Dolls, sewing machines, tinned foods, mirrors, malfunctioning bodies - many images recur in stories that are in turn child-like and naive, grotesque and very dark.In Unstitching, a feminist revolution takes place. In Waxy, a factory worker fights to keep hold of her Man in a society where it is frowned upon to be Manless. In Agata's Machine, two schoolgirls conjure a Pierrot and an angel in a dank attic room. In Notes from a Spider, a half-man, half-spider finds love in a great European city.By constantly reinventing ways to engage with her obsessions and motifs, Camilla Grudova has come up with a method for storytelling that is highly imaginative, incredibly original, and absolutely discomfiting.Content:- Unstitching (2017)- The Mouse Queen (2017)- The Gothic Society (2017)- Waxy (2016)- The Doll's Alphabet (2017)- The Mermaid (2017)- Agata's Machine (2015)- Rhinoceros (2017)- The Sad Tale of the Sconce (2017)- Edward, Do Not Pamper the Dead (2017)- Hungarian Sprats (2017)- The Moth Emporium (2017)- Notes from a Spider (2017)

    Now at last, in “Let the Old Dreams Die,” the title story in this absolutely stunning collection, we get a glimpse of what happened next to the pair. Fans of Let the Right One In will have to read the story, which is destined to generate much word of mouth both among fans and online.“Let the Old Dreams Die” is not the only stunner in this collection. In "Final Processing," Lindqvist also reveals the next chapter in the lives of the characters he created in Handling the Undead. “Equinox” is a story of a woman who takes care of her neighbor’s house while they are away and readers will never forget what she finds in the house. Every story meets the very high standard of excellence and fright factor that Lindqvist fans have come to expect. Totally transcending genre writing, these are world class stories from possibly the most impressive horror writer writing today.

    In these short stories, we are the upright beasts, doing battle with our darker, weirder impulses as the world collapses around us.

    Whatever the reason, summer is the perfect time for love to bloom. Summer Days & Summer Nights: Twelve Love Stories, written by twelve bestselling young adult writers and edited by the international bestselling author Stephanie Perkins, will have you dreaming of sunset strolls by the lake. So set out your beach chair and grab your sunglasses. You have twelve reasons this summer to soak up the sun and fall in love.Head, scales, tongue, tail / Leigh Bardugo --The end of love / Nina LaCour --Last stand at the Cinegore / Libba Bray --Sick pleasure / Francesca Lia Block --In ninety minutes, turn north / Stephanie Perkins --Souvenirs / Tim Federle --Inertia / Veronica Roth --Love is the last resort / Jon Skovron --Good luck and farewell / Brandy Colbert --Brand new attraction / Cassandra Clare --A thousand ways this could all go wrong / Jennifer E. Smith --The map of tiny perfect things / Lev Grossman

    From the all-powerful natural horrors of The First Law, to the man-made terrors of The Origin of Truth, this collection explores existence at the very edge of survival ... for humankind itself. The British Fantasy Award-winning White gives an ambiguous vision of a frozen hell-on-earth, while the new novella Hell locates it even nearer to our hearts. From Bad Flesh tells of diseased flesh, while the brand new Mannequin Man and the Plastic Bitch contains many maladies of the mind, most of them considered normal in the sick world it inhabits...Contents:* White* From Bad Flesh* Hell (original)* The First Law* The Origin of Truth* Mannequin Man and the Plastic Bitch (original)

    The dark twists on classic tales range from exploring whether Jack truly fell or if Jill pushed him instead to why Humpty Dumpty, fragile and alone, sat atop so high of a wall. The authors include Nina Berry, Sarwat Chadda, Leigh Fallon, Gretchen McNeil, and Suzanne Young.

    In the forest there is not a big gap between the two."A Datin recalls her romance with an orang bunian. A teenage pontianak struggles to balance homework, bossy aunties, first love, and eating people. An earth spirit gets entangled in protracted negotiations with an annoying landlord, and Chang E spins off into outer space, the ultimate metaphor for the Chinese diaspora.Straddling the worlds of the mundane and the magical, Spirits Abroad collects ten science fiction and fantasy stories with a distinctively Malaysian sensibility.

