A medical procedure reveals an object of worship. A carnivorous reptile divides and cauterizes a town. Amelia Gray’s curio cabinet expands in Gutshot, where isolation and coupling are pushed to their dark and outrageous edges. These singular stories live and breathe on their own, pulsating with energy and humanness and a glorious sense of humor. Hers are stories that you will read and reread—raw gems that burrow into your brain, reminders of just how strange and beautiful our world is. These collected stories come to us like a vivisected body, the whole that is all the more elegant and breathtaking for exploring its most grotesque and intimate lightless viscera.

    Original.

    McMurtry has chosen a refreshing range of work that, when taken as a whole, depicts the evolution and maturation of Western writing over several decades. The featured tales are not so concerned with the American West of history and geography as they are with the American West of the imagination—one that is alternately comic, gritty, individual, searing, and complex. Including authors such as Jack Kerouac, Wallace Stegner, Raymond Carver, Annie Proulx, and Diana Ossana, this collection captures the real Western canon like no other.

     As usual, Maupin’s tone is both bittersweet and achingly funny in this tale of a post-catastrophic San Francisco and a young man’s resilient love for his mother. Cover Design by Darryl Vance

    All of Magnus Mills' darkly comic and hugely entertaining stories are here collected in one book for the first time.

    The wind from behind had kept the dust moving forward at a pace just equal to the gallop of his horse. Not until he had brought his mount to a halt in front of the hotel and swung down to the ground did either he or his horse become distinctly visible. Then it was seen that the animal was in the last stages of exhaustion, with dull eyes and hanging head and forelegs braced widely apart, while the sweat dripped steadily from his flanks into the white dust on the street. Plainly he had been pushed to the last limit of his strength. The rider was almost as far spent as his mount, for he went up the steps of the hotel with his shoulders sagging with weariness, a wide-shouldered, gaunt-ribbed man. Thick layers of dust had turned his red kerchief and his blue shirt to a common gray. Dust, too, made a mask of his face, and through that mask the eyes peered out, surrounded by pink skin. Even at its best the long, solemn face could never have been called handsome. But, on this particular day, he seemed a haunted man, or one fleeing from an inescapable danger. . . .

    Poe's work is full of mystery, horror, and a dark imagination, while Verne focuses on action and adventure. It is a fascinating look at two great literary minds as they work on the same subject: the strange voyage of Arthur Gordon Pym to the Antarctic.

    He is an extremely wealthy man, although no one knows where he or his money have come from. But Gatsby has a purpose: he is following a dream of love. Will his dream come true?

    Containing many "lost" pieces, it is a compendium of suspense from the pulp magazines of the '20s to his last efforts in the '70s. Fine.

    Filled with the sharp humor, emotional acuity, and joyful language Moore has become famous for, these nine glittering tales marked the introduction of an extravagantly gifted writer.

    Gillett, Ph.D.• The Efficiency Expert by W. R. Thompson• Second Helpings by George R. R. Martin• Random Sample by Heidi Heyer• On Gaming by Dana Lombardy• Siblings by Larry Powell• Diabetes and Rockets by G. Harry Stine• Béisbol by Ben Bova• The Darkling Plain by P. M. Fergusson• Biolog: P. M. Fergusson by Jay Kay Klein• The Reference Library by Thomas A. Easton •   Review: Artifact by Gregory Benford by Thomas A. Easton •   Review: Cuckoo's Egg by C. J. Cherryh by Thomas A. Easton •   Review: Skinner by Richard S. McEnroe by Thomas A. Easton •   Review: Blood Music by Greg Bear by Thomas A. Easton •   Review: A Coming of Age by Timothy Zahn by Thomas A. Easton •   Review: Trumps of Doom by Roger Zelazny by Thomas A. Easton •   Review: The Fall of Winter by Jack C. Haldeman, II by Thomas A. Easton •   Review: The Time Travelers; A Science Fiction Quartet by Martin H. Greenberg and Robert Silverberg by Thomas A. Easton •   Review: The Hugo Winners, 1976-1979 by Isaac Asimov by Thomas A. Easton •   Review: Young Extraterrestrials by Isaac Asimov and Martin Greenberg and Charles Waugh by Thomas A. Easton •   Review: The Year's Best Science Fiction, Second Annual Collection by Gardner Dozois by Thomas A. Easton •   Review: The Future of Flight by Dean Ing and Leik Myrabo by Thomas A. Easton •   Review: Out of the Cradle: Exploring the Frontiers Beyond Earth by William K. Hartmann and Pamela Lee and Ron Miller by Thomas A. Easton • Brass Tacks by Stanley Schmidt• Analog: A Calendar of Upcoming Events by Anthony R. Lewis

    This is a place where a boy with keys for fingers is a hero, a woman's children are potatoes, and a little boy with an iron for a head is born to a family of pumpkin heads. With her singular mix of surrealism, musical prose, and keenly felt emotion, Bender once again proves herself to be a masterful chronicler of the human condition.

    His major inspiration and invention was cosmic horror: the idea that life is incomprehensible to human minds and that the universe is fundamentally alien. Those who genuinely reason, like his protagonists, gamble with sanity. He has developed a cult following for his Cthulhu Mythos, a series of loosely interconnected fictions featuring a pantheon of human-nullifying entities, as well as the Necronomicon, a fictional grimoire of magical rites and forbidden lore. His works were deeply pessimistic and cynical, challenging the values of Enlightenment, Romanticist, and Christian humanism. Lovecraft's protagonists usually achieve the mirror-opposite of traditional gnosis and mysticism by momentarily glimpsing the horror of ultimate reality. Although Lovecraft's readership was limited during his life, his reputation has grown over the decades, and he is now commonly regarded as one of the most influential horror writers of the 20th century, exerting widespread and indirect influence, and frequently compared to Edgar Allan Poe.

    While he was away at the War, his parents had their land stolen by the railroad, and they died in poverty. After that, Swede went bad. John Kirby was Swede's boyhood friend, now he's a Texas Ranger famous for bringing his men in dead. He's vowed to put an end to Swede's depredations. He also married the girl Swede loved. When Swede robs the bank is Temperance, Kirby leads the posse after him. In his flight, Swede encounters a girl named Rosie, a prostitute, the only survivor of an Indian raid. If Swede leaves her, she'll die, so he takes her with him, even though that means the posse will catch him . . .

    A tiny stand selling empanadas near the corner of Bleecker and MacDougal streets is the center of the action for the shy narrator, an aspiring writer just out of college. At the stand he falls in with a crowd of kooky outcasts from Argentina who introduce him to their raucous adventures, melodramatic dreamsand women, particularly a tough little flamenco dancer from Buenos Aires. Charming and insightful, this deceptively simple novel is a tale told by a master. It is a wise coming-of-age story, full of joyand touched by heartbreak, that captures a special time and place with extraordinary empathy and humor.