The woman quotes a phrase from the Karlson fragments that Caddie knows does not exist—and yet to Caddie, who knows Inga Karlson’s work like she knows her name, it feels genuine.Caddie is electrified. Jolted her from her sleepy, no-worries life in torpid 1980s Brisbane, she is driven to investigate: to find the clues that will unlock the greatest literary mystery of the twentieth century

    She plans only to check on her ailing mother and leave. But Tilly decides to stay, and though she is still an outcast, her lush, exquisite dresses prove irresistible to the prim women of Dungatar. Through her fashion business, her friendship with Sergeant Farrat—the town’s only policeman, who harbors an unusual passion for fabrics—and a budding romance with Teddy, the local football star whose family is almost as reviled as hers, she finds a measure of grudging acceptance. But as her dresses begin to arouse competition and envy in town, causing old resentments to surface, it becomes clear that Tilly’s mind is set on a darker design: exacting revenge on those who wronged her, in the most spectacular fashion.

    Darwin, 1942, and as Japanese bombs rain down, motherless Molly Hook, the gravedigger's daughter, turns once again to the sky for guidance. She carries a stone heart inside a duffel bag next to the map that leads to Longcoat Bob, the deep-country sorcerer who put a curse on her family. By her side are the most unlikely travelling companions: Greta, a razor-tongued actress and Yukio, a fallen Japanese fighter pilot. Run, Molly, run, says the daytime sky. Run to the vine forests. Run to northern Australia's wild and magical monsoon lands. Run to friendship. Run to love. Run. Because the graverobber's coming, Molly, and the night-time sky is coming with him. So run, Molly, run.All Our Shimmering Skies is a story about gifts that fall from the sky, curses we dig from the earth and the secrets we bury inside ourselves. It is an odyssey of true love and grave danger, of darkness and light, of bones and blue skies; a buoyant, beautiful and magical novel abrim with warmth, wit and wonder; and a love letter to Australia and the art of looking up.

    She is taken in by her estranged grandmother, June, a flower farmer who raises Alice on the language of Australian native flowers, a way to say the things that are too hard to speak. But Alice also learns that there are secrets within secrets about her past. Under the watchful eye of June and The Flowers, women who run the farm, Alice grows up. But an unexpected betrayal sends her reeling, and she flees to the dramatically beautiful central Australian desert. Alice thinks she has found solace, until she falls in love with Dylan, a charismatic and ultimately dangerous man.The Lost Flowers of Alice Hart is a story about stories: those we inherit, those we select to define us, and those we decide to hide. It is a novel about the secrets we keep and how they haunt us, and the stories we tell ourselves in order to survive. Spanning twenty years, set between the lush sugar cane fields by the sea, a native Australian flower farm, and a celestial crater in the central desert, Alice must go on a journey to discover that the most powerful story she will ever possess is her own.

    But as the days tick by with no arrest, Chris's suspicion of those around her grows.

    But it is. And it is nothing like I expected.'There was a short time in Australia's European history when two women wielded extraordinary power and influence behind the scenes of the fledgling colony.One was Elizabeth Macquarie, the wife of the new governor Lachlan Macquarie, nudging him towards social reform and magnificent buildings and town planning. The other was Elizabeth Macarthur, credited with creating Australia's wool industry and married to John Macarthur, a dangerous enemy of the establishment.These women came from strikingly different backgrounds with husbands who held sharply conflicting views. They should have been bitter foes. Elizabeth & Elizabeth is about two courageous women thrown together in impossible times.Borne out of an overriding admiration for the women of early colonial Australian history, Sue Williams has written a novel of enduring fascination.

    MARALINGA has them all! During the darkest days of the Cold War, in the remote wilderness of a South Australian desert, the future of an infant nation is being decided . . . without its people's knowledge. A British airbase in the middle of nowhere; an atomic weapons testing ground; an army of raw youth led by powerful, ambitious men - a cocktail for disaster. Such is Maralinga in the spring of 1956.MARALINGA is a story of British Lieutenant Daniel Gardiner, who accepts a twelve-month posting to the wilds of South Australia on a promise of rapid promotion; Harold Dartleigh, Deputy Director of MI-6 and his undercover operative Gideon Melbray; Australian Army Colonel Nick Stratton and the enigmatic Petraeus Mitchell, bushman and anthropologist. They all find themselves in a violent and unforgiving landscape, infected with the unique madness and excitement that only nuclear testing creates.MARALINGA is also a story of love; a love so strong that it draws the adventurous young English journalist Elizabeth Hoffmann halfway around the world in search of the truth. And MARALINGA is a story of heartbreak; heartbreak brought to the innocent First Australians who had walked their land unhindered for 40,000 years.Maralinga . . . a desolate place where history demands an emerging nation choose between hell and reason.

