The first thing she needs is some magic.Poor Princess Anya. Forced to live with her evil stepmother’s new husband, her evil stepstepfather. Plagued with an unfortunate ability to break curses with a magic-assisted kiss. And forced to go on the run when her stepstepfather decides to make the kingdom entirely his own.Aided by a loyal talking dog, a boy thief trapped in the body of a newt, and some extraordinarily mischievous wizards, Anya sets off on a Quest that, if she plays it right, will ultimately free her land—and teach her a thing or two about the use of power, the effectiveness of a well-placed pucker, and the finding of friends in places both high and low.

    The island is surrounded by a magical force field that keeps the villains and their descendants safely locked up and away from the mainland. Life on the island is dark and dreary. It is a dirty, decrepit place that's been left to rot and forgotten by the world.But hidden in the mysterious Forbidden Fortress is a dragon's eye: the key to true darkness and the villains' only hope of escape. Only the cleverest, evilest, nastiest little villain can find it...who will it be?Maleficent, Mistress of the Dark: As the self-proclaimed ruler of the isle, Maleficent has no tolerance for anything less than pure evil. She has little time for her subjects, who have still not mastered life without magic. Her only concern is getting off the Isle of the Lost.Mal: At sixteen, Maleficent's daughter is the most talented student at Dragon Hall, best known for her evil schemes. And when she hears about the dragon's eye, Mal thinks this could be her chance to prove herself as the cruelest of them all.Evie: Having been castle-schooled for years, Evil Queen's daughter, Evie, doesn't know the ins and outs of Dragon Hall. But she's a quick study, especially after she falls for one too many of Mal's little tricks.Jay: As the son of Jafar, Jay is a boy of many talents: stealing and lying to name a few. Jay and Mal have been frenemies forever and he's not about to miss out on the hunt for the dragon's eye.Carlos: Cruella de Vil's son may not be bravest, but he's certainly clever. Carlos's inventions may be the missing piece in locating the dragon's eye and ending the banishment for good.Mal soon learns from her mother that the dragon's eye is cursed and whoever retrieves it will be knocked into a deep sleep for a thousand years. But Mal has a plan to capture it. She'll just need a little help from her "friends." In their quest for the dragon's eye, these kids begin to realize that just because you come from an evil family tree, being good ain't so bad.

    Each story is also accompanied by black and white illustrations and includes fresh perspectives with hilarious new twists.Using details never revealed before, this sure-to-be treasured collection includes:RapunzelCinderellaThe Princess and the PeaRumpelstiltskinThe Pied PiperThe Swan BrothersSnow WhiteRed Riding HoodThe Twelve Dancing PrincessesHansel and Gretel

    But he dives after friends whisked away to The Outskirts.The five kingdoms lie in between - wakefulness and dreaming, reality and imagination, life and death. Some people are born there. Some find their way there from other worlds.And once people are in the Outskirts, they find it very hard to leave.With the magic of the Outskirts starting to unravel, Cole and an unusual girl named Mira must rescue his friends, set things right in the Outskirts, and hopefully find his way back home…before his existence is forgotten.

    Eva's great desire is to go aboveground, and her wish comes true, though not as she had imagined. On the surface, Eva goes in search of other humans--she has never met one--and soon meets both friend and foe.

    First, the impetuous, red-haired orphan meetsand must win the love ofher foster parents at the scenic farmhouse known as Green Gables. Her adventures continue as she becomes the new schoolmistress in Avonlea, where she finds new challenges and true love.

    They were great tall things, the ironwork all twisted leaves and queer-looking flowers. And they were very definitely shut.'Tilly's heart sinks. Will's at the door of their cottage, daring her to come ice-skating up at Frost Hollow Hall. No one goes near the place these days. Rumour has it that the house is haunted . . . Ten years ago the young heir, Kit Barrington, drowned there in the lake. But Tilly never turns down a dare.Then it goes horribly wrong. The ice breaks, Tilly falls through and almost drowns. At the point of death, a beautiful angel appears in the water and saves her. Kit Barrington's ghost.Kit needs Tilly to solve the mystery of his death, so that his spirit can rest in peace. In order to discover all she can, Tilly gets work as a maid at Frost Hollow Hall. But the place makes her flesh crawl. It's all about the dead here, she's told, and in the heart of the house she soon discovers all manner of dark secrets . . .'Frost Hollow Hall' is a thrilling historical fiction debut. Told in Tilly's unique voice, it is a tale of love and loss, and how forgiveness is the key to recovery.

