By turns puzzling and harrowing, it raises troubling questions about conformity, tradition, and the specter of ritualized violence that haunts even the most bucolic, peaceful village.This graphic adaptation, published in time for Jackson's centennial, allows readers to experience "The Lottery" as never before, or discover it anew. The visual artist—and Jackson's grandson—Miles Hyman has crafted an eerie vision of the hamlet where the tale unfolds, its inhabitants, and the unforgettable ritual they set into motion. His four-color, meticulously detailed panels create a noirish atmosphere that adds a new dimension of dread to the original tale.Perfectly timed to the current resurgence of interest in Jackson and her work, Shirley Jackson's "The Lottery": The Authorized Graphic Adaptation masterfully reimagines her iconic story with a striking visual narrative.

    In the next installment of her graphic travelogue series, Displacement, Knisley volunteers to watch over her ailing grandparents on a cruise. (The book s watercolors evoke the ocean that surrounds them.) In a book that is part graphic memoir, part travelogue, and part family history, Knisley not only tries to connect with her grandparents, but to reconcile their younger and older selves. She is aided in her quest by her grandfather s WWII memoir, which is excerpted. Readers will identify with Knisley s frustration, her fears, her compassion, and her attempts to come to terms with mortality, as she copes with the stress of travel complicated by her grandparents frailty."

    Scott Fitzgerald declared it "the funniest story ever written" and "one of my two favorite stories." It's the strange tale of a man who is "born" 70 years old and mysteriously ages in reverse. This stunning graphic novel adaptation illustrates Benjamin Button's many adventures: He falls in love, starts a family, and runs a successful business. In his later years, he goes to war and attends Harvard University. As an old man, he resembles a newborn baby and returns to the care of a nurse.Complete with Fitzgerald's original text, dazzling watercolor illustrations, and an afterword describing the story's origins and critical reception, this edition offers a fresh look at a literary masterpiece.

    For the first time, the official sequels to the critically acclaimed show Firefly are collected under one cover!The Serenity rides again, in these official sequels to the critically acclaimed show Firefly, collected for the first time under one cover! Buried histories and secret identities are revealed, along with all the heist-takin’, authority-dodgin’, death-defyin’ space-cowboyin’ you’ve been missing from your life, as this ragtag crew of mercenaries, outlaws, and fugitives travel the stars in search of their next adventure.  Collects the following previously released material:    *   Serenity: Those Left Behind #1-3   *   Serenity: Better Days #1-3   *   “Serenity: The Other Half”   *   “Serenity: Downtime”   *   Serentity: The Shepherd’s Tale   *   Serenity: Float Out #1   *   “It’s Never Easy”

    Along with inker Dick Giordano, Byrne reimagined the look of Superman, Lois Lane, Krypton and Lex Luthor.The relationships between Superman and Lois, Superman and Batman, and Superman and Luthor were reexamined and tweaked for modern readers. Old villains such as Bizarro returned and new ones, such as Magpie, were introduced.It was the dawn of a new age for the Man of Steel that endures today. See how it all began in this collection of the first six stories. Includes a foreword by Ray Bradbury.This volume collects Man of Steel #1-6.

    He's a hero, of sorts, who manages to come out on top through a combination of luck, trickery, and genuine magical skill. The Original Sins collection is a loosely connected series of tales of John's early years where Constantine was at his best and at his worst, all at the same time.Collects Hellblazer #1-9.

    When two soldiers from opposite sides of a never-ending galactic war fall in love, they risk everything to bring a fragile new life into a dangerous old universe. Fantasy and science fiction are wed like never before in a sexy, subversive drama for adults. This specially priced volume collects the first arc of the smash hit series The Onion A.V. Club calls "the emotional epic Hollywood wishes it could make."Collects: Saga #1-6.

    For all you fellow agonizers, fretters, and nervous wrecks, this book is for you. Read it and weep...with laughter

    With stunning, expressive illustrations and ample direct quotation from the diary, this edition will expand the readership for this important and lasting work of history and literature.