    Bila Yarrudhanggalangdhuray is one of those books – a novel that turns Australia’s long-mythologised settler history into a raw and resilient heartsong.' – Guardian ***2021 ARA HISTORICAL NOVEL PRIZE SHORTLIST*** ***2022 INDIE BOOK AWARDS LONGLIST*** ***2022 VICTORIAN PREMIER'S LITERARY AWARDS HIGHLY COMMENDED*** _______________________________________________ Gundagai, 1852 The powerful Murrumbidgee River surges through town leaving death and destruction in its wake. It is a stark reminder that while the river can give life, it can just as easily take it away. Wagadhaany is one of the lucky ones. She survives. But is her life now better than the fate she escaped? Forced to move away from her miyagan, she walks through each day with no trace of dance in her step, her broken heart forever calling her back home to Gundagai. When she meets Wiradyuri stockman Yindyamarra, Wagadhaany’s heart slowly begins to heal. But still, she dreams of a better life, away from the degradation of being owned. She longs to set out along the river of her ancestors, in search of lost family and country. Can she find the courage to defy the White man’s law? And if she does, will it bring hope ... or heartache?Set on timeless Wiradyuri country, where the life-giving waters of the rivers can make or break dreams, and based on devastating true events, Bila Yarrudhanggalangdhuray (River of Dreams) is an epic story of love, loss and belonging.Praise for Bila Yarrudhanggalangdhuray (River of Dreams) 'Heiss fuses fiction with realism, conjuring a resonance still felt in Blak struggle today ... packs heart into every page.' – Saturday Paper 'Tells a powerful and affecting tale of Aboriginal people's identity, community and deep connection to country.’ – Canberra Times ' A profoundly moving showcase of Heiss’ skill ... Intimate, reflective, and impossible to put down.’  – The AU Review ‘Engrossing and wonderful storytelling. I really loved these strong, brave Wiradyuri characters.’ – Melissa Lucashenko ‘A powerful story of family, place and belonging.’ – Kate Grenville ‘A remarkable story of courage and a love of country ... Anita Heiss writes with heart and energy on every page.’ – Tony Birch'It is a love story, a story of loss, a hopeful story. The river is a guide, but you have to be open to its spiritual lessons.' – Terri Janke ‘Anita Heiss is at the height of her storytelling powers in this inspiring, heart-breaking, profound tale.’ – Larissa Behrendt 'The novel flows like the great Murrumbidgee River itself, with powerful undercurrents that sweep the reader along - I feel it's a book that all Australians should read, to try and understand why our colonial past still causes so much pain and grievance.’ – Kate Forsyth

    The choices she makes will change her life forever.Growing up in Hitler’s Germany, Charlotte von Klein has big dreams for the future. Her mind is full of plans for a sumptuous wedding to her childhood sweetheart Heinrich while working for the Luftwaffe, proudly giving her all for the Fatherland.But in 1943, the tide of the war is turning against Germany, and Lotte’s life of privilege and comfort begins to collapsing around her. As Hitler’s Reich abandons Germany and the country falls to the Allied forces, Lotte is forced to flee from the unfolding chaos to the country with the darkly attractive Erich Drescher, her Luftwaffe superior.Amid the danger, pain and heartbreak of a country turning on itself, Lotte must forge a new life for herself. But as the country struggles to find its future, shadows of the past come rushing back and Lotte finds herself questioning everything she has fought for - love, duty and freedom.

