They include "The Preliminary Notes", "The Apocalypse of Bob Paisner", and "Primary Sources". The title piece was awarded the Aga Khan Prize for Best Fiction published in the "Paris Review" during 1994.

    When a cop investigates, he finds two killers and a startling legacy of honor ... In a prestigious London art gallery an impoverished actor is swindled out of a fortune-until an eccentric appraiser hatches a delicious scheme for revenge... On an airplane high over war-torn Afghanistan, a passenger sends a note to the plane's captain, warning of suspicious behavior. But no one can guess who is really conspiring aboard the 747, or why... From the war-torn Italy to the Little Big Horn, from soldiers of fortune to victims of fate,The Veteran is a riveting experience in crime, heroism, and the kind of mano-a-mano duels-and surprising twists of fate-that are the hallmark of Frederick Forsyth at his very best.

    The Given Day tells the story of two families—one black, one white—swept up in a maelstrom of revolutionaries and anarchists, immigrants and ward bosses, Brahmins and ordinary citizens, all engaged in a battle for survival and power.Beat cop Danny Coughlin, the son of one of the city's most beloved and powerful police captains, joins a burgeoning union movement and the hunt for violent radicals. Luther Laurence, on the run after a deadly confrontation with a crime boss in Tulsa, works for the Coughlin family and tries desperately to find his way home to his pregnant wife.Here, too, are some of the most influential figures of the era—Babe Ruth; Eugene O'Neill; leftist activist Jack Reed; NAACP founder W. E. B. DuBois; Mitchell Palmer, Woodrow Wilson's ruthless Red-chasing attorney general; cunning Massachusetts governor Calvin Coolidge; and an ambitious young Department of Justice lawyer named John Hoover.Coursing through some of the pivotal events of the time—including the Spanish Influenza pandemic—and culminating in the Boston Police Strike of 1919, The Given Day explores the crippling violence and irrepressible exuberance of a country at war with, and in the thrall of, itself. As Danny, Luther, and those around them struggle to define themselves in increasingly turbulent times, they gradually find family in one another and, together, ride a rising storm of hardship, deprivation, and hope that will change all their lives.

    Simple orders for Inspector O, until he realizes they have led him far, far off his department's turf and into a maelstrom of betrayal and death. North Korea's leaders are desperate to hunt down and eliminate anyone who knows too much about a series of decades-old kidnappings and murders--and Inspector O discovers too late he has been sent into the chaos. This is a world where nothing works as it should, where the crimes of the past haunt the present, and where even the shadows are real. A corpse in Pyongyang's main hotel---the Koryo---pulls Inspector O into a confrontation of bad choices between the devils he knows and those he doesn't want to meet. A blue button on the floor of a hotel closet, an ice blue Finnish lake, and desperate efforts by the North Korean leadership set Inspector O on a journey to the edge of a reality he almost can't survive. Like Philip Kerr's Berlin Noir trilogy and the Inspector Arkady Renko novels, A Corpse in the Koryo introduces another unfamiliar world, a perplexing universe seemingly so alien that the rules are an enigma to the reader and even, sometimes, to Inspector O. Author James Church weaves a story with beautifully spare prose and layered descriptions of a country and a people he knows by heart after decades as an intelligence officer. This is a chilling portrayal that, in the end, leaves us wondering if what at first seemed unknowable may simply be too familiar for comfort.   Critical Acclaim for The Corpse in the Koryo "This is a fine, intelligent, and exciting story that takes us into the netherworld of contemporary North Korean communism. It evokes the gray milieu without ever overstepping its mark, allowing us to see it from the inside rather than the outside, wherein the humanity of all the characters, both good and evil, is apparent. Inspector O is a particularly wonderful creation, a true mensch attempting to hold on to his humanity in a world where humanism is under constant attack. Subtlety is the method, and the result is fantastic work that should mark the beginning of a brilliant career for James Church." ---Olen Steinhauer, author of Liberation Movements "For over fifty years Americans have tried to understand the world of North Korea. James Church does a better job of describing the isolated, impoverished, corrupt, and out- of-touch life in the North than anything I have seen. This novel is a must-read for anyone who would understand how precarious the dictatorship is."---Newt Gingrich, author of Winning Back the Future and Never Call Retreat "A gripping story of mystery and intrigue. The laconic Inspector O follows in the traditions of Inspector Arkady Renko, operating in a world of complexity and danger we're meeting here for the first time." ---Don Oberdorfer, author of Tet! "Church's debut thriller breaks new ground. O is an original. This is an expert take on a complex, brutal, and mystifying society. Immerse yourself in it." ---Marshall Browne, author of Eye of the Abyss and the Inspector Anders series  "The Corpse in the Koryo is a spellbinder. Bloody and chilling, yet subtle in its psychological detail, with an amazing understanding of North Korea." ---Ezra F. Vogel, Henry Ford II Professor of the Social Sciences, Harvard University Asia Center "The (pseudonymous) author, a veteran intelligence officer, has intimate knowledge of Asian life and politics, and it shows: He gives the North Korea setting a feeling of palpable reality, depicting the nature of daily life under a totalitarian government not just with broad sociopolitical descriptions but also with specific everyday details. . . . There is also a little of Martin Cruz Smith's early Arkady Renko novels here. The writing is superb, too, well above the level usually associated with a first novel, richly layered and visually evocative." ---Booklist (starred review)

