The poet has faith in economy and trusts in images to transfer knowledge that speech cannot. In Curses and Wishes the short, simple lines add up to a thoughtful book possessed with lyrical melancholy, a harmony of sadness and joy that sings: May happiness be a wheel, a lit throne, spinning / in the vast pinprick of darkness. By the close of this ambitious work the poet has inspired readers to see the multifaceted effects of our human connections.

    A yellow-striped, green measuring worm opens Anterooms, a collection filled with poems that are classic Wilbur, that play with myth and form and examine the human condition through reflections on nature and love. Anterooms also features masterly translations from Mallarmé’s “The Tomb of Edgar Allan Poe,” a previously unpublished Verlaine poem, two poems by Joseph Brodsky, and thirty-seven of Symphosius’s clever Latin riddles. Whether he is considering a snow shovel and domestic life or playfully considering that “Inside homeowner is the word meow,” Wilbur’s new collection is sure to delight everyone from longtime devotees to casual poetry readers. Exploring the interplay between the everyday and the mythic, the sobering and the lighthearted, Anterooms is nothing less than an event in poetic history and a remarkable addition to a master’s oeuvre.

    An essential book for a full understanding of one of our major poets.Color woodcut, Night Scene, by Neil Welliver. Courtesy of the artist.

     "El Rayo de Luna" is one of his short stories.

    He is considered by Octavio Paz to be instrumental to the genesis of modern Latin American poetry and “one of the best poets” of the Spanish language. Toward the end of his life, he had published for over fifty years and brought in crowds of more than 3,000 to a readings in his native country. Coined the “Sniper of Literature” by Cuban poet Roberto Fernández Retamar, Sabines brought poetry to the streets. His vernacular, authentic poems are accessible: meant not for other poets, or the established or elite, but for himself and for the people.In this translation of his fourth book, Tarumba, we find ourselves stepping into Sabines’ streets, brothels, hospitals, and cantinas; the most bittersweet details are told in a way that reaffirms: “Life bursts from you, like scarlet fever, without warning.” Eloquently co-translated by Philip Levine and the late Ernesto Trejo, this bilingual edition is a classic for Spanish- and English-speaking readers alike. Secretive, wild, and searching, these poems are rife with such intensity you’ll feel “heaven is sucking you up through the roof.” Jaime Sabines was born on March 25, 1926 in Chiapas, Mexico. In 1945, he relocated to Mexico City where he studied Medicine for three years before turning his attention to Philosophy and Literature at the University of Mexico. He wrote eight books of poetry, including Horal (1950), Tarumba (1956), and Maltiempo (1972), for which he received the Xavier Villaurrutia Award. In 1959, Sabines was granted the Chiapas Prize and, in 1983, the National Literature Award. In addition to his literary career, Sabines served as a congressman for Chiapas. Jaime Sabines died in 1999; he remains one of Mexico’s most respected poets.  Philip Levine (translator) was born in Detroit, Michigan, in 1928. He is the author of sixteen books of poetry, most recently Breath (Alfred A. Knopf, 2004). His other poetry collections include The Mercy (1999); The Simple Truth (1994), which won the Pulitzer Prize; What Work Is (1991), which won the National Book Award; New Selected Poems (1991); Ashes: Poems New and Old (1979), which received the National Book Critics Circle Award and the first American Book Award for Poetry; 7 Years From Somewhere (1979), which won the National Book Critics Circle Award; and The Names of the Lost (1975), which won the Lenore Marshall Poetry Prize. He has received the Ruth Lilly Poetry Prize, the Harriet Monroe Memorial Prize from Poetry, the Frank O'Hara Prize, and two Guggenheim Foundation fellowships. Philip Levine lives in New York City and Fresno, California, and teaches at New York University.

    Heaney's performance reminds us that Beowulf, written near the turn of another millennium, was intended to be heard not read.Composed toward the end of the first millennium of our era, Beowulf is the elegiac narrative of the adventures of Beowulf, a Scandinavian hero who saves the Danes from the seemingly invincible monster Grendel and, later, from Grendel's mother. He then returns to his own country and lives to old age before dying in a vivid fight against a dragon.The poem is about encountering the monstrous, defeating it, and then having to live on in the exhausted aftermath. In the contours of this story, at once remote and uncannily familiar at the end of the twentieth century, Seamus Heaney finds a resonance that summons power to the poetry from deep beneath its surface.