    But, for Isla and her brother, their mother's sadness and the cold, damp greyness of Hobart's stone streets seeps into everything.Then, one morning, Isla sees a red ship. That colour lights her day. And when a sailor from the ship befriends her mother, he shares his stories with them all - of Antarctica, his home in Denmark and life onboard. Like the snow white petrels that survive in the harshest coldest place, this lonely girl at the bottom of the world will learn that it is possible to go anywhere, be anything. But she will also find out that it is just as easy to lose it all.For Isla, those two long summers will change everything.Favel Parrett delivers an evocative and gently told story about the power fear and kindness have to change lives.

    a trip to the dark lands of Australian Gothic, for readers of Kate Morton and Hannah Richell. Last night I dreamt I went to Sargasso again ...As a child, Hannah lived at Sargasso, the isolated beachside home designed by her father, a brilliant architect. A lonely, introverted child, she wanted no company but that of Flint, the enigmatic boy who no one else ever saw ... and who promised he would always look after her.Hannah's idyllic childhood at Sargasso ended in tragedy, but now as an adult she is back to renovate the house, which she has inherited from her grandmother. Her boyfriend Tristan visits regularly but then, amid a series of uncanny incidents, Flint reappears ... and as his possessiveness grows, Hannah's hold on the world begins to lapse. What is real and what is imaginary, or from beyond the grave?A mesmerising Australian novel that echoes the great Gothic stories of love and hate: Wuthering Heights, Jane Eyre, and especially Daphne du Maurier's Rebecca.'So beautifully written, so skilfully plotted, such a masterpiece of tension and atmosphere ...' Australian Book Review

    Twenty-six years earlier, Sammy Went, a two-year old girl vanished from her home in Manson, Kentucky. An American accountant who contacts Kim is convinced she was that child, kidnapped just after her birthday. She cannot believe the woman who raised her, a loving social worker who died of cancer four years ago, crossed international lines to steal a toddler.On April 3rd, 1990, Jack and Molly Went’s daughter Sammy disappeared from the inside their Kentucky home. Already estranged since the girl’s birth, the couple drifted further apart as time passed. Jack did his best to raise and protect his other daughter and son while Molly found solace in her faith. The Church of the Light Within, a Pentecostal fundamentalist group who handle poisonous snakes as part of their worship, provided that faith. Without Sammy, the Wents eventually fell apart.Now, with proof that she and Sammy are in fact the same person, Kim travels to America to reunite with a family she never knew she had. And to solve the mystery of her abduction—a mystery that will take her deep into the dark heart of religious fanaticism where she must fight for her life against those determined to save her soul…

    Eleven years on, she returns to the small town of Harlington, determined to confront the past and, finally, to cut all ties and sell her family's farm.Complicating her desire to get out of Harlington, Berry is drawn to her childhood crush, Nate Tarant, He never knew she existed back then. But things change and this time, Nate seems to be very much aware of her presence.While in town, Berry begins to question the long-believed story of what happened to her family. Someone in Harlington is hiding a secret - one that could not only change her life but also alter the past.Will she ever find out the truth and can one old rumour shed light on the real events of that night?

    She leaves behind the graves of her husband Joe and her baby daughter. With no money and limited options, Stella accepts her brother-in-law Harry’s offer to live at the O’Riain cane farm in the Richmond Valley. There she hopes to get answers to the questions that plague her about her marriage. However Harry refuses to discuss Joe or the family’s secrets, even forbidding her to speak to the owner of the neighbouring property.Nearly a century earlier in County Tipperary, Irish cousins Brandon and Sean O’Riain also fled their homes – as wanted criminals. By 1867, they are working as cedar-cutters in New South Wales’s lush green Richmond Valley. But while Brandon embraces the opportunities this new country offers, Sean refuses to let go of the past. And one cousin is about to make a dangerous choice that will have devastating consequences down the generations . . .

    But in Thirroul, in 1948, she’s not the only person trying to chase dreams through books. There’s Roy McKinnon, who found poetry in the mess of war, but who has now lost his words and his hope. There’s Frank Draper, trapped by the guilt of those his medical treatment and care failed on their first day of freedom. All three struggle to find their own peace, and their own new story.But along with the firming of this triangle of friendship and a sense of lives inching towards renewal come other extremities—and misunderstandings. In the end, love and freedom can have unexpected ways of expressing themselves.The Railwayman’s Wife explores the power of beginnings and endings, and how hard it can sometimes be to tell them apart. Most of all, it celebrates love in all its forms, and the beauty of discovering that loving someone can be as extraordinary as being loved yourself.