.But with Ara determined to follow through on her father’s mission―Go back to the beginning. End the plague―Kaden becomes mesmerized by Ara’s will and beauty. He knows he will do anything to help her, even if it tears their worlds apart.

    These poems tell the story of a life at risk of spilling over the edge of the page, from Seuss’s working-class childhood in rural Michigan to the dangerous allures of New York City and back again. With sheer virtuosity, Seuss moves nimbly across thought and time, poetry and punk, AIDS and addiction, Christ and motherhood, showing us what we can do, what we can do without, and what we offer to one another when we have nothing left to spare. Like a series of cels on a filmstrip, frank: sonnets captures the magnitude of a life lived honestly, a restless search for some kind of “beauty or relief.” Seuss is at the height of her powers, devastatingly astute, austere, and—in a word—frank.

    Whether he is wrestling with the mundane, history and its disasters, or sexual love, he can sound both classical and contemporary, with the modern austerity of Cavafy and Bishop. Often exploring the darker places of the heart, his sonnets do not lie down obediently, but spark with an honest self-awareness.Cole's lucid, empathetic poems--with lyrical beauty and ethical depth--seem to transmute the anxious perplexities of our time.

    Its successor, Serious Concerns has proved even more popular, addressing such topics as 'Bloody Men', 'Men and Their Boring Arguments', 'Two Cures for Love', 'Kindness to Animals' and 'Tumps' (Typically Useless Male Poets).

    Afterlife is a journey from the darkness to the light again, and again, and again.This poetry collection discusses depression, anxiety, trauma flashbacks, intrusive thoughts, death, self-harm, suicidal ideations, strong language.Please practice self-care while reading this poetry collection.Please see appendix at the end of the collection for detailed page number content warnings.Also available for download on Payhip: https://payhip.com/b/hYbl

    this impressive debut has established Hera Lindsay Bird as a good girl………with many beneficial thoughts and feelings………with themes as varied as snow and tears, the poems in this collection shine with the fantastic cream of who she is………juxtaposing many classical and modern breezesBird turns her prescient eye on love and loss, and what emerges is like a helicopter in fog………or a bejewelled Christmas sleigh, gliding triumphantly through the contemporary aesthetic desert………this is at once an intelligent and compelling fantasy of tenderness………heartbreaking and charged with trees………without once sacrificing the forest………Whether you are masturbating luxuriously in your parent’s sleepout………………or pushing a pork roast home in a vintage pram………this is the book for you………………………heroically and compulsively stupid………………………………………………………………………………whipping you once again into medieval sunlight.

    These poems devour and complicate tropes of femininity--of naivete, of careless abandon--before sharply exploring the intelligence and fortitude of women, how "far & wide, / how dark & deep / this frigid female mind can go." At every step, Sotelo's poems seduce with history, folklore, and sensory detail--grilled meat, golden habaneros, and burnt sugar--before delivering clear-eyed and eviscerating insights into power, deceit, relationships, and ourselves.Blistering and gorgeous, Virgin is an audacious act of imaginative self-mythology from one of our most promising young poets.

    Never fallen in love. Moved from city to city by her father’s unrelenting job, it’s too hard to care for someone. Trust in anything. The pain of leaving always hurts too much. But she’ll soon learn to trust, to love.Twice.Drew and Shane have been best friends through everything. The painful death of Shane's dad. The bitter separation of Drew's parents. Through sleepaway camps and family heartache, basketball games and immeasurable loss, they've always been there for each other.When Stevie meets Drew and Shane, life should go on as normal.But a simple coin toss alters the course of their year in profound and unexpected ways.Told in dual timelines, debut author Jennie Wexler delivers a heartbreaking and hopeful novel about missed opportunities, second chances, and all the paths that lead us to where we are.

    She has left behind the restrictive confines of her Mormon upbringing and early sexual trauma and believes she is now living her happily ever after . . . when her body betrays her. In a single week, she suffers the twin losses of a hysterectomy and the death of her mother, and she is jolted into a terrible awakening that forces her to reckon with her past—and future.   This is the story of one woman’s lifelong combat with a culture—her “escape” from religion at age twenty, only to find herself similarly entrapped in the gender conventions of the secular culture at large, conventions that teach girls and women to shape themselves to please men, to become good wives and mothers. The biblical characters Yael and Judith, wives who became assassins, become her totems as she evolves from wifely submission to warrior independence.   An electric debut that loudly redefines our notions of womanhood, Wiving grapples with the intersections of religion and sex, trauma and love, sickness and mental illness, and a woman’s harrowing enlightenment. Building on the literary tradition of difficult women who struggle to be heard, Wiving introduces an urgent, striking voice to the scene of contemporary women’s writing at a time when we must explode old myths and build new stories in their place.Wiving  is a finalist for the 2021 Association for Mormon Letters Creative Nonfiction Award.

    These songs of joy and danger—public and private—illuminate one another. As the book unfolds, the portrait of the mother goes through a moving revisioning, leading us to a final series of elegies of hard-won mourning. One Secret Thing is charged throughout with Sharon Olds’s characteristic passion, imagination, and poetic power.The doctor on the phone was young, maybe on hisfirst rotation in the emergency room.On the ancient boarding-school radio,in the attic hall, the announcer had given myboyfriend’s name as one of twobrought to the hospital after the sunriseservice, the egg-hunt, the crash—one of themcritical, one of them dead. I was looking at thestairwell banisters, at their lathing,the necks and knobs like joints and bones,the varnish here thicker here thinner—I had saidWhich one of them died, and now the world wasan ant’s world: the huge crumb of eachsecond thrown, somehow, up ontomy back, and the young, tired voicesaid my fresh love’s name.from “Easter 1960”

    In spare lines, Abdolmalekian conjures surreal, cinematic images that pan wide as deftly as they narrow into intimate focus. Time is a thread come unspooled: pain arrives before the wound, and the dead wait for sunrise.Abdolmalekian resists definitive separations between cause and effect, life and death, or heaven and hell, and challenges our sense of what is fixed and what is unsettled and permeable. Though the speakers in these poems are witnesses to the deforming effects of grief and memory, they remain alive to curiosity, to the pleasure of companionship, and to other ways of being and seeing. Lean Against This Late Hour illuminates the images we conjure in the face of abandonment and ruin, and finds them by turns frightening, bewildering, ethereal, and defiant. "This time," a disembodied voice commands, "send us a prophet who only listens."

    Leaving could be worse.Leah and McKenna have never met, though they have parallel lives.They don’t—ever—find themselves in the same train carriage or meet accidentally at the gym or the coffee shop. They don’t—ever—discuss their problems and find common ground. They don’t—ever—acknowledge to each other that although their lives have all the trappings of success, wealth and happiness, they are, in fact, trapped.Because Leah understands that what’s inside a home can be more dangerous than what’s outside. Driving past McKenna’s house one night, she sees what she knows only too well herself from her own marriage: McKenna’s “perfect” husband is not what he seems. She decides to keep an eye out for McKenna, until one night, she intervenes.Leah and McKenna have never met. But they will.

    Multilayered, plaintive, and provocative, the poems in A Thousand Times You Lose Your Treasure are alive with archive and inhabit histories. In turns lyrical and unsettling, her poetry sings of language and loss; dialogues with time, myth and place; and communes with past and future ghosts.