    THE 'MUST-HAVE' COMPLETE COLLECTIONIn this irresistible, 'must-have' collection you get ALL the Legendary Ancient Writers, AND get ALL their plays, books and works at the same time. But that is not all..MULTIPLE TRANSLATIONSIn addition, you will also get 2 other important benefits:*Multiple translations of many of the works, covering their translation into Rhyming Verse, Blank Verse and Prose.*In-Depth Footnotes, Introductions and Explanations.INCLUDED WORKS: WORKS OF HOMER:THE ILIAD*ALEXANDER POPE TRANSLATION - Verse*SAMUEL BUTLER TRANSLATION - Prose*EARL OF DERBY TRANSLATION - Verse*LANG, LEAF, MYERS TRANSLATION - Prose*WILLIAM COWPER TRANSLATION - Blank VerseTHE ODYSSEY*ALEXANDER POPE TRANSLATION - Verse*SAMUEL BUTLER TRANSLATION - Prose*LANG, BUTCHER TRANSLATION - Prose*WILLIAM COWPER TRANSLATION - Blank VerseWORKS OF OVID:*HEORIDES *ARS AMORICA, AMORES (The Love Poems)*METAMORPHOSESWORKS OF SOPHOCLESTHE OEDIPUS TRILOGY:*ANTIGONE*KING OEDIPUS*OEDIPUS AT COLONOS*AIAS*ELECTRA*THE TRACHINIAN MAIDENS*PHILOCTETESWORKS OF VIRGIL*THE AENEID - Prose*THE AENEID - Verse*ECOLOGUES*GEORGICSWORKS OF APOLLONIUS*ARGONAUTICA (JASON AND THE ARGONAUTS,THE GOLDEN FLEECE)WORKS OF QUINTUS*POSTHOMERICAWORKS OF HESIOD*WORK AND DAYS*THEOGONY*HOMERICA AND HYMNS(including many rarities such as 'Contest between Hesiod and Homer' and 'The Small Iliad')WORKS OF EURIPIDES*ANDROMACHE*RHESUS*HECUBA*ION*HERACLES*HERACLIEDAE*HELEN*ELECTRA*CYCLOPS*ALCESTIS*ORESTES*PHOENISSAE*MEDEA*HIPPOLYTUS*BACCHAE*IPHIGENIA IN AULIDE*IPHIGENIA IN TAURIS*TROJAN WOMENWORKS OF APULEIUS*THE GOLDEN ASS*APOLOGIA (A DISCOURSE IN MAGIC)WORKS OF APOLLODORUS*LIBRARYWORKS OF AESOP*COMPLETE FABLESWORKS OF AESCHYLUS*PERSIANS*PROMETHEUS BOUND*SEVEN AGAINST THEBES*SUPPLIANTS*AGAMEMNON*LIBATION BEARERS*EUMENIDES*CHOEPORIWORKS OF ARISTOPHANES*THE ELEVEN COMEDIESYOUR ENVIABLE COLLECTIONImagine the joy of having this exclusive collection, which rivals many libraries, at your fingertips. Imagine the incredible pleasure of reading these nuggets of literature gold, discovering inspiration in the kind of fantastic, mythological tales you love.PLUS YOU GET FREE BONUSES:*Biographies of each of the Writers - Details of their colorful histories, intriguing personal lives and remarkable adventures in the ancient world.*Easy to navigate 'Table of Contents' - jump between works and between chapters in each work easily.

    

    Meeting-place of fever and the cold eye, in a passion which could hold together with his own arms the flying apart of his own time. He claimed it, its past and the moment that held it with its own arms, the present.They were lyrics he brought to me, cut as if with an adze; and I began to translate. In his early lyrics, with their speed, their transparencies, their couples lying together, all couples, all opposites, there was a chance for the reader to see what was flashing out of Mexico in this young poet. He glittered in his airs and silences, his sudden strokes:Our bones are lightningin the night of the flesh.0 world, all is night,life is the lightning.-from a foreword

    The book and the dream are the poet’s primary objects of investigation here. Through deft, quietly authoritative lyrics, Fisher meditates on the problems and possibilities—the frail craft—of perception for the reader, the dreamer, maintaining that “if the eye can love—and it can, it does—then I held you and was held.” In her foreword to the book, Louise Glück writes that Fisher’s poetry is “haunting, elusive, luminous, its greatest mystery how plain-spoken it is. Sensory impressions, which usually serve as emblems of or connections to emotion, seem suddenly in this work a language of mind, their function neither metonymic nor dramatic. They are like the dye with which a scientist injects his specimen, to track some response or behavior. Fisher uses the sense this way, to observe how being is converted into thinking.”

    

    Divided into four sections: love, loss, acceptance, and growth- the content serves the purpose of making you feel and finding the light at the end of the tunnel.

    Songs of Ourselves is an accessible one-volume introduction to the astonishing range of forms, styles and content of verse written in the English language over more than four centuries, containing work by more than 100 poets from all parts of the English-speaking world.

    By turns sassy and serious, the poems can seem to sprint in two directions at once, managing to make the reader laugh at the same time they are struck by the emotional strength of the work. "Charming, inviting, beguiling and delightful poems in the language of someone who seems alive speaking refreshing riddles to herself." SHEILA HETI"Uptalk is a book of transcribed whale songs. Some scientists gave a whale a microphone and she took it home and stayed up all night under the covers talking to herself about faces and word-parts. I am delighted that Kimmy took it upon herself to transcribe this unique document of marine biology, and my heart goes out to the brilliant, charming whale author, wherever she may be." SARA WOODS

    This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.