or to remember? A compelling drama about broken dreams, first love and the mystery of a lost sister, for all fans of Hannah Richell and Kate Morton. She remembered this part of the trip during the day time. Her sisters on either side in the back. The sunlight flickering through branches was like looking through a kaleidoscope. How could that be so long ago? How could so much have gone wrong?Phoebe's life has fallen apart and there's only one place left to go. Alone and adrift after a failed marriage proposal, she flees Sydney to her family's abandoned holiday cottage.On the slow-moving river Phoebe is confronted with the legacy of her older sister's suicide, a year before. Why did Karin leave a note written in flowers and walk into the water?Phoebe's childhood love, Jez, has moved back to the beautiful old house, Driftwood, one jetty down. He's married now and the home has become a refuge for an unlikely little community.As the river begins to give up its secrets, Phoebe finds herself caught up in old feelings and new mysteries. The Lost Summers of Driftwood is a story of lost loves, rekindled passions, tragedy and betrayal set against the backdrop of an idyllic south coast town.

    Suzy is horrified by this news but copes in the only way she knows how - through work, mothering, and carrying on with her ill-advised, tandem affairs.The consequences of her actions catch up with Suzy over the course of a sticky Sydney summer. She starts receiving anonymous vindictive letters and is pursued by Tracey's mother wanting her, as a kind of rough justice, to tell Tracey's story, but this time, the right way.A tender, absorbing, intelligent and moving exploration of guilt, shame, female anger, and, in particular, mothering, with all its trouble and treasure, The Truth About Her is mostly though a story about the nature of stories - who owns them, who gets to tell them, and why we need them. An entirely striking, stylish and contemporary novel, from a talented new writer.

    It goes down into the guts of the world. But a child’s love for a parent is different. It goes up. It’s more ethereal. It’s not quite present on the earth.’In present-day Melbourne, a man attempts to piece together the mystery of his father’s apparent suicide, as his young family slowly implodes. At the ashram of Bhagwan Shree Rajneesh, in 1976, a man searching for salvation must confront his capacity for violence and darkness. And in a not-too-distant future, a woman with a life-altering decision to make travels through a climate-ravaged landscape to visit her estranged father.In Moonland is a portrait of three generations, each grappling with their own mortality. Spanning the wild idealism of the 70s through to the fragile hope of the future, it is a novel about the struggle for transcendence and the reverberating effects of family bonds. This long-awaited second outing from Miles Allinson, the multi-award-winning author of Fever of Animals, will affirm his reputation as one of Australia’s most interesting contemporary fiction writers, and urge us to see our own political and environmental reality in a new light.

    It was in the past, and Layla didn’t dwell on the past.’Layla was just like any other teenager in the small town of Glasswater Bay: she studied hard, went out with her friends and worked at the local cafe after school. But when her attractive, married boss turned his attention on her, everything changed.Twenty years later, Layla's living a quiet life in the suburbs with a loving husband and two children. She's finally left the truth of what happened behind. Until she receives a text message: I know what you did.For years, she’s outrun her past, turning away from her friends and her home town. Now her past is about to catch up.

    Emma is in denial about a potential custody battle, her financial constraints, the exhaustion she can’t seem to shake off and the inappropriate feelings she has for her boss. And single mum Neve is harbouring a secret of her own; a secret that might forever damage her close-knit relationship with her son.When the tight hold they have each kept on their secrets for years begins to slip, they must face the truth. Even if that truth has the power to hurt the ones they love, and each other.Perhaps some secrets weren’t made to be kept.

    But darkness is found both in the iconic setting as well as in the disturbing behaviour of one of the family.As he tilted the blinds she saw her mother in her tennis whites, standing at the kitchen bench, staring out into the dark bushland that bordered their houses. That was what Tricia did these days, looked into the bush as though it would attack one of them.On a sweltering day in a cliff-top beach shack, Jack and Lou Bright grow suspicious about the behaviour of their charismatic, unpredictable father, Charlie. A girl they know has disappeared, and as the day unfolds, Jack's eruptions of panic, Lou's sultry rebellions and their little sister Phoebe's attention-seeking push the family towards revelation.Twenty years later, the Bright children have remained close to the cliff edges, russet sand and moody ocean of their childhood. Behind the beautiful surfaces of their daily lives lies the difficult landscape of their past, always threatening to break through. And then, one night in late summer, they return to the house on the cliff...Gripping and evocative, Bluebottle is a story of a family bound by an inescapable past, from the award-winning author of The River Baptists and Hannah and Emil.

    There she meets the Aquino family, whose fishing business was founded by their ancestor, Giuseppe, an Italian immigrant, some ninety years before. Life for Cassie on the south west coast is sweet as she sets up a successful restaurant and falls in love with Giuseppe's great grandson Michael. But when the family patriarch dies, a devastating family secret is revealed which threatens to destroy her dreams. Cassie's future happiness now rests with her quest for the truth, in Di Morrissey's The Winter Sea.

