Now, after sixteen years in jail for the murder of her stepmother in small-town Tennessee, Gia's father has come home to die of cancer. And she's responsible for his care. Resuming the role of daughter to the town's most infamous murderer means confronting the past she's spent over a decade avoiding. But in the end, the truth about what really happened may have deadlier consequences than she could have ever anticipated…

    Peter Brown is an intern at Manhattan's worst hospital, with a talent for medicine, a shift from hell, and a past he'd prefer to keep hidden. Whether it's a blocked circumflex artery or a plan to land a massive malpractice suit, he knows what evil lurks in the hearts of men.Pietro "Bearclaw" Brnwna is a hitman for the mob, with a genius for violence, a well-earned fear of sharks, and an overly close relationship with the Federal Witness Relocation Program. More likely to leave a trail of dead gangsters than a molecule of evidence, he's the last person you want to see in your hospital room.Nicholas LoBrutto, aka Eddy Squillante, is Dr. Brown's new patient, with three months to live and a very strange idea: that Peter Brown and Pietro Brnwa might-just might-be the same person ...Now, with the mob, the government, and death itself descending on the hospital, Peter has to buy time and do whatever it takes to keep his patients, himself, and his last shot at redemption alive. To get through the next eight hours-and somehow beat the reaper.Spattered in adrenaline-fueled action and bone-saw-sharp dialogue, BEAT THE REAPER is a debut thriller so utterly original you won't be able to guess what happens next, and so shockingly entertaining you won't be able to put it down.

    Thing is, you gotta kill it first.”Kevin Pearce—baseball star, honor student, the pride of Brighton—was fifteen when he left town in the back of his uncle’s cab. He and his buddy, Bobby Scales, just committed a heinous act of violence for what they thought were the best of reasons. Kevin didn’t want a pass, but he was getting it anyway. Bobby would stay and face the music; Kevin’s future would remain as bright as ever. At least that was the way things were supposed to work. Except in Brighton, things never work the way they’re supposed to. Twenty-seven years later, Kevin is a Pulitzer Prize-winning journalist for the Boston Globe. He’s never been back to his old block, having avoided his family and, especially, Bobby Scales. Then he learns his old friend is the prime suspect in a string of local murders. All of the sudden Kevin’s headed home—to protect a friend and the secret they share. To report this story to the end and protect those he loves, he must navigate not only an elusive, slippery killer, but his own corrupted conscience.A powerhouse of a thriller, Brighton is a riveting and elegiac exploration of promises broken, debts owed, and old wrongs made right . . . no matter what the cost.

    The woman who wrote it claims that Tommie is her daughter—and that she was kidnapped as a baby thirty-one years ago. Tommie wants to believe it’s all a hoax, but suddenly a girl who grew up on a Texas ranch finds herself linked to a horrific past: the slaughter of a family in Chicago, the murder of an Oklahoma beauty queen, and the kidnapping of a little girl named Adriana. Tommie races along a twisting, nightmarish path while an unseen stalker is determined to keep old secrets locked inside the dementia-battered brain of the woman who Tommie always thought was her real mother. With everything she has ever believed in question, and no one she can trust, Tommie must discover the truth about the girl who vanished—and the very real threats that still remain.

    And the further they travel, the more Shelby questions everything about her past—and her current reality. Forced to take advantage of the kindness of unsuspecting travelers, Shelby grapples with what’s real, what isn’t, and who she can trust . . . if anybody.Award-winning author Nick Lake proves his skills as a master storyteller in this heart-pounding new novel. This emotionally charged thrill ride leads to a shocking ending that will have readers flipping back to the beginning.

    As a young man, Arthur fled his small Kansas hometown, moved to Detroit, married Celia, and never looked back. But when the 1967 riots frighten him even more than his past, he convinces Celia to pack up their family and return to the road he grew up on, Bent Road, and that same small town where Eve mysteriously died. While Arthur and their oldest daughter slip easily into rural life, Celia and the two younger children struggle to fit in. Daniel, the only son, is counting on Kansas to make a man of him since Detroit damn sure didn't. Eve-ee, the youngest and small for her age, hopes that in Kansas she will finally grow. Celia grapples with loneliness and the brutality of life and death on a farm. And then a local girl disappears, catapulting the family headlong into a dead man's curve...

    Rachel and Clara promised theirs would last for ever. They met when Rachel was the new girl in class and Clara was the friend everyone wanted. Now in their late twenties Rachel has everything while Clara's life is spiralling further out of control. Then Clara vanishes. Imagine discovering something about your oldest friend that forces you to question everything you've shared together. The truth is always there. But only if you choose to see it.

    A scorching heatwave is suffocating L.A. PI John Keegan is offered a small fortune to find a beautiful woman from a set of photographs. He refuses; the job seems suspicious.But the next day the same woman, Eve, turns up, unbidden, on his doorstep. Eve fears for her safety. She is being watched. Before Keegan knows it, someone has been killed with Keegan s own gun, and he gets sucked into a world of suspicion and betrayal where he s never quite sure where the truth lies. Before long he s the prime suspect in a murder he didn't commit, and all the evidence seems to point in his direction.It s almost like someone planned it that way.