    In a chilling world of mystery and silence, disguise and deception, he'll risk everything for the sake of one little girl—and discover a Moon Mathias who's a better man than he ever thought he could be.

    But a cop named Foley is on to Eddie and he's leaning on him to finger Scalisi, a gang leader with a lot to hide. And then there's Dillon-a full-time bartender and part-time contract killer--pretending to be Eddie's friend. Wheeling, dealing, chasing, and stealing--that's Eddie, and he's got lots of friends.

    An arsonist, a covetous nurse, and the endearing village idiot are among the few who have ever seen Mary.Newcomers to Mill River -- a police officer and his daughter and a new fourth grade teacher -- are also curious about the reclusive old woman. But only Father Michael O’Brien knows Mary and the secret she keeps -- one that, once revealed, will change all of their lives forever.

    We know that his late partner, Miles Archer, was a son of a bitch; that Spade is sleeping with Archer’s wife, Iva; that his tomboyish secretary, Effie Perine, is the only innocent in his life. What we don’t know is how Spade became who he is. Spade & Archer completes the picture.1921: Spade sets up his own agency in San Francisco and clients quickly start coming through the door. The next seven years will see him dealing with booze runners, waterfront thugs, stowaways, banking swindlers, gold smugglers, bumbling cops, and the illegitimate daughter of Sun Yat-sen; with murder, other men’s mistresses, and long-missing money. He’ll bring in Archer as a partner, though it was Archer who stole his girl while he was fighting in World War I. He’ll tangle with a villain who never loses his desire to make Spade pay big for ruining what should’ve been the perfect crime. And he’ll fall in love—though it won’t turn out for the best. It never does with dames . . .Spade & Archer is a gritty, pitch-perfect, hard-boiled novel—the work of a master mystery writer—destined to become a classic in its own right.

    Bogosian is a hilarious wit: there is one line after another that you will quote to friends. He is a born storyteller with perfect pitch for the voices of various ethnic, racial and economic backgrounds. Using every powerful means available to a theatre artist, he shakes the cages of a complacent country engulfed by homelessness to ask just exactly who, if anyone, is home." -Frank Rich, New York Times"Greatly and bilaterally talented... spiky, stinging, caustic without cauterizing. And funny." -John Simon, New York Magazine"Scabrously funny... a dervish of a performer, ricocheting off the walls of the male psyche." -Boston PhoenixEric Bogosian is one of our most innovative and provocative artists, with a unique gift for portraying the currents and idioms of contemporary society. The monologues in Sex, Drugs, Rock & Roll form a composite picture of the complex, sometimes alarming state of American culture in the 1990s.One of America’s premier performers and most innovative and provocative artists, Bogosian’s plays and solo work include suburbia (Lincoln Center Theater, 1994; adapted to film by director Richard Linklater, 1996); Sex, Drugs, Rock & Roll, Pounding Nails in the Floor with My Forehead; Griller; Humpty Dumpty; 1+1; Skunkweed; Wake Up and Smell the Coffee; Drinking in America; Notes from Underground and Talk Radio (Pulitzer Prize finalist; New York Shakespeare Festival, 1987; Broadway, 2007; adapted to film by director Oliver Stone, 1988). He has starred in a wide variety of film, TV and stage roles. Most recently, he created the character of Captain Danny Ross on the long-running series Law & Order: Criminal Intent. In 2014, TCG published 100 (monologues), a collection that commemorates thirty years of Bogosian’s solo-performance career.