    Selected by a vote of the membership of the Science Fiction Writers of America (SFWA), these 26 reprints represent the best, most important, and most influential stories and authors in the field. The contributors are a Who's Who of classic SF, with every Golden Age giant included: Isaac Asimov, Ray Bradbury, Arthur C. Clarke, John W. Campbell, Robert A. Heinlein, Fritz Leiber, Cordwainer Smith, Theodore Sturgeon, and Roger Zelazny. Other contributors are less well known outside the core SF readership. Three of the contributors are famous for one story--but what stories!--Tom Godwin's pivotal hard-SF tale, "The Cold Equations"; Jerome Bixby's "It's a Good Life" (made only more infamous by the chilling Twilight Zone adaptation); and Daniel Keyes's "Flowers for Algernon" (brought to mainstream fame by the movie adaptation, Charly). The collection has some minor but frustrating flaws. There are no contributor biographies, which is bad enough when the author is a giant; but it's especially sad for contributors who have become unjustly obscure. Each story's original publication date is in small print at the bottom of the first page. And neither this fine print nor the copyright page identifies the magazines in which the stories first appeared. Prefaced by editor Robert Silverberg's introduction, which describes SFWA and details the selection process, The Science Fiction Hall of Fame: Volume One, 1929-1964 is a wonderful book for the budding SF fan. Experienced SF readers should compare the table of contents to their library before making a purchase decision. Fans who contemplate giving this book to non-SF readers should bear in mind that, while several of the collected stories can measure up to classic mainstream literary stories, the less literarily-acceptable stories are weighted toward the front of the collection; adult mainstream-literature fans may not get very far into The Science Fiction Hall of Fame: Volume One, 1929-1964. --Cynthia Ward· Introduction · Robert Silverberg · in · A Martian Odyssey [Tweel] · Stanley G. Weinbaum · nv Wonder Stories Jul ’34 · Twilight [as by Don A. Stuart; Dying Earth] · John W. Campbell, Jr. · ss Astounding Nov ’34 · Helen O’Loy · Lester del Rey · ss Astounding Dec ’38 · The Roads Must Roll · Robert A. Heinlein · nv Astounding Jun ’40 · Microcosmic God · Theodore Sturgeon · nv Astounding Apr ’41 · Nightfall · Isaac Asimov · nv Astounding Sep ’41 · The Weapon Shop [Isher] · A. E. van Vogt · nv Astounding Dec ’42 · Mimsy Were the Borogoves · Lewis Padgett · nv Astounding Feb ’43 · Huddling Place [City (Websters)] · Clifford D. Simak · ss Astounding Jul ’44 · Arena · Fredric Brown · nv Astounding Jun ’44 · First Contact · Murray Leinster · nv Astounding May ’45 · That Only a Mother · Judith Merril · ss Astounding Jun ’48 · Scanners Live in Vain · Cordwainer Smith · nv Fantasy Book #6 ’50 · Mars Is Heaven! · Ray Bradbury · ss Planet Stories Fll ’48 · The Little Black Bag · C. M. Kornbluth · nv Astounding Jul ’50 · Born of Man and Woman · Richard Matheson · vi F&SF Sum ’50 · Coming Attraction · Fritz Leiber · ss Galaxy Nov ’50 · The Quest for Saint Aquin · Anthony Boucher · ss New Tales of Space and Time, ed. Raymond J. Healy, Holt, 1951; F&SF Jan ’59 · Surface Tension [Lavon] · James Blish · nv Galaxy Aug ’52 · The Nine Billion Names of God · Arthur C. Clarke · ss Star Science Fiction Stories #1, ed. Frederik Pohl, Ballantine, 1953 · It’s a Good Life · Jerome Bixby · ss Star Science Fiction Stories #2, ed. Frederik Pohl, Ballantine, 1953 · The Cold Equations · Tom Godwin · nv Astounding Aug ’54 · Fondly Fahrenheit · Alfred Bester · nv F&SF Aug ’54 · The Country of the Kind · Damon Knight · ss F&SF Feb ’56 · Flowers for Algernon · Daniel Keyes · nv F&SF Apr ’59 · A Rose for Ecclesiastes · Roger Zelazny · nv F&SF Nov ’63

    Awe meets ache. Terror becomes transcendence. Regret gives way to rebirth. Fifteen short stories and one poem span nearly every twisted corner of the horror and dark fiction genres:A woman experiences an emotional reckoning inside a haunted house. A father sees his daughter rescued after a cold case is solved, only to learn the tragic limits of his love. A man awakens a vengeful spirit and learns the terrible price of settling scores. A boy comes of age into awareness of a secret universe of Lovecraftian scale. A young woman confronts the deathly price of existence inside a German concentration camp during the Holocaust. And much, much more…Gutted: Beautiful Horror Stories features the most celebrated voices in dark fiction, as well as a number of exciting, new talents, including: Clive Barker, Neil Gaiman, Ramsey Campbell, Paul Tremblay, John F.D. Taff, Lisa Mannetti, Damien Angelica Walters, Josh Malerman, Christopher Coake, Mercedes M. Yardley, Brian Kirk, Stephanie M. Wytovich, Amanda Gowin, Richard Thomas, Maria Alexander and Kevin Lucia. With a foreword from Cemetery Dance magazine founder Richard Chizmar.