    And someone will. Billy Butcher, Wee Hughie, Mother's Milk, The Frenchman and The Female are The Boys: A CIA backed team of very dangerous people, each one dedicated to the struggle against the most dangerous force on Earth-superpower. Some superheores have to be watched. Some have to be controlled. And some of them-sometimes-need to be taken out of the picture That's when you call in THE BOYS

    At stake - one man's immortal, indestructible soul.

    Once a month she must eat a human brain to keep from losing her memories, but in the process she becomes consumed with the thoughts and personality of the dead person – until she eats her next brain. She sets out to fulfill the dead person’s last request, solve a crime or right a wrong.Our zombie girl detective is joined by a radical supporting cast: her best friend Eleanor, who happens to be a swinging ’60s ghost, a posse of paintball blasting vampires, a smitten were-dog and a hot but demented mummy.Collects issues #1-5

    Then Bill Watterson came along and reminded a new generation of what older readers and comic strip aficionados knew: A well-written and beautifully drawn strip is an intricate, powerful form of communication. And with Calvin and Hobbes, we had fun—just like readers of Krazy Kat and Pogo did. Opening the newspaper each day was an adventure. The heights of Watterson's creative imagination took us places we had never been. We miss that.This book was published in conjunction with the first exhibition of original Calvin and Hobbes Sunday pages at The Ohio State University Cartoon Research Library. Although the work was created for reproduction, not for gallery display, was a pleasure to see the cartoonist's carefully placed lines and exquisite brush strokes. In an attempt to share this experience with those who were unable to visit the exhibition, all of the original Sunday pages displayed are reproduced in color in this book so that every detail, such as sketch lines, corrections, and registration marks, are visible. On the opposite page the same comic strip is printed in full color. Because Watterson was unusually intentional and creative in his use of color, this juxtaposition provides Calvin and Hobbes readers the opportunity to consider the impact of color on its narrative and content.When I first contacted Bill Watterson about the possibility of exhibiting his original work, I used the term "retrospective." He replied that we might be able to do an exhibit, but that calling it a retrospective made him uncomfortable. He felt that a longer time was needed to put Calvin and Hobbes in the historical perspective implied by that term. Nonetheless, this show is a "look back" at the comic strip as we revisit favorites that we remember. Calvin and Hobbes: Sunday Pages 1985-1995 is particularly interesting because each work that is included was selected by Bill Watterson. His comments about the thirty-six Sunday pages he chose are part of this volume. In addition, he reflects on Calvin and Hobbes from the perspective of six years, and his essay provides insights into his life as a syndicated cartoonist.Reprint books of Calvin and Hobbes are nice to have, but the opportunity to see the original work and read Bill Watterson's thoughts about it is a privilege. He generously shared not only the art, but also his time and his thoughts. When I first reviewed the works included in the exhibit, I knew that everyone who visited it would begin with laughter and end with tears.On behalf of all who enjoyed Calvin and Hobbes, thank you, Bill Watterson.--Lucy Shelton Caswell, Professor and Curator The Ohio State University Cartoon Research Library, June 2001

    Locked inside for the duration, he passes the time playing with his siblings and his giant cat, Nemo, while tensions within the family begin to simmer… In her first graphic novel, Tillie Walden tells the tragic and moving story of Lars and his twin sister, Maja. Full of subtle and tender character moments and set in an exquisitely rendered castle, it’s a hauntingly beautiful work that will no doubt be considered as one of the great debuts of 2015.

    The Joker's lovable partner in crime takes the spotlight in this new hardcover volume collecting HARLEY QUINN #1-7, written by Karl Kesel (SUPERMAN: THE MAN OF STEEL) with art by the fan-favorite team of Terry Dodson and Rachel Dodson (WONDER WOMAN)! Don't miss these beautifully illustrated tales of lunacy!