    To escape the awful life she has descended into, Luz plans carefully. She takes only the clothes on her back, a Colt .45, and all the money in her husband's safe. The corpses in the hallway weren't part of her plan. Luz needs to find the daughter she left behind years earlier, but she knows she may die trying. Her husband is El Principe , a key player in a high-powered drug cartel, a business he runs with the same violence he has used to keep Luz his perfect, obedient wife. With the pace and relentless force of a Scorsese film, ANGEL BABY is the newest masterpiece from one of the most ambitious and talented crime novelists at work today.

    Untimely deaths are all too common in rural Blackwater, Kansas, where crime and overdoses are on the rise, and the small-town police force is consumed with the recent discovery of a child's skull in the woods. Sadie is on her own, delving into the dark corners of a life her brother kept hidden and unearthing more questions than answers.Eighteen-year-old Henley Pettit knows more than she'd like to about the seedy side of Blackwater, and she's desperate to escape before she's irreparably entangled in her family's crimes. She dreams of disappearing and leaving her old life behind, but shedding the past is never easy, and getting out of town will be far more dangerous than she ever imagined.As more bones are found in the woods, time is running out for Sadie to uncover the truth and for Henley to make her escape. Both women are torn between family loyalties and the weight of the secrets they carry, knowing full well that while some secrets are hard to live with, others will get you killed.Like Laura McHugh's previous award-winning thrillers, The Weight of Blood and Arrowood, The Wolf Wants In is an atmospheric, beautifully told novel that barrels toward a twisting, chilling end and keeps us turning the page to find out how these small-town secrets will unravel--and who will survive.

    But the search will take her into the dark underbelly of New York she thought she'd escaped—and a web of deceit that threatens to destroy her.

    Inevitably, the conversation turns to family history and Margaret says that she knows very little about her late husband's background. Madeleine offers to help but Margaret is determined to do it for herself, but says she will keep Madeleine informed. A few weeks after they return from the holiday, Madeleine and Ian are shocked to hear of the murder of their new friend in her own home. Struggling to come to terms with this, the following day they receive a package from Margaret, which includes an old newspaper cutting giving details of the murder of an elderly couple in 1966. Margaret has scrawled on the cutting 'Peter didn't do this'. What is the connection between the two events, or isn't there one? Why was Margaret so sure about her husband and was she right? Madeleine and Ian are asked by Bernard Livesey, a friend of Margaret's, to continue her work into Margaret's husband's background, but in doing so, will her own reputation be compromised? Her friend, Peter Duffy, now promoted to Chief Inspector, is striving unsuccessfully to solve his first case since his promotion, but he realises he needs Madeleine's skills to untangle the web of complex family relationships, which is the key to the case.

    She went on this secret journey to pursue a nuclear weapon and it brought her to meet two good men who changed her life from bad to good and from good to bad at the same time.

    When a mysterious stranger named Quinn offers a hand in exchange for help reuniting with his daughter in San Francisco, Steven gets in the car and begins a journey from which there is no return.Quinn has an agenda all his own and he’s unleashing vengeance at each stop along his path. With a coked-up sadist ex-cop chasing Quinn, and two mismatched small town cops chasing the ex-cop, Steven is unaware of the violent tempest brewing. Corrupt cops and death-dealing gangsters manipulate the maze each of them must navigate to get to the one thing they’re all after: Teresa, the girl holding the secret that will rip open a decades-old scandal and scorch San Francisco’s City Hall.Steven finds Teresa homeless and strung out as their pursuers close in and bodies begin to pile high on the Bay Area’s back streets. Hand in hand Steven and Teresa lead the mad parade of desperate men to edge of the void.American Static is a fast paced crime thriller with a mystery woven in. It’s played out against the backdrop of Northern California’s wine country, Oakland’s mean streets, and San Francisco’s peaks and alleys, written by one of its favorite sons, a man who knows the underbelly of the city like no one else. American Static’s prose has been compared to Elmore Leonard, Richard Price, and Don Winslow.Advance Praise for American Static:“American Static is a stunning achievement and nobody could have written it but Tom Pitts. Pitts ain't just the real deal: he set the mold for what the real deal is, and the rest of us are just plastic copies.” —Benjamin Whitmer, author of Pike and Cry Father.“American Static grabs you by the collar and drags you through a dirty, dangerous tour of San Francisco. Tom Pitts serves up noir just the way you want it—dark, relentless, and inevitable.” —Rob Hart author of New Yorked, City of Rose, and South Village.“American Static is a remarkable novel, a ride with brilliant twists and turns and a relentless momentum, racing to an ending both unavoidable and unexpected.” —Steve Weddle, author of Country Hardball.“American Static is a hot dose of pure adrenaline that will leave you gasping for breath and begging for more.” —Owen Laukkanen, author of The Forgotten Girls.

    It’s what I do. This time I'm tidying up the loose ends after a casino heist gone bad. The loose ends being a million cash. But I only have 48 hours, and there’s a guy out there who wants my head in a bag.He'll have to find me first. They don’t call me the Ghostman for nothing...