    Dick was a master of science fiction, but he was also a writer whose work transcended genre to examine the nature of reality and what it means to be human. A writer of great complexity and subtle humor, his work belongs on the shelf of great twentieth-century literature, next to Kafka and Vonnegut. Collected here are twenty-one of Dick's most dazzling and resonant stories, which span his entire career and show a world-class writer working at the peak of his powers.In "The Days of Perky Pat," people spend their time playing with dolls who manage to live an idyllic life no longer available to the Earth's real inhabitants. "Adjustment Team" looks at the fate of a man who by mistake has stepped out of his own time. In "Autofac," one community must battle benign machines to take back control of their lives. And in "I Hope I Shall Arrive Soon," we follow the story of one man whose very reality may be nothing more than a nightmare. The collection also includes such classic stories as "The Minority Report," the basis for the Steven Spielberg movie, and "We Can Remember It for You Wholesale," the basis for the film Total Recall. Selected Stories of Philip K. Dick is a magnificent distillation of one of American literature's most searching imaginations.» Introduction by Jonathan Lethem1. Beyond Lies the Wub (wikipedia)2. Roog (wikipedia)3. Paycheck (wikipedia, imdb)4. Second Variety (wikipedia, imdb)5. Imposter (wikipedia)6. The King of the Elves (wikipedia, imdb)7. Adjustment Team (wikipedia, imdb)8. Foster, You're Dead! (wikipedia)9. Upon the Dull Earth (wikipedia)10. Autofac (wikipedia)11. The Minority Report (wikipedia, imdb)12. The Days of Perky Pat (wikipedia)13. Precious Artifact14. A Game of Unchance15. We Can Remember It for You Wholesale (wikipedia, imdb)16. Faith of Our Fathers (wikipedia)17. The Electric Ant (wikipedia)18. A Little Something for Us Tempunauts (wikipedia)19. The Exit Door Leads In (wikipedia)20. Rautavaara's Case (wikipedia)21. I Hope I Shall Arrive Soon (wikipedia)

    Experience the horror of Tade Thompson's The Murders of Molly Southbourne.The rule is simple: don't bleed.For as long as Molly Southbourne can remember, she's been watching herself die. Whenever she bleeds, another molly is born, identical to her in every way and intent on her destruction.Molly knows every way to kill herself, but she also knows that as long as she survives she'll be hunted. No matter how well she follows the rules, eventually the mollys will find her. Can Molly find a way to stop the tide of blood, or will she meet her end at the hand of a girl who looks just like her?

    Alas, in the infinite nexus of the universe which is New York, trouble is a hard thing to avoid, and when a rivalry between the city's two queens threatens to turn to all out war, M finds himself thrust in thrust in the unfamiliar position of hero. Now, to keep the apocalypse from descending on the Big Apple, he’ll have to call in every favor, waste every charm, and blow every spell he's ever acquired - he might even have to get out of bed before noon.Enter a world of Wall Street wolves, slumming scenesters, desperate artists, drug-induced divinities, pocket steam-punk universes, hipster zombies, and phantom subway lines. Because the city never sleeps, but is always dreaming.

    James to Neil Gaiman, H.H. Munro to Audrey Niffenegger herself, Ghostly reveals the evolution of the ghost story genre with tales going back to the eighteenth century and into the modern era, ranging across styles from Gothic Horror to Victorian, stories about haunting--haunted children, animals, houses. Every story is introduced by Audrey Niffenegger, an acclaimed master of the craft, with some words on its background and why she chose to include it. Audrey's own story is "A Secret Life With Cats."     Perfect for the classic and contemporary ghost story aficionado, this is a delightful volume, beautifully illustrated by Audrey, who is a graphic artist with great vision. Ghostly showcases the best of the best in the field, including Edith Wharton, P.G. Wodehouse, A.S. Byatt, Ray Bradbury, and so many more.

    His stories are powerfully charged explorations of psychical violence, their effects heightened by detailed character studies graced with a powerful poetic elegance. In simple terms Oliver Onions goes for the cerebral rather than the jugular. However, make no mistake, his ghost stories achieve the desired effect. They draw you in, enmeshing you in their unnerving and disturbing narratives.This collection contains such masterpieces as The Rosewood Door, The Ascending Dream, The Painted Face and The Beckoning Fair One, a story which both Algernon Blackwood and H. P. Lovecraft regarded as one of the most effective and subtle ghost stories in all literature. Long out of print, these classic tales are a treasure trove of nightmarish gems.

    At a deluxe medical spa on a nameless Caribbean island, a middle-aged woman hopes to revitalize her fading youth with grotesque rejuvenating therapies that combine cutting-edge medical technologies with holistic approaches and the pseudo-religious dogma of Zen-infused self-help. And in a rinky-dink mill town, an adolescent girl is unexpectedly inspired by the ravings and miraculous levitation of her fundamentalist friend’s weird grandmother. These are only a few of the scenarios readers encounter in Julia Elliott’s debut collection, The Wilds. In these genre-bending stories, teetering between the ridiculous and the sublime, Elliott’s language-driven fiction uses outlandish tropes to capture poignant moments in her humble characters’ lives. Without abandoning the tenets of classic storytelling, Elliott revels in lush lyricism, dark humor, and experimental play.