    Now the acclaimed author turns to World War I, bringing to life the sweeping, emotional story of the war that devastated a generation and established America as a world power.Spring 1916: the horror of a stalemate on Europe’s western front. France and Great Britain are on one side of the barbed wire, a fierce German army is on the other. Shaara opens the window onto the otherworldly tableau of trench warfare as seen through the eyes of a typical British soldier who experiences the bizarre and the horrible–a “Tommy” whose innocent youth is cast into the hell of a terrifying war.In the skies, meanwhile, technology has provided a devastating new tool, the aeroplane, and with it a different kind of hero emerges–the flying ace. Soaring high above the chaos on the ground, these solitary knights duel in the splendor and terror of the skies, their courage and steel tested with every flight.As the conflict stretches into its third year, a neutral America is goaded into war, its reluctant president, Woodrow Wilson, finally accepting the repeated challenges to his stance of nonalignment. Yet the Americans are woefully unprepared and ill equipped to enter a war that has become worldwide in scope. The responsibility is placed on the shoulders of General John “Blackjack” Pershing, and by mid-1917 the first wave of the American Expeditionary Force arrives in Europe. Encouraged by the bold spirit and strength of the untested Americans, the world waits to see if the tide of war can finally be turned.From Blackjack Pershing to the Marine in the trenches, from the Red Baron to the American pilots of the Lafayette Escadrille, To the Last Man is written with the moving vividness and accuracy that characterizes all of Shaara’s work. This spellbinding new novel carries readers–the way only Shaara can–to the heart of one of the greatest conflicts in human history, and puts them face-to-face with the characters who made a lasting impact on the world.

    Only four men knew what it meant. Now they must stop it. They are Vietnam vets a doctor, a lawyer, a working stiff, and a writer. Very different from each other, they are nonetheless linked by a shared history and a single shattering secret. Now, they have been reunited and are about to embark on a quest that will take them from Washington, D.C., to the graveyards and fleshpots of the Far East to the human jungle of New York, hunting someone from the past who has risen from the darkness to kill and kill and kill.

    This collection brings together twenty-one of Lardner’s best pieces, including the six Jack Keefe stories that comprise You Know Me, Al, as well as such familiar favorites as “Alibi Ike,” “Some Like Them Cold,” and “Guillible’s Travels.”

    involvement in Vietnam_the Kennedy/Diem era_remains as fresh and stimulating today as when it was first published in 1965. In the introduction to this edition, historian Daniel J. Singal provides crucial background information that was unavailable when the book was written.

    The dead ones. They were dead, but they had lights. Why do the dead need light?Three hundred years ago, the settlers on the small Maine island of Sanctuary were betrayed to their enemies and slaughtered. Since then, the island has known peace. Until now. A gang of four men are descending on Sanctuary, intent on committing a brutal and relentless massacre. All that stands in their way are rookie police officer Sharon Macie and the strange, troubled officer Joe Dupree.But Joe is no ordinary policeman. He knows the island has been steeped in blood once and that it will never again tolerate the shedding of innocent blood. The band of killers who are set to desecrate Sanctuary will unleash the fury of its ghosts upon themselves and all who stand by them. On Sanctuary, all hell is about to break loose ...

    The controversy provoked by Babbitt was influential in the decision to award the Nobel Prize in Literature to Lewis in 1930.