    Dumped in Paris by the Countess Carbunkle, who would rather run away to South America than continue in Ivy's companionship, our young heroine (of sorts) finds herself with no money and no home to go to ... until she is summoned to the bedside of the dying Duchess of Trinity. For the princely sum of £500 (enough to buy a carriage, and possibly a monkey), Ivy agrees to courier the Duchess's most precious possession – the Clock Diamond – to England, and to put it around the neck of the revolting Matilda Butterfield on her twelfth birthday. It's not long before Ivy finds herself at the heart of a conspiracy involving mischief, mayhem and murder. Illustrated in humorous gothic detail by Barbara Cantini, Anyone But Ivy Pocket is just the beginning of one girl's deadly comic journey to discover who she really is ..'

    Every artist possesses a Genius, a birdlike creature that is the living embodiment of an artist's creative spirit. Those caught with one face a punishment akin to death, so when Giacomo discovers he has a Genius, he knows he's in serious trouble.Luckily, he finds safety in a secret studio where young artists and their Geniuses train in sacred geometry to channel their creative energies as weapons. But when a murderous artist goes after the three Sacred Tools--objects that would allow him to destroy the world and everyone in his path--Giacomo and his friends must risk their lives to stop him.

    Her new guardian, her uncle Sir Benjamin, is kind and funny; the Manor itself feels like home right away; and every person and animal she meets is like an old friend. But there is something incredibly sad beneath all of this beauty and comfort, that shadowing Moonacre Manor and the town around it. Maria is determined to learn about it, change it, and give her own life story a happy ending.The enchanted valley of Moonacre is shadowed by a tragedy that happened years ago, and the memory of the Moon Princess and the mysterious little white horse. Determined to restore peace and happiness to the whole of Moonacre Valley, Maria finds herself involved with an ancient feud, and she discovers it is her destiny to end it and right the wrongs of her ancestors. Maria usually gets her own way. But what can one solitary girl do?A new-fashioned fantasy story that is as wonderful as the best classic fairy tales.(The 1994 mini-series "Moonacre" and 2008 movie "The Secret of Moonacre" and the are both based on this book.)

    Join the League. . . .   Anastasia is a completely average almost-eleven-year-old. That is, UNTIL her parents die in a tragic vacuum-cleaner accident. UNTIL she’s rescued by two long-lost great-aunties. And UNTIL she’s taken to their delightful and, er, “authentic” Victorian home, St. Agony’s Asylum for the Criminally Insane.But something strange is going on at the asylum. Anastasia soon begins to suspect that her aunties are not who they say they are. So when she meets Ollie and Quentin, two mysterious brothers, the three join together to plot their great escape!

    And no one knows that better than Ebenezer Tweezer, who has stayed beautiful for 511 years. How, you may wonder? Ebenezer simply has to feed the beast in the attic of his mansion. In return for meals of performing monkeys, statues of Winston Churchill, and the occasional cactus, Ebenezer gets potions that keep him young and beautiful, as well as other presents.But the beast grows ever greedier with each meal, and one day he announces that he’d like to eat a nice, juicy child next. Ebenezer has never done anything quite this terrible to hold onto his wonderful life. Still, he finds the absolutely snottiest, naughtiest, and most frankly unpleasant child he can and prepares to feed her to the beast.The child, Bethany, may just be more than Ebenezer bargained for. She’s certainly a really rather rude houseguest, but Ebenezer still finds himself wishing she didn’t have to be gobbled up after all. Could it be Bethany is less meal-worthy and more…friend-worthy?

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.

    She had no idea they were so dangerous.   Boston, 1891. Sophia Tims comes from a family of explorers and cartologers who, for generations, have been traveling and mapping the New World—a world changed by the Great Disruption of 1799, when all the continents were flung into different time periods.  Eight years ago, her parents left her with her uncle Shadrack, the foremost cartologer in Boston, and went on an urgent mission. They never returned. Life with her brilliant, absent-minded, adored uncle has taught Sophia to take care of herself. Then Shadrack is kidnapped. And Sophia, who has rarely been outside of Boston, is the only one who can search for him. Together with Theo, a refugee from the West, she travels over rough terrain and uncharted ocean, encounters pirates and traders, and relies on a combination of Shadrack’s maps, common sense, and her own slantwise powers of observation. But even as Sophia and Theo try to save Shadrack’s life, they are in danger of losing their own.The Glass Sentence plunges readers into a time and place they will not want to leave, and introduces them to a heroine and hero they will take to their hearts. It is a remarkable debut.

    When creatures like goblins and fairies and unicorns, all characters from a card game the Grey Griffins play, begin to make appearances in Max's backyard, Max and his friends know something is terribly wrong. And it's up to them to stop the wicked creatures of the cards from destroying their town-indeed, their world.