    But sometimes it can also mean entry to a new kind of life, a bigger world. Greer Kadetsky is a shy college freshman when she meets the woman she hopes will change her life. Faith Frank, dazzlingly persuasive and elegant at sixty-three, has been a central pillar of the women’s movement for decades, a figure who inspires others to influence the world. Upon hearing Faith speak for the first time, Greer—madly in love with her boyfriend, Cory, but still full of longing for an ambition that she can’t quite place—feels her inner world light up. And then, astonishingly, Faith invites Greer to make something out of that sense of purpose, leading Greer down the most exciting path of her life as it winds toward and away from her meant-to-be love story with Cory and the future she’d always imagined. Charming and wise, knowing and witty, Meg Wolitzer delivers a novel about power and influence, ego and loyalty, womanhood and ambition. At its heart, The Female Persuasion is about the flame we all believe is flickering inside of us, waiting to be seen and fanned by the right person at the right time. It’s a story about the people who guide and the people who follow (and how those roles evolve over time), and the desire within all of us to be pulled into the light.

    In his earlier, award-winning novels, Dominic Smith demonstrated a gift for coaxing the past to life. Now, in The Last Painting of Sara de Vos, he deftly bridges the historical and the contemporary, tracking a collision course between a rare landscape by a female Dutch painter of the golden age, an inheritor of the work in 1950s Manhattan, and a celebrated art historian who painted a forgery of it in her youth.In 1631, Sara de Vos is admitted as a master painter to the Guild of St. Luke's in Holland, the first woman to be so recognized. Three hundred years later, only one work attributed to de Vos is known to remain--a haunting winter scene, At the Edge of a Wood, which hangs over the bed of a wealthy descendant of the original owner. An Australian grad student, Ellie Shipley, struggling to stay afloat in New York, agrees to paint a forgery of the landscape, a decision that will haunt her. Because now, half a century later, she's curating an exhibit of female Dutch painters, and both versions threaten to arrive. As the three threads intersect, The Last Painting of Sara de Vos mesmerizes while it grapples with the demands of the artistic life, showing how the deceits of the past can forge the present.

    A family divided. Only truth can set them free.Banjo Murphy is killed on the night he finally walks away from his wife, Jade, after twenty-five years of her adultery. In the aftermath, Banjo is bewildered to discover he still exists, and in despair he watches Jade collapse into deep depression and his daughters, Lissy and Cassandra, struggle with their unexpected loss.Lissy is tortured by the mystery surrounding her father’s death. What compelled Banjo to leave the night he died? And why won’t Jade talk about what happened? Despite their volatile relationship, Lissy believes her parents’ love to have been enduring, but sensibleCassandra sees things differently. When Cassy discovers a sketchbook chronicling Jade’s affairs, the truth of their parents’ relationship begins to unfold and Lissy’s loyalties are divided.Searching for answers, Lissy contacts Jade’s ex-lovers. And watching from afar, Banjo aches as he discovers what these men meant to Jade – until Lissy’s quest reveals an explosive truth …One that will finally set their family free. - See more at: http://books.simonandschuster.com.au/...

    Chrisanthi is sympathetic to Pamela's struggles and the women begin to tell each other the stories and secrets of their lives.Pamela, responsible for raising her three sons, must re-invent the meaning of home following her divorce, and Chrisanthi, her dreams long dampened, must find home by leaving it. Temperamental opposites, their emails turn into an exhilarating and provocative exchange of love, loss and fresh beginnings, by turns amusing, frank and confronting.

    Growing up neglected in a seedy boarding house, twelve-year-old Emily Lawrence befriends Max, a middle-aged scientist who encourages her to pursue her intellectual interests. Innocent Emily will face scandal, suburban snobbery and psychological torment. Originally published in 1958, The Long Prospect was described as second only to Patrick White’s Voss in postwar Australian literature.The Introduction is by Fiona McGregor.

    But Tess senses she's at a hinge moment, poised between the life she thought she wanted and the one she long ago decided against. The demands of her Sydney family seem unrelenting: an uneasy teenage daughter, a father who has just been placed in care, the impending sale of her childhood home. Sent to London for a conference, she's unable to resist the pull of that relinquished life. What, she wonders, would it be like now? And might it have suited her better after all?Deceptively concise, moving, elegant, The Girl with the Dogs was published online in 2014 under the title of Everything Precious.

    They've seen each other through first kisses, bad break-ups and everything in-between. It's almost 20 years since Libby moved to Sydney, but they've remained close, despite the distance and the different paths their lives have taken.So when Libby announces she's moving back to Melbourne, Kit is overjoyed. They're best friends - practically family - so it doesn't matter that she and Libby now have different ...well, different everything, actually, or so it seems when they're finally living in the same city again.Or does it?

     A prodigal daughter returns to Brockenridge... Eleven years ago Ruby Aston left Brockenridge - and its small-town gossip - for the anonymity of the big city. Now, a grieving Ruby is forced to come home to the place she loathes. But it also means returning to someone she's always regretted leaving behind... Connor Delaney is determined to prove himself and not get by on his family name alone. To do this he needs to acquire the local roadhouse. He never anticipated the owner would be the same 'bad girl' who ditched him at the high school ball and was never heard from again. For Alisha Nathieson, the grief of suddenly losing her dear friend and employer Clara Aston has forced her to examine her choice to stay to support her aging parents. As she battles a growing need to explore her past, temptation wars with duty. And then there are her feelings for handsome chef Harry, who has secrets of his own... If Ruby follows her heart and saves her mother's legacy, will she lose the one man she's longed for all along?